Book- This collection is comprised of fourteen stories revolving around themes of immigration, travel, and drifting throughout North America. As an immigrant herself from the UK to Canada, Donoghue has a particular emotional insight into these topics. Emma Donoghue’s short stories (and, in fact, her novels) often stem from a small historical detail, such as the 1864 murder of a slave master by his slave and mistress, which becomes a fleshed out story, as in “Last Supper at Brown’s” in this collection. Particularly strong stories in Astray include “Man and Boy,” which chronicles the relationship between a zookeeper and his elephant, “The Hunt,” where the topic of war crimes during the Revolutionary War is explored, and, my favorite, “Snowblind,” which details the harsh first winter of two gold mining partners in the 1890s.
The audiobook version of Astray is a real treat, with several different narrators throughout to suit the disparate characters, and a part at the end narrated by Donoghue herself sharing the process by which she developed each story. I found that on audiobook, the stories were a perfect length for a shorter drives so you don’t have to keep jumping in and out of the plot as you would with a novel. These stories will appeal to fans of other historical fiction with keenly observed details, such as The Master Butchers Singing Club by Louise Erdrich.
Book – Alice Sheldon was one of the most remarkable science fiction writers of the sixties and seventies. Uninterested in once again being The Woman in a man’s world, she wrote under the pen name of James Tiptree, Jr. entirely anonymously until 1977, at which point several people who had praised the masculinity of her writing were very embarrassed.
Personally, I don’t see how people couldn’t see she was a woman. “The Women Men Don’t See” is a story that could be comfortably classified as women’s fiction, even with the aliens, and “The Screwfly Solution” is a science-fictional horror story of women’s fears. “Houston, Houston, Do You Read” is a response to the feminist utopia novels popular at the time.
Every story in this collection (admittedly a best-of collection, but it represents a huge proportion of her short fiction overall) is outstanding. Many of them will linger on in your memory, cropping up in conversation when you’re talking to people who’ve never heard of Tiptree before. That’s all right – you’ll get to introduce them.
Book – I didn’t love every story in this collection, but I loved the collection as a whole. There’s an art to putting together a short story collection, and most collections just don’t quite make it. 20th Century Ghosts flows smoothly from one story to the next, sometimes featuring a kind of free-association logic that’s downright humorous in effect. A mention of Kafka in the end of “Pop Art” ties into “And You Will Hear the Locust Sing,” a story about a boy who wakes up one morning having turned into a giant insect, and the Biblical overtones in that story give you completely the wrong impression of “Abraham’s Boys” until you finally learn the good doctor’s surname. It’s a little thing, a fun trick, but I enjoyed it.
I’m having a hard time picking a favorite story, to be honest. The opener, “Best New Horror,” is a fairly predictable sort of “but it was all really true!” story about a horror writer and an editor, but the self-awareness of the story raises it to a new level. “The Black Phone” is a terrific anti-serial-killer story (as opposed to all the stories in which the serial killer is the star of the show), “The Cape” features a very convincing creeper of the sort you’d hate to meet on a dark sidewalk but probably already have, and “Voluntary Committal” is both the scariest and the most heartwarming story in the book (and won a well-deserved World Fantasy Award).
Book – Short stories are funny things. They’re short, of course, which means you don’t spend very much time with them, but somehow they can pack even more emotional punch than a novel. Some writers can write beautiful novels and their short stories fall flat; some writers write incredible short stories but their novels meander strangely. For my part, I think of Angela Carter as the second type: her novels are deeply weird in a way I don’t enjoy, but her short stories are incredibly powerful.
This is an omnibus collection of Carter’s work, so there’s a lot of variety here. Some of my favorite stories are “The Fall River Axe Murders,” a narrative about Lizzie Borden; “The Bloody Chamber,” a retelling of the Bluebeard fairy tale; and “The Executioner’s Beautiful Daughter,” a story Carter wrote after someone argued that the only thing a story needed was for something to happen. (Nothing actually happens in “The Executioner’s Beautiful Daughter,” but it’s a moving story nonetheless.)
This is a big collection, and I wouldn’t recommend trying to read it all at once anyway – there’s too much going on. But if you’re looking for a little flicker of something brilliant, this is a good book to dip into.
Book – I don’t make a lot of universal recommendations, but I’ll make one now: if you like science fiction, read Ted Chiang. Short stories can be a difficult form for SF, because SF is all about ideas, and how many ideas can you cram into ten pages? The answer appears to be a lot, if you’re good enough. And Chiang is really good. In twenty-four years he’s produced only fourteen stories, but each one of those is a polished gem.
“Tower of Babylon” follows one man’s ascent through the celestial spheres and into heaven. The multiple-award-winning “Hell is the Absence of God” describes a universe where miracles, angelic visitations, and proof of hell are daily occurrences. “Seventy-Two Letters” combines science, biology, and the legend of the golem in unexpected ways. Each single story is incredible, and incredibly different from the others. And lucky for us, Chiang has continued writing since the publication of his only collection to date. The Lifecycle of Software Objects won both the Hugo and Nebula awards in 2010, and his latest story, “The Truth of Fact, The Truth of Feeling,” is available online from Subterranean Press.
Book – Ok, so it was the adorable dog on the cover that made me give this book of short stories about human-animal relationships a look. Katz effectively pulls on animal-lover’s heartstrings with these tales portraying the impact four-legged creatures make upon their care-takers lives. Yet, the most thought-provoking stories are from the perspective of the animal. One story, which relates the day of a dog at home while his owner is away, reminds me of what I have often been told when over-personifying my dog, that animals see things differently and that their behaviors should not be interpreted as human. Dancing Dogs: Stories also explores a multitude of ways strongly attached individuals interact with their animals and appreciate their unique needs and talents. For example, Katz currently resides on a farm, and a number of his stories chronicle the unique world of “working dogs” and the bonds that are formed as owners train and work with their dogs.