Movie – Elisa lives a life of quiet routine. She goes to work, where she has one friend with whom she can converse (Elisa is mute, and communicates with sign language). She scrubs the floors and the bathrooms and the labs at a government laboratory, and then she goes home. She watches old movies on TV with her neighbor, accompanied by his cats, and she goes to sleep to wake up and do the same thing again. That is, until a new specimen is brought into the lab – an amphibious man or a humanoid amphibian, captured in South America and brought here to be studied for the secrets of his biology. Moved by his obvious suffering, Elisa starts making friends with the creature, bringing him eggs from her lunch, teaching him sign. But Colonel Strickland, who is in charge of the project to research the creature, is under a strict deadline and is coming unraveled under the pressure, which puts not only the creature but everyone else around him in danger.
Guillermo del Toro is well known for his love of monsters, and The Shape of Water, his first Academy Award-winning film, feels like a distillation of everything he’s made before: political tension as a backdrop to a fantastical story; the triumph of the powerless banding together against the powerful; the monster as the most human character in the film. Less bleak than Pan’s Labyrinth, more forthrightly fantastic than The Devil’s Backbone, The Shape of Water is the not-so-doomed love story we all need right now. Once you’ve seen the movie, be sure to check out the novel, co-written with award-winning horror novelist Daniel Kraus simultaneously with the film’s production.