Book – I didn’t love every story in this collection, but I loved the collection as a whole. There’s an art to putting together a short story collection, and most collections just don’t quite make it. 20th Century Ghosts flows smoothly from one story to the next, sometimes featuring a kind of free-association logic that’s downright humorous in effect. A mention of Kafka in the end of “Pop Art” ties into “And You Will Hear the Locust Sing,” a story about a boy who wakes up one morning having turned into a giant insect, and the Biblical overtones in that story give you completely the wrong impression of “Abraham’s Boys” until you finally learn the good doctor’s surname. It’s a little thing, a fun trick, but I enjoyed it.
Book – Short stories are funny things. They’re short, of course, which means you don’t spend very much time with them, but somehow they can pack even more emotional punch than a novel. Some writers can write beautiful novels and their short stories fall flat; some writers write incredible short stories but their novels meander strangely. For my part, I think of Angela Carter as the second type: her novels are deeply weird in a way I don’t enjoy, but her short stories are incredibly powerful.
This is an omnibus collection of Carter’s work, so there’s a lot of variety here. Some of my favorite stories are “The Fall River Axe Murders,” a narrative about Lizzie Borden; “The Bloody Chamber,” a retelling of the Bluebeard fairy tale; and “The Executioner’s Beautiful Daughter,” a story Carter wrote after someone argued that the only thing a story needed was for something to happen. (Nothing actually happens in “The Executioner’s Beautiful Daughter,” but it’s a moving story nonetheless.)
This is a big collection, and I wouldn’t recommend trying to read it all at once anyway – there’s too much going on. But if you’re looking for a little flicker of something brilliant, this is a good book to dip into.
Book – I don’t make a lot of universal recommendations, but I’ll make one now: if you like science fiction, read Ted Chiang. Short stories can be a difficult form for SF, because SF is all about ideas, and how many ideas can you cram into ten pages? The answer appears to be a lot, if you’re good enough. And Chiang is really good. In twenty-four years he’s produced only fourteen stories, but each one of those is a polished gem.
“Tower of Babylon” follows one man’s ascent through the celestial spheres and into heaven. The multiple-award-winning “Hell is the Absence of God” describes a universe where miracles, angelic visitations, and proof of hell are daily occurrences. “Seventy-Two Letters” combines science, biology, and the legend of the golem in unexpected ways. Each single story is incredible, and incredibly different from the others. And lucky for us, Chiang has continued writing since the publication of his only collection to date. The Lifecycle of Software Objects won both the Hugo and Nebula awards in 2010, and his latest story, “The Truth of Fact, The Truth of Feeling,” is available online from Subterranean Press.
Book – Ok, so it was the adorable dog on the cover that made me give this book of short stories about human-animal relationships a look. Katz effectively pulls on animal-lover’s heartstrings with these tales portraying the impact four-legged creatures make upon their care-takers lives. Yet, the most thought-provoking stories are from the perspective of the animal. One story, which relates the day of a dog at home while his owner is away, reminds me of what I have often been told when over-personifying my dog, that animals see things differently and that their behaviors should not be interpreted as human. Dancing Dogs: Stories also explores a multitude of ways strongly attached individuals interact with their animals and appreciate their unique needs and talents. For example, Katz currently resides on a farm, and a number of his stories chronicle the unique world of “working dogs” and the bonds that are formed as owners train and work with their dogs.