Book–This skewering of the adventure genre follows Constance Verity, an adventurer since childhood who was blessed (or cursed, if you ask Constance) by a fairy godmother at birth to live an exciting life full of adventure and die a glorious death. Similar to how Poirot stumbles on murder mysteries even while on vacation, Constance’s life is never far from adventure. Her job interviewer turns out to be a member of a strange cult, her biology teacher is part of a vast conspiracy, and since adventure is par for the course of her life, Constance is perpetually exhausted, trusts no one, and suspects everyone of hidden motives. When your whole life is adrenaline and excitement, monotony and ordinariness become sacred. In a quest for an ordinary life, Constance and her best friend Tia set off, ironically, on an adventure, with the goal of murdering her fairy godmother and thus hopefully shedding her blessing/curse.
Part of the fun of this book is all of the crazy adventures that Tia and Constance refer to in their dialog and the loving way that Martinez sends up the classics of adventure. This book is the start of a series, so it’s probably actually NOT the “last adventure” of Constance Verity.
Book – It’s hard to believe that Delilah Dirk and the King’s Shilling is a graphic novel rather than a film, when any suitably enthusiastic description of it sounds like a collection of exclamations cribbed from a movie poster. Thrills! Adventure! Swash and buckle! Flying boats! Dastardly nemeses! Really big hair!
(Seriously, though, where is my Delilah Dirk movie?)
Delilah Dirk and the King’s Shilling is the second volume of a series set in an only slightly fantasy-tinged version of the early 1800s. The first book, Delilah Dirk and the Turkish Lieutenant, introduces our two title characters to one another as well as to us, as the rip-roaring, fearless adventuress Delilah gains an unlikely sidekick in the well-mannered but initially cowardly Mr. Selim. It’s a fantastic, rollicking ride, but without the necessity of scene-setting to slow down the action, the second book is even better. In that volume, Delilah and Mr. Selim face down problems both prosaic and epic as they simultaneously resist the social mores of their day and an old and deadly enemy.
What’s so great about the Delilah Dirk series is that it feels the better parts both of modern and old-fashioned. The action sequences have all the joyous, laugh-in-the-face-of-danger lightness of Hollywood’s golden age, but we know we’re in 2016 because our daring protagonists are a woman and a man of color, and, moreover, a male-female pair who are allowed to be friends, colleagues and equals but without a hint of romantic tension. The gloriously rich art style is a not insignificant cherry on top, but what it comes down to in the end is this: reading Delilah Dirk is fun. How much more can you ask of a book than that?