Book – Kyle Murchison Booth is an archivist at the Samuel Mathers Parrington Museum, and it causes him no end of trouble. He would very much like to be left alone with his books and his artifacts, but there are…things that won’t leave him alone. Things like an old school friend with a passion for necromancy, a necklace that carries more than memories of its old owner with it and a hidden tomb in his very own museum basement. Even a vacation won’t save him, if the hotel he winds up at is any indication.
Booth is the kind of character who really needs a hug, except if you did hug him he’d probably end up shaking from the trauma for days. He’s an immensely Lovecraftian character, more so than anyone else in these stories; in fact, I think he’s the only character who knows what kind of universe he’s in. Monette does a stellar job of building eerie tension without resorting to graphic violence or shock tactics — these are classy ghost stories.
As horror, the first few stories in this collection didn’t work so well for me, but the last two or three did. (Oooh, that hotel. *shudder*) As a modern take on Lovecraft, M.R. James and the early twentieth century ghost story, they’re all quite good. And as stories about Kyle Murchison Booth, they’re fantastic.
Book – If you’re too busy during the holidays to read a whole book, why not a short story or two? This tiny volume of five stories by Helene Tursten, author of the Detective Inspector Irene Huss mysteries, chronicles the trials and tribulations of an 88-year-old Swedish woman called Maud. She has no remaining family and no close friends, but she lives in her father’s old apartment rent-free and has the money to travel, so she’s quite content with her life. The one thing she can’t tolerate is other people infringing upon her settled existence, and when they do, she takes steps to stop them. Murderous steps.
There’s a certain perverse joy in watching someone get away with murder because everyone assumes that they couldn’t possibly be dangerous. Doubly so when the victims are so obnoxious. Haven’t we all wished we could come up with a permanent solution to a loud, angry, abusive neighbor? Of course, most of us aren’t as clever as Maud. Save yourself the trouble and enjoy her solutions vicariously instead.
Book – A call center routes calls to the afterlife. A bereaved daughter writes to her recently deceased father about her missing mother. A girl puts on her great-grandmother’s wedding dress and disappears into the mountain. A society of symbiotes living and working inside their mother begins to crumble. Told in beautiful, spare prose, Jagannath is a remarkable collection of short stories from Swedish writer Karen Tidbeck.
Tidbeck translates her own work, and there’s a lovely essay in the back of the book about how the process of composition and translation differs between languages. But if you didn’t know these were translations, you’d never guess. The pictures these stories draw are so vivid, so crisp and clear, you feel you could walk right into them – even the strangest of stories, like those about the ever-increasing aunts who grow their successors inside their own hearts. If you’re only familiar with Nordic literature from the dark thrillers that have become so popular in recent years, give this collection a try.
Book – Tananarive Due is the hidden secret of modern horror fiction. Sick of sparkly vampires? Bored with ghosts? Tired of the same old gothic secrets and bloody horrors and frankly offended by the level of sexual assault? You need to be reading Tananarive Due. One of the luminaries of the Afrofuturism movement (speculative fiction with a focus on Africa and the African diaspora), Due’s characters are gut-wrenchingly real, and her stories, even when horrific, are mesmerizing.
Take, for instance, “The Knowing,” the story of a ten-year-old boy and his mother who knows the date everyone she meets will die. Or “Free Jim’s Mine,” a classic deal-with-the-devil story told from the point of view of a relative, rather than the one who makes the deal, who is trying to escape via the Underground Railroad. Or the title story, “Ghost Summer,” an award-winning novella that expertly brings together backyard ghosts and the ghosts of history and family, all from the viewpoint of young ghost hunter Davie Stephens, who just wanted to be YouTube-famous and got way more than he bargained for. Even readers who aren’t big horror fans would enjoy her work, I think – it’s not graphic, but powerfully emotional, in sometimes heartbreaking but always insightful ways.
Book – Anything Is Possible is a set of connected short stories about the people living in the small, rural town of Amgash, Illinois. Retired school janitor Tommy Guptill reflects on the lives of some of the former students as he shops for a birthday gift for his wife. The three Barton siblings attended the school and we learn about their difficult childhood and lives as adults. Linda Peterson-Cornell relates the consequences of her husband’s voyeurism and infidelities. A war veteran searches for love and redemption. I loved seeing characters through the eyes of different townspeople, as they encountered them in their daily lives. Despite the obstacles and difficulties they faced, there were also moments of grace and hope. I have found myself reflecting on these stories and on the bonds of families and friends. Stout also wrote Olive Kitteridge, My Name is Lucy Barton, Amy and Isabelle and other popular novels.
Book – I frequently tell people that some of the best science fiction and fantasy is happening in short stories. It seems counter-intuitive that you could squeeze a satisfying world and characters both out of a couple dozen pages, especially when it’s so hard to find a novel that isn’t part of a series, but there’s something about the short format that really packs a hefty punch. Kij Johnson is an excellent example: her stories are complex, rich, and deep, set in spectacular worlds ranging from just different enough from ours to be intriguing to so different they should be hard to imagine (although she makes it easy). And they’ve won three Nebula awards, which is nothing to sneeze at.
The stories in At the Mouth of the River of Bees circle around themes of grief, loss, rebuilding, and the power of story itself to help us through these. In “The Horse Raiders,” a young woman is the only survivor of an attack that wipes out her clan, only to discover that a plague is wiping out their entire planet’s way of life. In “Dia Chjerman’s Tale,” women captives on an imperial spaceship tell the stories of how their ancestors stayed alive. And in the title story, a road trip leads to an unexpected pilgrimage and an even more unexpected chance for grace on behalf of a woman’s dying dog. The characters in these stories are angry, they’re hurt, they lash out and they make mistakes, but they also pull themselves together and carry on.
Book- This collection is comprised of fourteen stories revolving around themes of immigration, travel, and drifting throughout North America. As an immigrant herself from the UK to Canada, Donoghue has a particular emotional insight into these topics. Emma Donoghue’s short stories (and, in fact, her novels) often stem from a small historical detail, such as the 1864 murder of a slave master by his slave and mistress, which becomes a fleshed out story, as in “Last Supper at Brown’s” in this collection. Particularly strong stories in Astray include “Man and Boy,” which chronicles the relationship between a zookeeper and his elephant, “The Hunt,” where the topic of war crimes during the Revolutionary War is explored, and, my favorite, “Snowblind,” which details the harsh first winter of two gold mining partners in the 1890s.
The audiobook version of Astray is a real treat, with several different narrators throughout to suit the disparate characters, and a part at the end narrated by Donoghue herself sharing the process by which she developed each story. I found that on audiobook, the stories were a perfect length for a shorter drives so you don’t have to keep jumping in and out of the plot as you would with a novel. These stories will appeal to fans of other historical fiction with keenly observed details, such as The Master Butchers Singing Club by Louise Erdrich.
Book – Alice Sheldon was one of the most remarkable science fiction writers of the sixties and seventies. Uninterested in once again being The Woman in a man’s world, she wrote under the pen name of James Tiptree, Jr. entirely anonymously until 1977, at which point several people who had praised the masculinity of her writing were very embarrassed.
Personally, I don’t see how people couldn’t see she was a woman. “The Women Men Don’t See” is a story that could be comfortably classified as women’s fiction, even with the aliens, and “The Screwfly Solution” is a science-fictional horror story of women’s fears. “Houston, Houston, Do You Read” is a response to the feminist utopia novels popular at the time.
Every story in this collection (admittedly a best-of collection, but it represents a huge proportion of her short fiction overall) is outstanding. Many of them will linger on in your memory, cropping up in conversation when you’re talking to people who’ve never heard of Tiptree before. That’s all right – you’ll get to introduce them.
Book – I didn’t love every story in this collection, but I loved the collection as a whole. There’s an art to putting together a short story collection, and most collections just don’t quite make it. 20th Century Ghosts flows smoothly from one story to the next, sometimes featuring a kind of free-association logic that’s downright humorous in effect. A mention of Kafka in the end of “Pop Art” ties into “And You Will Hear the Locust Sing,” a story about a boy who wakes up one morning having turned into a giant insect, and the Biblical overtones in that story give you completely the wrong impression of “Abraham’s Boys” until you finally learn the good doctor’s surname. It’s a little thing, a fun trick, but I enjoyed it.
I’m having a hard time picking a favorite story, to be honest. The opener, “Best New Horror,” is a fairly predictable sort of “but it was all really true!” story about a horror writer and an editor, but the self-awareness of the story raises it to a new level. “The Black Phone” is a terrific anti-serial-killer story (as opposed to all the stories in which the serial killer is the star of the show), “The Cape” features a very convincing creeper of the sort you’d hate to meet on a dark sidewalk but probably already have, and “Voluntary Committal” is both the scariest and the most heartwarming story in the book (and won a well-deserved World Fantasy Award).
Book – Short stories are funny things. They’re short, of course, which means you don’t spend very much time with them, but somehow they can pack even more emotional punch than a novel. Some writers can write beautiful novels and their short stories fall flat; some writers write incredible short stories but their novels meander strangely. For my part, I think of Angela Carter as the second type: her novels are deeply weird in a way I don’t enjoy, but her short stories are incredibly powerful.
This is an omnibus collection of Carter’s work, so there’s a lot of variety here. Some of my favorite stories are “The Fall River Axe Murders,” a narrative about Lizzie Borden; “The Bloody Chamber,” a retelling of the Bluebeard fairy tale; and “The Executioner’s Beautiful Daughter,” a story Carter wrote after someone argued that the only thing a story needed was for something to happen. (Nothing actually happens in “The Executioner’s Beautiful Daughter,” but it’s a moving story nonetheless.)
This is a big collection, and I wouldn’t recommend trying to read it all at once anyway – there’s too much going on. But if you’re looking for a little flicker of something brilliant, this is a good book to dip into.