Book – Emily Ruff, sixteen-year-old street hustler, is recruited by mysterious besuited operatives into an elite Virginia boarding school with an unusual mission. A decade later, unremarkable Wil Parke is kidnapped in a Portland airport by a man who, contrary to all appearances, claims to be saving Wil’s life. And somewhere in-between and on the other side of the world, the two will meet at the center of an unprecedented cataclysm that will destroy the entire town of Broken Hill, Australia–an event caused by nothing more or less than one very deadly word.
Lexicon is not quite science fiction, not quite fantasy, but will appeal to fans of both. The story centers around the Poets, an organization that uses neuro-linguistic programming–technology which the text itself admits is indistinguishable from magic words–to hack the human brain and control the behavior of others. The fast-paced, exhilarating plot is rounded out with just the right amount of romance. The villain is suitably loathsome, the heroes are stalwart and clever, but all of the characters are believable and well-rounded, with faults to match their virtues. While fans of dystopian novels with gutsy heroines will love Emily, the worldbuilding in Lexicon is pleasingly distinct from the increasingly overdone post-apocalyptic genre. In fact, much of the fascination of the story lies in just how believable it can be. Overall, Lexicon is a deeply satisfying, ready-for-the-big-screen thriller.
Book - Hossien is looking for someplace to live. Vesta has never lived anywhere else at all. Cher shouldn’t be living here. And Collette, according to her former boss, shouldn’t be living at all. Everyone at 23 Beula Grove, a run-down boarding house in South London, has a secret, from the scummy landlord to the quiet man who lives upstairs and never tries to make friends, but some of their secrets are more dangerous than others.
The Killer Next Door isn’t much of a mystery; although there’s some ambiguity over who the killer is, the possible suspects are narrowed down pretty quickly. That isn’t the focus of the book, though, which is instead concerned with how all these very different people make a life for themselves in something less than the best of circumstances, how they help each other out when help is needed, and how they betray each other without ever meaning to. I enjoyed spending time with these characters, and I’ll be making time to read Marwood’s first novel, The Wicked Girls.
Book – Claire Roth is a very talented yet struggling artist. She is so good at observing the techniques of famous artists and reproducing their works, that she makes a living of copying famous paintings for an online art retailer. She also wants to be recognized as an artist for her original works and she jumps at the opportunity for an exhibition of her work in exchange for forging an original Degas painting for a prestigious art gallery owner. The masterpiece is one of 13 that was stolen in 1990 from the Isabelle Stewart Gardner Museum of Boston, also known as the largest unsolved art heist in history. As Claire begins to paint she starts to question the authenticity of the Degas she was given and realizes that she may be in danger by having a stolen masterpiece in her possession. Claire also becomes obsessed with solving the mystery of the rest of the stolen paintings. A wonderful blend of fact and fiction, this story of suspense is richly detailed. The reader will gain an understanding of the art world as well as painting techniques.
Book – The Girl With All the Gifts is such a unique reading experience that I really don’t want to spoil it by telling you too many things about it before you start. So instead, I’ll introduce you to the main character, Melanie. Melanie is a very special little girl. She wakes up every morning in a cell, and soldiers strap her to a chair to take her to class. On the best days, class is taught by Miss Justineau, who was the one who told Melanie the story behind her name. Sometimes, one of the other children from her class will disappear, and no one will explain where they went or why. And then, one day, Melanie finds out.
This is a tremendously moving book, full of rich characters and heartfelt relationships. Miss Justineau cares so much for Melanie, and Melanie for her, but even the less sympathetic characters grow on you over time as you learn, along with Melanie, more about who they are and what they care about and fear. If you liked Kauzo Ishiguro’s Never Let Me Go, Richard Matheson’s I Am Legend, or Mike Carey’s other work, you will love this book.
Book – I came across this book through Tor.com’s Summer of Sleaze, a series of reviews of old horror novels, where the writers refer to Tryon’s work as “a third of our horror roots,” along with Rosemary’s Baby and The Exorcist. I’d never heard of Tryon before, so I was intrigued. And I was not disappointed. In fact, I’d say my expectations were set unfairly low – after all, the review series is called “Summer of Sleaze.” There’s nothing sleazy about The Other. A little purple, maybe, but not sleazy.
Holland Perry is not a nice little boy. In fact, he’s downright sinister, pulling pranks that are more vicious than funny. (We find out on page three that he killed an old woman’s pet cat.) His twin, Niles, is a much friendlier young man, but he makes plenty of excuses for Holland’s increasingly outrageous behavior. This is a slow-building novel; we spend lots of time with the characters where nothing particularly awful happens, until quite suddenly it does. And although The Other was billed as horror when it came out, it’s much less supernatural than the other evil-child stories of its day. In fact, I’d call it a psychological thriller instead, with as much in common with Gone Girl or The Dinner as with more traditional horror novels.
Book - Family is everything in small towns, but Lucy Dane has a hole in hers. Her mother Lila disappeared when Lucy was just a baby, and people in town still gossip about her, suggesting witchcraft or something worse was behind her sudden appearance and disappearance in their small Ozark town. Then Lucy’s friend Cheri disappears, and her body is found in horrifying condition near the edge of town, and Lucy finds herself investigating the web of secrets surrounding these two women’s disappearances.
It’s not just the setting that The Weight of Blood has in common with Daniel Woodrell’s Winter’s Bone, it’s a whole atmosphere, a paradoxical sense of claustrophobia in the wide-open, tight-knit rural world of the Ozarks. This is McHugh’s first novel, but you wouldn’t know it from the way she writes, as smooth and confident as any more seasoned writer, and with an excellent grip on her readers’ emotions. Set some time aside when you start this one – I ended up canceling my weekend plans to finish it!
TV series – I was hooked on Homeland from the very first episode. Nicolas Brody (played by English actor Damian Lewis) is a marine returning to the United States and his family after eight years of captivity in Iraq. Carrie Mathison (Claire Danes), an Intelligence Officer for the CIA, spent several years in Iraq trying to infiltrate terrorist organizations. Both Brody and Carrie carry psychological scars from their experiences in the Middle East which continue to plague them. Carrie suspects that Brody may not be what he seems and has her own secrets to protect as well. The cast of interesting and conflicted characters, including Mandy Patinkin as Carrie’s boss and mentor, contributes to the depth and intrigue of the show. The plot twists and turns, the characters grapple with difficult choices and their own vulnerabilities and the result is a riveting TV drama. Season 2 has just been released on DVD. Since its first season aired in 2011, Homeland has won five Golden Globes.
Movie – It may not have anything supernatural about it, but Stoker is definitely a monster movie. It’s also a coming-of-age story, following eighteen-year-old India, played exquisitely by Mia Wasikowska. In the wake of her father’s death, India’s home is invaded by her father’s brother, Uncle Charlie (Matthew Goode), who is determined to make his new place in their home permanent, no matter what.
If you’ve seen Alfred Hitchcock’s Shadow of a Doubt, this might sound a little familiar, and with good reason. The similarities extend beyond the plot as well. Director Park Chan-wook, an acclaimed Korean director who makes his English-language debut with Stoker, is a master at creating tension out of tiny things, and the whole film is made up of tiny things that slowly piece together to become one big, horrifying thing. This is a disturbing movie, definitely not for everyone, but fans of dark psychological horror should love it.