Book – When I started reading this book, I didn’t know much about it, other than that it had a glow-in-the-dark octopus on the cover. And really, what else do you need to know? The octopus, fortunately, is a character (although he doesn’t glow in the dark) – Katsu, a mechanical octopus made by the titular watchmaker, Mori, a Japanese nobleman who has moved to England to practice the art of making tiny things out of even tinier gears. We meet him through Thaniel Steepleton, a telegraphist recently recruited by Scotland Yard, who is being used by his superiors to investigate Mori as a suspect behind a high-profile bombing.
This is fantasy only by the thinnest hair, and steampunk only because of the prominence of Mori’s fantastic clockwork creations (and their proximity to Japantown’s fireworks shops). The plot circles around the investigation of the bombing, but Thaniel and Mori’s relationship is the real core of the book, growing slowly through mistrust and uncertainty into a deep, heartfelt connection. I was a little iffy about it for the first few chapters; by the end, I was entirely in love.
Book – Miss Alexia Tarabotti is not your average twenty-six-year-old spinster in Victorian London. Along with her Italian name, her headstrong temperament, her distressing complexion and her even more distressing nose, Alexia inherited something noteworthy from her father: her missing soul. Alexia is a preternatural, a soulless human whose touch can exorcise ghosts and transform vampires and werewolves back to their human forms. Her preternatural status is a closely guarded secret from humans, even from her own family, but it brings her to the attention of the Bureau of Unnatural Registry, headed by the exasperating alpha werewolf, Lord Conall Maccon. And when Alexia accidentally kills a vampire at a party and is launched into a web of supernatural intrigue extending far beyond her usual sphere, she finds herself entangled with Lord Maccon in all sorts of new and exciting–though still exasperating–ways.
As an infrequent reader of romances of any kind but a big fan of sci-fi and fantasy, I was pleasantly surprised by how entirely I found myself rooting for the romantic subplot in this scrumptious confection of a fast-paced steampunk adventure. Soulless is a purely fluffy read, but delightfully so, the kind of light-hearted, feel-good, take-you-away-from-your-troubles indulgence of a book that we all need every once in a while. It would make an outstanding book to take away on vacation–and with four other books in this series, a manga adaptation and two separate spin-off series in progress, it might just leave you eager to get home and read more of Alexia’s world.
Graphic Novel – Agatha Clay is a favorite student of Professor Beetle, the Spark (or Mad Scientist) who runs Beetleburg on behalf of the Baron Klaus Wolfenbach. Agatha is pretty sure she’s no Spark herself – until the day Professor Beetle is accidentally killed when he throws a bomb at the Baron’s son Gilgamesh. Agatha’s life is thrown into chaos when she’s held captive on the Baron’s airship Castle Wolfenbach, a hostage against the good behavior of Moloch von Zinzer, who everyone but Gil believes is the Spark behind the devices Agatha has been building in her sleep. And then there’s the infectious Slaver Wasps, the odd behavior of the Jägermonsters, Gilgamesh’s inconvenient crush, and the bossy and imperious Emperor of All Cats…
Girl Genius is a long-running webcomic, also available in print volumes, whose tagline is “Adventure, Romance, MAD SCIENCE!” And there’s certainly plenty of all three. Agatha is the best kind of adventure hero – she always runs toward the sound of gunfire. She’s smarter and more capable than she thinks she is, but she gains confidence as the series goes on. My favorite characters, though, are the Jägermonsters, half-human monsters with ridiculous German accents who like fighting, pretty girls, and hats. (“You know how dose plans alvays end. The dirigible is in flames, everybody’s dead, an’ you’ve lost your hat.”) It’s a never-ending series of wacky fun, not to be taken too seriously at all. The Library owns the first ten volumes in print – start with Agatha Heterodyne and the Beetleburg Clank.
Book – Whatever assumptions you might have about fantasy novels, you can put them aside when reading something by Elizabeth Bear, because she will certainly do something different. Bone and Jewel Creatures packs a whole lot of different into a very few pages. The story revolves around Bijou the Artificer, an old, tired wizard who is ready to retire when she is given a feral child who has been poisoned by a mysterious agent. In healing the child, Bijou begins to unravel a plot rooted deep in her own past that threatens her home, the City of Jackals.
At only 136 pages, Bone and Jewel Creatures is slim, but not slight. Bijou and the feral child are both wonderfully realized characters with whom it’s a delight to spend an afternoon. My favorite part of the story, though, are Bijou’s artifices – creatures made up of bits and pieces, metal and bone and gemstones, to serve some purpose and then kept around long after their original use. There’s definitely a steampunk aesthetic, but it’s an unusual one. This is an engrossing short novel that offers a tantalizing glimpse of a unique world. The prequel, Book of Iron, was published in September, and both novellas are also set in the same universe as her Eternal Sky trilogy, which begins with Range of Ghosts.