Book – Anna Senoz is, somewhat secretly, an ambitious scientist. When she was in college she wanted to change the world, but doesn’t everyone? Since then she’s gone through a lot – a miscarriage, a marriage, a child; several career dead-ends, a revolution, a discovery – and learned a lot, and she still wants to do is her piece of the work. The work, it turns out, is Transferred Y, a discovery about the evolution of human sex chromosomes that might change the world after all.
Life is a quiet, meditative story, part of that peculiar sub-genre of science fiction that is really more about people doing science than about any particular discovery. It is, as Jones has described it, “a fairytale about how change, real change in the world comes about,” through struggles and frustrations and the constant struggle of choosing to do something revolutionary or choosing to continue to feed your family.
It’s also very much a feminist story, in that Anna has to face a lot of issues her male colleagues never consider. Her friend and shadow-self, Ramone Hollyrood, becomes a famous feminist writer; Anna is never a feminist herself, but she wants to be treated as a person, which she finds is nearly impossible sometimes. She’s a tremendously real character, full of flaws and inconsistencies, but after finishing the book I find that I miss spending time with her.
Movie – Caleb works for Bluebook, the world’s largest search engine, and he’s just won a contest whose prize is to spend a week living with the company’s founder, Nathan. When he arrives at Nathan’s isolated, ultra-modern estate, though, Caleb signs a nondisclosure agreement and learns that he’s been hand-picked to test Nathan’s most audacious new project: an artificial intelligence. Her name is Ava.
Ex Machina starts off as a beautifully realized science fiction story – one of the rare ones that make it all the way to film with all their complex ideas intact underneath the special effects. This is a small movie, resting on the shoulders of the actors and the characters rather than the effects (although the special effects on Ava’s transparent android body are so good you forget they’re special effects). Nathan embodies the modern brogrammer, and Oscar Isaac is note-perfect throughout. Caleb, played by Domhnall Gleeson (son of award-winning actor Brendan Gleeson), is the more stereotypical computer nerd. But neither of them are as compelling as Alicia Vikander’s Ava. Caleb is supposed to be testing whether or not Ava is really conscious, but as an audience who’s already seen plenty of movies where Robots Are People, Too, we’re waiting to see what he’ll do when he decides that she is.
And that’s where Ex Machina turns into a horror movie – a quiet one, nearly bloodless, but no less bloodcurdling for that. Why, after all, did Nathan put his AI into a female body?
And what are they all going to do with it?
Book – An undeniably alien communication is received on Earth. While governments bicker and argue about what to do next, the Jesuits quietly fund their own miniature space program, designed to send one small group of scientists and missionaries to the signal’s source, to see what they can find. It goes…about as well as first contacts with Jesuit missionaries traditionally goes: fine, until it isn’t, and then it’s horrible.
This is the story of Father Emilio Sandoz, priest and scientist, heretic and – perhaps – saint, who went to another world to meet the people there and suffered terribly for his mistakes. The story is told largely in flashback, as Sandoz is interviewed by the Vatican to determine exactly what went wrong with the mission and who is to blame. So even though large portions of the book are really very happy and cheerful, there’s an ominous cloud hanging over the whole as we wait to find out just what went so terribly wrong. It’s also a story about good intentions: how much having them can and can’t make a difference, and how we apportion blame for things we wish had never happened.
Book – Never mind The Force Awakens and its record-busting box-office numbers. If geek has really become chic, as popular wisdom would have us believe, then there is no surer sign of the fact than the existence of Luke Skywalker Can’t Read and Other Geeky Truths. Hold your head high and read it with pride, fellow liberated nerds of Warrenville, in the sure and certain knowledge, as author Ryan Britt puts it, that the geek has inherited the earth.
In a series of humorous essays, each just the right length for a bite-sized lunchtime or before-bed treat, Britt shares his love of all things geek, from space operas to hobbits to superheroes. As a devotee of genre fiction in all its types and kinds–an unabashed geek, in short–I found a great deal of enjoyment in the familiarity of Britt’s experiences and fannish devotions (I love Jeremy Brett’s Holmes too, Mr. Britt, and I was right there with you on the weekly dose of delicious-but-depressing Battlestar blues!). Even if your speculative fiction experience begins and ends with Star Wars or The Hunger Games or Harry Potter, however, I think there’s a lot of interest to be found here. Some of the most fascinating essays to me were those that covered ground I wasn’t so familiar with, like “Wearing Dracula’s Pants”, about the history of vampire stories in print and on-screen. Other essays focus on Sherlock Holmes, Doctor Who, Star Trek, Back to the Future, Tolkien, movie music, and, yes, Star Wars, among many other things. It’s a playful, cheeky, joyous celebration of how and why we love the stories that have become our century’s particular mythology, and a massively fun ride from the first page to the last.
Book – I had so much fun with 7th Sigma. I love crossover genres, books that combine a little bit of everything to get something new, and I think this might be one of the most ambitious I’ve ever seen – science-fictional post-apocalyptic Western spy-fi. Wait, that doesn’t get the aikido in there. And the characters are great. Kimble starts out as a street kid who gets pretty much adopted by Ruth, a divorced aikido master who’s heading out to start a new dojo in the territory. This is definitely Kimble’s story – by the end of the book he’ll be heading off to college – but I loved Ruth from the moment she walked into town. She’s determined to make for herself the kind of life she wants, and she isn’t going to let anything get in her way. I admire that.
I think my favorite part was the serial nature of the story; aside from the last two adventures, each of the chapters is pretty much self-contained. It gave the book the feel of an old Western TV show. Heck, I’d love to see this universe as a TV show. SyFy, I’m looking at you.
Movie – Heavy in physics, theoretical and practical, Interstellar is slow moving, with lulls that may drive some viewers away. It is just shy of three hours making some of the scenes long and hard to bear. Interstellar, however, does a good job at keeping viewers interested through an absorbing story, enveloping screen shots, wonderfully original score, and of course, sarcastic robots.
The story is one of plight and extinction. If Coop (McConaughey), cannot find an alternate planet for the remaining population of Earth everything will end. Food is scare and crops consist of corn, nothing else. I don’t think I could eat only corn for the rest of my life. Even then, the corn will soon die out too. The only way to survive is to travel through a wormhole to find an alternate earth-like planet.
A little wonky on what happens when you enter a black hole; die hard physicists may not like this part. But since no one has ever been inside a black hole, I feel Nolan can do as he likes. I enjoyed McConaughey, as well as the small part Matt Damon had, and loved the robots. This one is for fans of slow moving engrossing storylines, deep space travel, and unbreakable bounds. Those who are looking for alien life and futuristic worlds will have to look elsewhere.
Book – Alice Sheldon was one of the most remarkable science fiction writers of the sixties and seventies. Uninterested in once again being The Woman in a man’s world, she wrote under the pen name of James Tiptree, Jr. entirely anonymously until 1977, at which point several people who had praised the masculinity of her writing were very embarrassed.
Personally, I don’t see how people couldn’t see she was a woman. “The Women Men Don’t See” is a story that could be comfortably classified as women’s fiction, even with the aliens, and “The Screwfly Solution” is a science-fictional horror story of women’s fears. “Houston, Houston, Do You Read” is a response to the feminist utopia novels popular at the time.
Every story in this collection (admittedly a best-of collection, but it represents a huge proportion of her short fiction overall) is outstanding. Many of them will linger on in your memory, cropping up in conversation when you’re talking to people who’ve never heard of Tiptree before. That’s all right – you’ll get to introduce them.
Book – It’s 2026, and one hundred scientists have launched in the Ares to become the first Martian colony. They have plenty of challenges to overcome – the extreme cold and unbreathable air, the time lag in communicating with home, the need to extract water from the local environment, the radiation they’ll be exposed to through Mars’s thin atmosphere. And, of course, each other. Red Mars, the first book in Kim Stanley Robinson’s Mars trilogy, follows the colonists through the first thirty-five years of colonization, from the launch and early terraforming through the growing influence of Earth politics and corporations on their new world.
I found the details of the mission interesting, but I was really fascinated by the wonderful characters and all their different points of view. Maya, Frank, and John are in a complicated love triangle; Nadia finds Maya ridiculous but loves her work; Arkady’s on a mission to reform the political structure of the world; Sax is on a mission to reform the biology of Mars. Each section is from a different character’s point of view, so things that seemed reasonable from one angle seem crazy from another, and vice-versa. It’s a fascinating book, and I’m looking forward to reading the sequels.
Book – Miss Alexia Tarabotti is not your average twenty-six-year-old spinster in Victorian London. Along with her Italian name, her headstrong temperament, her distressing complexion and her even more distressing nose, Alexia inherited something noteworthy from her father: her missing soul. Alexia is a preternatural, a soulless human whose touch can exorcise ghosts and transform vampires and werewolves back to their human forms. Her preternatural status is a closely guarded secret from humans, even from her own family, but it brings her to the attention of the Bureau of Unnatural Registry, headed by the exasperating alpha werewolf, Lord Conall Maccon. And when Alexia accidentally kills a vampire at a party and is launched into a web of supernatural intrigue extending far beyond her usual sphere, she finds herself entangled with Lord Maccon in all sorts of new and exciting–though still exasperating–ways.
As an infrequent reader of romances of any kind but a big fan of sci-fi and fantasy, I was pleasantly surprised by how entirely I found myself rooting for the romantic subplot in this scrumptious confection of a fast-paced steampunk adventure. Soulless is a purely fluffy read, but delightfully so, the kind of light-hearted, feel-good, take-you-away-from-your-troubles indulgence of a book that we all need every once in a while. It would make an outstanding book to take away on vacation–and with four other books in this series, a manga adaptation and two separate spin-off series in progress, it might just leave you eager to get home and read more of Alexia’s world.
Book – June Costa is the best artist in Palmares Tres. At least, if she isn’t yet, she’s going to be soon. She and her best friend Gil are wakas – under 30 years old, and therefore almost completely powerless in a society of people who regularly live to two hundred years old and more. And it’s an important year for wakas, because it’s the time in the five-year political cycle when the Summer King is elected. For a year he’ll serve at the side of the Queen, and at the end of his term he’ll die, choosing the new Queen with his last breath. Of course, the game is rigged – it’s not time for a new Queen, so he’ll get to choose from only one candidate. The favorite for the Summer King this year is Enki, a beautiful boy from the lowest strata of Palmares society, and between the three of them, he, June, and Gil will change the world.
I loved all the wonderful science-fictional aspects of this book, from the huge floating cities to the elaborate gene therapies and the biotechnology that gives June so many of the opportunities for her art. I also liked that although it was set far in the future and the culture has changed a lot, there’s still a strong connection with history – June’s father, for instance, was an aficionado of 20th century music. There is the usual YA love triangle, but it’s much less important in this book than in many others. I read this in about a day and a half and I’d strongly recommend it to any science fiction fan.