Book–In the port town of Malacca in Malaya in the 19th century (modern-day Malaysia), Li Lan is the daughter of a impoverished-but-genteel opium addict. Though of marriageable age, Li Lan receives no suitors but one: the prestigious Lim family wants her for their only son’s bride. There’s a catch, however. Lim Tian Ching, heir to the Lim family fortune, has recently died under mysterious circumstances and is demanding a bride from beyond the grave. Ghost marriage, an ancient but rarely practiced custom, is used to soothe an angry spirit, and guarantees the bride’s place in her groom’s house for the rest of her life.
Before Li Lan has even accepted the proposal, Lim Tian Ching begins to haunt her, and she is drawn into lifelike nightmares that sap away her energy. Li Lan is torn between the waking world and the shadowy ghost world where, if she’s not careful, she may remain forever.
The gorgeous, strange setting of turn of the century Malaya and the dreamlike ghost world draw the reader in, stealing the show from the somewhat milquetoast Li Lan and her trite love triangle between new Lim heir Tian Bai and mysterious spirit Er Lang. The Ghost Bride will appeal to those who enjoyed the movie Spirited Away, which has a similar beautiful, nightmarish, dream-logic setting and characters drawn with a light hand.
Book–Based on some 200 cases of ‘fasting girls’ in the US and Great Britain throughout the 19th century, The Wonder follows Lib Wright, a no-nonsense nurse who trained under Florence Nightingale in the Crimean War, who is contracted to determine the veracity of the titular Wonder, a young Irish girl named Anna O’Donnell whose family claims she, of her own volition, has not eaten since her birthday several months ago. Together with taciturn nun Sister Michael, the two women watch Anna in shifts, Lib hoping to expose the O’Donnell family as frauds and secure her own reputation back home. Lib begins to realize, though, as she gets closer to Anna, that their watch is rather cruel. If, up until their watch, Anna has been fed in some covert way and their watch has put an end to it, they are complicit in starving Anna. As Anna begins to grow weak with undernourishment, Lib must decide if she will watch Anna’s slow death, as the village seems to wish her to do, or put a stop to it.
Set just after the Great Famine, the reader can easily see how Anna and her family have made a virtue of not eating. A child who claimed to be full quickly would be a source of relief to her struggling parents. The unique setting, religious faith, and a web of irresponsible adults and family secrets conspire to keep Anna trapped in her fasting and it is difficult to read. The reader feels culpable for Anna’s abuse just as Lib does. This intense read combines the richly detailed, thoroughly researched historical fiction that Donoghue is known for with the pulse-pounding immediacy of her 2010 breakthrough hit Room.
Film List – I have a confession; I am wannabe fashionista. My addiction to fashion-themed romantic comedies knows no bounds and is ever growing. Here are a few recommendations for a rainy night in:
The Devil Wears Prada
Andrea dreams of being a journalist, and having just graduated from Northwestern University, she is finally ready to start her writing career. But her dream never involved working as the assistant to demanding Miranda Priestly, Editor-in-Chief of a famed high fashion magazine. Andrea soon finds herself in way over her head. How will this young woman survive the deadly world of fashion. It’s normal girl transforms into fashion goddess; one of my all-time favorite films. And to top it off the film has a killer cast with the incredible Meryl Streep, Anne Hathaway, Stanley Tucci, and Emily Blunt.
Confessions of a Shopaholic
Rebecca Bloomwood is a shopaholic; she dreams of writing for a fashion magazine and sharing her addiction with the world. But Rebecca is in some serious credit card debt from all her shopping escapades and needs a job fast. She manages to land a job at a financial magazine. Now Rebecca has to write about personal finances and saving money while battling her inner shopaholic.
Though more eccentric-depressing drama than comedy, I still think this film is worth a nibble. Kate Winslet portrays fashion designer Tilly Dunnage, who’s had an exciting life traveling the world. When Tilly returns to her childhood home, she is an outcast, even to her eccentric mother, Molly. In spite of her efforts, Tilly falls for the childhood friend turned handsome flirt. To gain the approval of the local townswomen, Tilly begins designing custom apparel for them, but a dark secret from her past threatens to destroy everything. Is it too later to start over and move on from the past?
Book–Abby and Gretchen have been best friends since Abby’s E.T.-themed birthday in the fourth grade, where Gretchen was the only girl who showed up. Their friendship has been the most significant relationship in both girls’ lives, despite class differences between Abby’s and Gretchen’s families and the vagaries of school friendships. The book is set in Abby and Gretchen’s sophomore year, where they have climbed up to popularity at their selective high school. Trouble starts, though, at a house party at their friend’s lake house, where the girls decide to try LSD. Gretchen has a bad reaction and disappears into the nearby forest for the night. When she reappears, she is…different.
She ceases bathing, wears the same clothes everyday, scribbles listlessly in a notebook, and, most damningly, ignores her nightly telephone date with Abby. Naturally, when your friend takes a turn for the crazy, your first thought is not that she is possessed by a demon, but eventually it becomes clear that there is more wrong with Gretchen than one bad night can explain. I won’t spoil any of the gratuitous-but-fun demonic evil here, but all of the hallmarks of demonic possession are present and accounted for. Abby must decide whether saving Gretchen’s life is worth risking her own; not only her life, but her precarious standing as a poor scholarship student and all of the success that she has fought so hard for. My Best Friend’s Exorcism is part tongue-in-cheek love letter to the 1980s, part touching best friend story, and part gut-curdling horror, but all fun. Hendrix has mastered the tiny niche genre of injecting over-the-top horror into really unlikely and banal scenarios.
Book- This is the first novel in the Fools Gold series by Susan Mallery. It is a brilliant book based on the small charming town of Fools Gold, California. Charity has made the move to the town in hopes of finding stability in her life. She ends up being hired by Martha, the town mayor, as the City Planner. There is a definite shortage of men in this town, and it is her job to bring them in and keep them here. While learning her townspeople and job, she discovers that someone is clearly embezzling money from the town. Martha pairs Charity up with Josh Golden – all American hero hunk professional cyclist – to sort out this money and men issue. Charity is absolutely against anything less than a professional relationship with Josh, since he is the “bad boy” of the town. Slowly but surely she learns that Josh isn’t the bad boy he is perceived to be. He has some flaws and a shocking secret that comes to the surface when he helps Charity with one of her “Attract the men” events.
Susan Mallery has done a wonderful job setting up the town and several great characters for us. There is Pia the party planner who knows everything about everything, Josephine who owns the bar in town with a mystery past, Katie who was dumped by her ex boyfriend to go out with her sister, and Crystal who is a widow with cancer. I have read all 19 stories in this series (most of which we have here at the library) and I can tell you each book goes into another character or two more in depth. I cant say enough about this series. Romance always progresses through the story and is never an instant issue in any of this series.
Book–In Shrill, online columnist Lindy West shares a series of highly personal essays on topics ranging from abortion to being fat to her father’s death. The essays seem to be organized vaguely chronologically, but also with a progression from funny and light to more serious and vulnerable. My favorite of the essays was late in the book, a gut-wrenching account of Lindy’s experience with an online troll who, not content with the pedestrian vitriol usually lobbed at women on the internet, decided to pose as Lindy’s recently deceased father and insult her using his face and personal details. Also unlike other trolls, when confronted on how depraved his actions were, he sincerely apologized and gave some insight on what prompted his actions.
Lindy’s brand of humor is crass, sharp, and laden with modern internet parlance; readers will either respond to it or they won’t. While I did enjoy her essays in this collection, I think that her writing is perhaps better suited to shorter form pieces and journalism. I found that her writing style becomes too abrasive to read for long periods and is best enjoyed in short chunks. If you enjoyed this collection, I would also recommend books by Jessica Valenti and Andi Zeisler.
Book–Harvard sociologist Matthew Desmond immersed himself in the lives of 8 poverty-stricken Milwaukee families and constructed this book out of hours of recorded conversations. His account takes place in both a mostly white run-down trailer park and in a mostly black set of tenements; he also spoke to the two landlords that own these properties. Desmond argues that there is one common thread that destabilizes the lives of all the people he spoke to: eviction. The old well-known advice says that one should spend no more than 1/3 of one’s income on housing. However, when subsisting on government benefits and food stamps, one has no choice but to drop 80%+ of one’s meager income on housing, and, as Desmond puts it, “if you’re spending 80 percent of your income on rent, eviction is much more of an inevitability than an irresponsibility.”
For the most part, this book is a litany of sad stories, depressing outcomes, poor choices, and petty injustices. I found it to be somewhat repetitive after a while. However, the repetitiveness proves Desmond’s point. Even when these families get a lucky break, be a it a tax refund, benefits coming through, or a win at gambling, the precariousness of their situation and their predatory landlords keep them locked in a cycle of poverty where they owe their landlord more than they can pay, until they are evicted and need to start their Sisyphean journey toward stability in a new, often more squalid, place. If Evicted caught your attention, I would also recommend White Trashby Nancy Isenberg and Nickel and Dimed by Barbara Ehrenreich
Book–This skewering of the adventure genre follows Constance Verity, an adventurer since childhood who was blessed (or cursed, if you ask Constance) by a fairy godmother at birth to live an exciting life full of adventure and die a glorious death. Similar to how Poirot stumbles on murder mysteries even while on vacation, Constance’s life is never far from adventure. Her job interviewer turns out to be a member of a strange cult, her biology teacher is part of a vast conspiracy, and since adventure is par for the course of her life, Constance is perpetually exhausted, trusts no one, and suspects everyone of hidden motives. When your whole life is adrenaline and excitement, monotony and ordinariness become sacred. In a quest for an ordinary life, Constance and her best friend Tia set off, ironically, on an adventure, with the goal of murdering her fairy godmother and thus hopefully shedding her blessing/curse.
Part of the fun of this book is all of the crazy adventures that Tia and Constance refer to in their dialog and the loving way that Martinez sends up the classics of adventure. This book is the start of a series, so it’s probably actually NOT the “last adventure” of Constance Verity.
Book–Andi Zeisler, co-founder of feminist nonprofit Bitch Media, has spent her career examining popular culture through a feminist lens. Zeisler argues that lately feminist has become a coveted ‘cool’ label. In contrast to the 1980s retrenchment of conservative values that repudiated feminism, now it’s a label that everyone wants to claim. Popular celebrities regularly affirm that they are feminist, brands like Dove are embracing body positivity as a marketing technique, and even innocuous products like underwear are being marketed using empowerment jargon. According to Zeisler, if everything is suddenly feminist, than it’s as if nothing is feminist. Using feminism to categorize everything from pop music to sanitary pads dilutes the meaning of the word and sidesteps the systemic inequalites that feminism should rightly address. Because people face an unequal range of opportunities, feminism is not as simple as people just making the choices they would have made anyway then calling themselves feminist for it. Zeisler calls this “Marketplace Feminism,” though others have called it choice feminism.
While I did enjoy this book, I thought it suffered from too many examples and observations and not enough solutions and conclusions. Any reader who frequents the feminist blogosphere will be more than familiar with most of the examples that Zeisler uses to illustrate her points. We Were Feminists Oncewould be a great read for someone just getting interested in feminism or who just wants a brief overview of the quasi-feminist listicle-generating culture that Zeisler critiques.
Book – Seventeen-year-old Meridian Wallace is a bright, energetic woman and the only child of doting parents. Her parents encourage her curiosity and academic pursuits. She starts college at the University of Chicago in 1941 to pursue her degree in ornithology, the study of birds. She falls in love with a brilliant physics professor, Alden Whetstone. He’s more than twenty years her senior, and she is attracted to his intelligence and their stimulating scientific conversations. When he is tapped to work at Los Alamos on a top secret project, Meridian follows him and postpones her acceptance to grad school for a year. She marries Alden and begins an independent study of crows. As the years go by, Meridian continues to submerge her own desires and dreams to accommodate Alden’s career. She finds companionship in some of the other women and then, in the 1970’s meets Clay, who introduces her to new experiences and encourages her independence. This book fascinated me with its depictions of the changing times and society’s expectations, particularly toward women. I sometimes hoped that Meridian would make different choices, but thought that her struggles and decisions were realistic. This book is an engaging, thought-provoking read.