DVD- Ex Cop Michael now works in selling life insurance. He takes the commuter train to the city to his ho hum day every day. One day on the train he is approached by an odd passenger, Joanna, with a puzzle for him to solve. He is in need of some cash to continue his lifestyle with his family, and if he solves this puzzle correctly and quickly he is given the cash. He needs to find this one person with a package and obtain the package before they get to stop x on the trip. He has just a few stops to solve the puzzle. Of course Joanna is not a “good guy” and has eyes on him at all times through various ways throughout the trip. Will he solve the mystery, save lives, and get the money?
Liam Neeson is the lead in this role. He is unfortunately a typecast for this role. It is very similar to many of his other movies. This one was set to be a great movie, the preview looked amazing. I was interested in this one, cause who doesn’t love the typical Liam Neeson movie? This one was more over the top than his usual. I think there were too many plot holes, and way too many special effects clumped together. If you are looking for an action packed just for the heck of it movie, this is it. But don’t expect to walk out after the movie feeling “Wow, that was amazing! I can’t believe…..” I walked out saying “Ok, Huh, I saw it. Now what?”.
Book – When she was six years old, Lauren’s mother was murdered, her father arrested for the crime. Lauren’s brother Alex has always been convinced that their father is innocent, but Lauren doesn’t buy it. She remembers seeing something – she’s not sure what, but it was bad – and she trusts her memory. But when Alex disappears during a tour in Iraq with Doctors Without Borders, Lauren is forced to come to grips with her memories, her father, and her family’s history. Meanwhile, a pregnant young woman has left her boyfriend, hoping to reunite with her best friend — but she, too, has childhood memories that have yet to be resolved.
I enjoyed this psychological thriller about the unreliability of childhood memories. The characters are not always sympathetic, but they’re well-drawn and intriguing. This isn’t really a fast-paced thriller; the story moves from one point to another in the abrupt staccato way of memories itself. While the point of view shifts can be a little disorienting to start with, the whole story weaves itself together in the end in a most satisfying way.
Books – A rogue SecUnit is one of the most terrifying things imaginable: a part-living, mostly-machine entity designed for security applications, without a working governor module, free to kill and destroy at will, and unstoppable by human agency.
The narrator of All Systems Red is technically a rogue SecUnit. It hacked its governor module, but instead of going on a murderous rampage, mostly it keeps doing its job and watches media in its downtime. (It particularly enjoys Sanctuary Moon.) That is, until a neighboring science mission goes dark and the humans SecUnit has been assigned to protect are threatened. SecUnit (who also calls itself Murderbot, although never out loud) doesn’t particularly like interacting with humans, but it doesn’t want them to die. After all, if all the humans died, who would make the media?
The Murderbot Diaries are short science-fiction thrillers, full of corporate espionage and underhanded dealings, but the real joy of them is watching Murderbot try to figure out how to be a person – because despite its continued insistence that it’s a bot, it’s one of the most intensely relateable characters I’ve ever met. (After all, who doesn’t want to spend long, boring shifts at work watching TV?) It struggles with human interaction, interactions with other bots, and how to handle personal responsibility, all while staying far enough under the radar to avoid being captured and reprogrammed. Artificial Condition follows Murderbot’s attempt to understand it’s own past (and its reluctant friendship with a science research transport). The series continues with Rogue Protocol in August and Exit Strategy in October.
Book- This is the fourth book in the Montana Rescue Series, and they are all amazing! It starts out with a forest fire that sends the PEAK rescue team into action. Through some unfortunate events, the chopper gets damaged and a team member needs the help of an old peak member to save her life. Back at headquarters, Sierra needs to find a way to raise money to save the chopper and ultimately her “family” of PEAK Rescue. If this group dissolves, which it will without the unique ability to fly in and rescue, she has no where to go, no one to be with. She convinces the teams old owner, billionair Ian Shaw, to allow her to run a fundraising junket on his yacht. The Montana Rose has never actually been sailed, so this is the first trip and it is built with all the luxuries one would expect on a millionaire budget. Things are going great, Sierra is sure she will raise the money needed to save PEAK with Ians friends all pitching in, when a series of rogue waves takes the ship down and tosses everyone overboard. How will they survive? Who will survive? What will they do with this new lease on life? Will they take everything they have ever wanted and realize life can really be too short for petty issues?
Susan May Warren strikes again with a winner. I found this one a little more churchy than the others, but its still a very compelling story. I found myself chilled to the bone when the crew went overboard. She has quite the way with words that makes you feel like you are actually there experiencing every single thing the characters are. I am eagerly awaiting the next book in this series, Storm Front, due in June.
Book–Amateur comic book artist and high school student Jess Wong is painfully, unhealthily in love with her best friend Angie. Jess is content to obsess over Angie secretly until Angie enters into a relationship with Margot Adams, a beautiful student from the nearby posh boarding school. Naturally, Jess thinks Margot is no good for Angie, but is this just sour grapes on Jess’s part or is Margot really bad news? When tragedy strikes at an off-campus party and everyone is a suspect, Jess must face up to what really happened that night. Or must she?
This is a dark, twisty thriller, like Pretty Little Liars meets Gone Girl meets The L Word. The book is split in two parts: the beginning is told in first person from Jess’ POV and the end is made up of police interviews and third person limited POV following multiple characters. This allows Lo to build up the tension without giving it all away too quickly. If you enjoy A Line in the Dark, you might also like twisty young adult books like We Were Liars and Last Seen Leaving.
Movie–I don’t really like horror movies. But, I do like good movies, and I’m always motivated to see as many Oscar-nominated movies as possible. So, that’s how I found myself checking out and somewhat begrudgingly watching Get Out, a horror movie with serious racial themes.
Chris, an African American photographer, hesitantly goes to his white girlfriend Rose’s house for the weekend to meet her family. His best friend warns him that no good will come of this. In scenes reminiscent of The Stepford Wives, Chris notices that something is “off” about the African American groundskeeper and housekeeper. Then the family’s friends come for an annual party, and things get even weirder. Chris quickly realizes he needs to leave. But, will he be able to get out?
Written and directed by Jordan Peele (of Key & Peele fame), Get Out has been getting critical acclaim since its release in early 2017, so it was really no surprise when it earned nominations for four of the big categories at the Academy Awards (Best Picture, Best Director, Best Original Screenplay, and Best Actor for Daniel Kaluuya). Although it was outside my comfort zone, I’m glad I watched it (well, all except for the parts that got so violent that I covered my eyes). If you are interested in a well-made horror movie that also tackles race issues and might just win an Oscar, then this is for you.
Movie – As Valerian and Lauraline are a team of special agents to help keep order and piece throughout the human territories in space. They are sent to Alpha, the city of a thousand planets, on a mission to locate and diffuse the evil plans someone or something has in store for the planet as well as the universe.
This movie takes place far in the future, and has several different species. On Alpha the species all come together to learn from each other about their cultures and knowledge to build the big amazing city. The way they all come together and work fluidly together without race being an issue is such a strong impact in this film.
I choose to watch this one based solely on the previews. I liked the colors, animation, and overall creativity of the creatures in the previews. I had no idea honestly what this one was about. I was sucked in by all the creativity, and the story was surprisingly pretty good too. I’d definitely recommend giving this one a shot!
Movie – As someone who’s claustrophobic and terrified of drowning, this movie made me tense. However, I always love a good shark film. In 47 Meters Down, we meet Lisa and Kate, two best friends on holiday in Mexico. Lisa just broke up with her cheating boyfriend and they’re hoping to escape it all. Then two handsome gents invite the friends to go cage diving with the sharks, promising the experience of a lifetime. From the get go, things seem a little shady, but Lisa and Kate know this is a one time opportunity. The red flags are there every step of the way, yet as in any creature feature/sharky shark film, all logic must be ignored.
I enjoyed all the scenes featuring our great white friends, though there weren’t nearly enough, in my opinion. The psychological aspect of the film was unexpected and added yet another layer of uncomfortable tension, but was really well done.
The whole situation is terrifying to me: a limited air supply with a very real risk of getting the bends swimming to safety. Swim to the surface too fast, and the pressure increase will be too much for your body to handle. Definitely not a good predicament to find yourself in when there are sharks circling hungrily nearby. This definitely solidified my desire to never tank dive–not that I was so determined to do so anyway. A good film, not enough sharks. There really are never enough sharks.
For another shark escape adventure, check out The Shallows, with actress Blake Lively.
Movie – Funny Games is, without a doubt the most infuriating film I have ever watched. I should mention first that horror and thriller films are definitely not my genre of choice, but I can still appreciate what goes into the suspense and jump scares that give me the jitters. After seeing Funny Games just one time, I adamantly refuse to ever watch it again. However, I do acknowledge that what enrages me could be someone else’s favorite movie of all time. To each their own.
It starts as horror stories often do: a family goes on holiday, anticipating a nice, quiet vacation. Then two strangers show up (stranger danger!), and the trip quickly becomes their worst nightmare. The two men first arrive at the house of the family requesting to borrow some eggs, but the offenders return with more sinister demands. The men create a game of torture and violence against the family, who must struggle to stay alive.
Funny Games is brutal, and the way the offenders break the fourth wall and stare down the audience through the screen really makes my skin crawl. I hate tension in movies, and the tension in this movie is excruciating for me to sit through without wanting to scream. Maybe this film is worth watching for the horror or thriller enthusiast.
Movie – It’s Thanksgiving, and all the girls are going home from their rural boarding school — all the girls, that is, except for Rose, who wants a chance to talk to her boyfriend before meeting her parents, and Kat, whose parents are dead. Fenced in by snow and isolation, things begin to go slowly but inescapably wrong within the near-empty school. Meanwhile, Joan is hitching a ride in the direction of the school with a kindly married couple. If they have any idea what’s waiting for them at the school, they show no signs of it, but they won’t be pleased at what they find.
The Blackcoat’s Daughter is a slow-burn kind of horror movie, the kind where the eerie wrongness creeps up behind you so slowly you hardly know it’s there. If you’re in the market for thrills, look elsewhere, but if you want to become completely terrified of the thick blanket of snow that traps you indoors with whoever — and whatever — is inside with you, this movie directed by the son of Anthony Perkins, made famous by his role in Alfred Hitchcock’s Psycho, will be just your cup of tea.