Book–Oliver Ryan, famous children’s book writer, and his loyal wife Alice, who illustrates his books, have a seemingly happy life until one night, after a very good dinner, he hits her, leaves, then comes back to beat her into a coma. The rest of the book is like peeling the layers of an onion. Nugent jumps around in chronology and in viewpoint, each character giving their take on Oliver, their past with him, and why he did it. From his harsh upbringing in a Catholic boarding school, to a fateful summer in France, to his current success, the reader gets more insight into Oliver’s character and motivations with every chapter. By the end, the reader should understand why he did it. Whether you find him sympathetic or a monster is up to you.
Like many books with this structure, it can get a little repetitive. We read tellings of the same scene from so many viewpoints that the details can wear thin by the second character’s take. Also, the story is full of too-convenient coincidences that stretch belief. Nevertheless, I read it in one sitting and found myself sucked in to Unraveling Oliver the way the best domestic thrillers suck you in. While I still found him absolutely monstrous at the end, I could see a different reader coming around to find him at least pitiable, if not sympathetic. This should appeal to people who like the recent spate of compelling Girl novels (Gone Girl, Girl on the Train, etc). If you’re looking for your next read, try B. A. Paris’ Behind Closed Doors, or, in fact, any of B. A. Paris‘ domestic thriller novels.