Book – Lauren has hyperempathy, a disorder born from a drug her mother took while she was pregnant; it means that Lauren feels other people’s pain like it’s her own. When she was a kid, her brothers would cut themselves to watch her bleed. It’s a tough disorder to live with in a world like hers, where everyone lives close to the edge all the time. Her dad tells stories about the good old days, when his professor’s salary was enough to live well, when people didn’t live in walled neighborhoods just to keep the looters out, when you could buy your food at the grocery store instead of growing and trading for what you need to survive – but Lauren knows better than to listen too close to those stories, because she’s pretty sure it’s going to get worse before it gets better. Which means that when, one day, it does, she’s one of the only people from her old neighborhood who’s prepared for what comes next.
This is one of those books that people have been telling me to read for years, and I only just got around to it. It’s a classic of science fiction, and for good reason: Lauren is one of the most real characters I’ve ever seen. She’s afraid, she’s hurt, she’s brave, she’s stubborn, she’s uncertain, she’s a leader not because she knows better than anyone else but because she’s thoughtful, and has thought about things that most people are too afraid to consider. This is a quieter dystopia than most of the current run of dystopian fiction. There’s no Hunger Games here, just people fighting for their own survival. But it’s even more inspiring because of that, because while we can’t all be Katniss, it’s much easier to imagine ourselves being Lauren — someone who, when faced with the loss of everything she’s ever known and loved, does her best to help others build a future.
Book – Seventeen-year-old Meridian Wallace is a bright, energetic woman and the only child of doting parents. Her parents encourage her curiosity and academic pursuits. She starts college at the University of Chicago in 1941 to pursue her degree in ornithology, the study of birds. She falls in love with a brilliant physics professor, Alden Whetstone. He’s more than twenty years her senior, and she is attracted to his intelligence and their stimulating scientific conversations. When he is tapped to work at Los Alamos on a top secret project, Meridian follows him and postpones her acceptance to grad school for a year. She marries Alden and begins an independent study of crows. As the years go by, Meridian continues to submerge her own desires and dreams to accommodate Alden’s career. She finds companionship in some of the other women and then, in the 1970’s meets Clay, who introduces her to new experiences and encourages her independence. This book fascinated me with its depictions of the changing times and society’s expectations, particularly toward women. I sometimes hoped that Meridian would make different choices, but thought that her struggles and decisions were realistic. This book is an engaging, thought-provoking read.
Book – Sometimes, it’s easy to know from the outset whether a book will be a good fit or not. Such is the case with The Gentlemen, a book about a vain Victorian poet who meets the Devil at a masquerade ball, accidentally sells his wife’s soul in exchange for poetic inspiration and consequently launches an expedition (peopled by his bluff adventuring brother-in-law, his scandalous sister, a shy mad scientist and a stalwart butler) to Hell to retrieve her. If that premise sounds as delightful to you as it did to me, you’ll love the book; if not, don’t bother. Simple as that.
Forrest Leo’s language in The Gentleman is perfectly Victorian, his parodistic humor is spot-on for the absurd, over-the-top story he’s looking to tell, and the steampunk elements of his universe are used sparingly and well. While reading, there was a moment when I feared I would feel cheated by the ending, but I was happily mistaken in that. If I had to quibble, I wouldn’t have minded a little more swashbuckling action. Overall, however, The Gentleman was a delightfully silly, light, fast-paced, fun first novel, with a great and original premise, from a clearly talented young writer. I can’t wait to see what he writes next!
Movie – The zombie apocalypse has come! Or is it an alien invasion? A terrorist attack that wiped out the US government? Either way something bad has happened to the country and civilization is descending into anarchy! Or is it?
In 10 Cloverfield Lane, Howard (John Goodman) has prepared for the worst. He has a bunker and everything he needs to survive an event of catastrophic proportions. While out Howard finds Michelle (Mary Elizabeth Winstead) on the side of a road. She has been in a car accident. He takes her to his bunker to save her life. Michelle wakes up to find she is chained to a wall in a bare room and has injured her leg in the accident. Howard explains what happened and that an apocalyptic event has made the world up top uninhabitable. Michelle is unsure and does not want to believe him. Howard unchains Michelle and allows her into the common area. There she meets Emmett (John Gallagher Jr.). Emmett reassures Michelle that everything Howard has told her happened. Emmett is also hurt like Michelle. As the movie progresses Michelle discovers something which points her to think Howard lying and begins to doubt his story once again.
The film has a slow pace at the beginning and viewers with little patience might give up. But if you stick with it, it picks up quickly and the ending is something worth seeing. When the film first came out many speculated whether it was a sequel to Cloverfield (2008). All I will reveal is that I don’t know if it is or not. Viewers who like movies with a short character list, a good soundtrack, and suspense will enjoy this one. Patience is a must, though.
Graphic Novel – Kelly Sue DeConnick was sharply criticized for her recent transformation of the Marvel character Captain Marvel. In a response to some of those criticisms DeConnick created Bitch Planet. It is a graphic novel series in a society where men extremely prosecute women’s actions. Express your opinion too vocally, go to Bitch Planet. Disagree with your husband, go to Bitch Planet. Become overweight, go to Bitch Planet!
In this first volume DeConnick provides the reader with small amounts of information into the main characters. Penny Rolle is the only character with some backstory. It is of a troubled childhood, her dislike for people who try to change her, and how she feels about herself. Other characters are introduced with minimal storylines. With this being just the first volume I was left with a lot of questions at the end.
One of the main storylines of this volume is centered on forming a team to play a sport similar to rugby. It has only been played by men and they would be the first women team. The reward, if they survive, could be freedom from Bitch Planet.
There are several reoccurring visuals and themes requiring deeper analysis. They include the race issue present throughout, lack of women’s rights, the sexualized image of women, the role of a patriarchal religion, and more. The style of the volume is based on the 1970’s women prison and Blaxploitation films. There is a lot of nudity, violence, and blood. If you do not like this type of thing I would not recommend you read it. If you do and want something that will engage the current landscape of society then this one is a must read.
Book – I swear, Daryl Gregory writes some of the most interesting, original premises I’ve ever seen. In this, his first novel, it’s possession by entities that everybody calls demons, but are clearly cultural archetypes – the Captain is Captain America, the Truth is a Dick Tracy/noir pulp hero, the Hellion is Katzenjammer Kids meets Dennis the Menace, and the Little Angel is Shirley Temple meets the World War I “Angel of the Battlefield.” And everyone in the book is smart enough to know that; I appreciate that in a story.
There’s a wonderful cast of characters in Pandemonium, from Del himself to his older brother Lew, their mother (whom they call the Cyclops since she’s missing one eye), the Irish exorcist Mother Mariette, and the entity formerly known as the author Philip K. Dick. They’re all struggling to understand this thing that’s been destroying peoples’ lives for the past fifty-odd years, but they’re all also so wrapped up in their own damages and perceptions that it’s clearly going to take them a while.
One of my favorite parts of the book were the Demonology inserts, short chapters describing possession incidents by various demons. These bits did a wonderful job fleshing out the universe of the book as well as letting you meet some demons who weren’t tremendously important to the main narrative. They also led me, subtly but ingeniously, to the climax of the book, which struck just the right balance between explaining enough to make it satisfying and not explaining so much that it seemed like all the fun was being explained away.
Book – Hwa lives on an oil rig the size of a small town off the coast of Canada, where she works as a bodyguard for the United Sex Workers union. She’d hoped to get out – maybe back to Korea – by joining the army, but when her brother died in an explosion on the rig, her dreams got smaller. But the town’s just been bought by the unbelievably rich and innovative Lynch Ltd., and Hwa managed to catch the eye of their head of security. Now she’s the bodyguard for the youngest Lynch, a fourteen-year-old genius who’s heir to the entire company, and someone is after him. Oh, and just when she quit her old job, someone started killing her friends.
With corporate espionage, technological spirituality, and a serial killer (not to mention a pretty solid romance plotline) there’s a lot going on in this relatively small book, but it juggles everything pretty well. Hwa’s future is undeniably cyberpunk dystopia in the tradition of Blade Runner and Neuromancer, updated for today’s technology and the futures we can extrapolate from it: socially mandatory implants that require a subscription (which might break down and kill you if you stop paying). Visual glosses that allow you to simply not see anything that might distress you. A centralized security-monitoring system that tracks everything everyone does all day long — one that lets Hwa solve the murders of her friends at the same time that she resents the intrusion on her own privacy. I liked that best about this book. Ashby isn’t writing a cautionary tale about technology, she’s simply saying that this is what we might end up with, and we’re going to have to figure out how to deal with it.
Book– In the year 2044, the aptly-named virtual reality game OASIS allows people an immersive experience that diverts them from the shambles that is the world around them. Teenage Wade Watts has essentially been raised by OASIS–he learned to read from its educational software, goes to school in one of its virtual classrooms, and like many others, seeks to solve the puzzles, or Easter eggs, that are hidden in the game. The first to find the eggs will win OASIS creator James Halliday’s fortune and control of the OASIS. To this aim, puzzle solvers (who call themselves “gunters,” from egg hunters) obsess over every facet of Halliday’s life, especially his video game and pop culture obsessions which should be familiar to anyone who was a nerd in the 1980s. Though Wade does not have as many credits (in-game money) or as much experience as some players, he is the one who stumbles on the first clue of the game and sets off the competition.
Though it certainly helps, you don’t need an encyclopedic knowledge of 1980s nerd culture to read this book. At its heart, the book reads like a virtual reality version of Willy Wonka and the Chocolate Factory. If I had a complaint, it’s that I would have liked to see more world-building of the world outside the OASIS, but the game world is so immersive for both the reader and the characters that it’s not a serious issue. Ready Player One will appeal to fans of young adult dystopias, video games, and science fiction. Also, the audio version is narrated by Wil Wheaton. Who can resist?
Book – One day the stars go out. A mysterious membrane has encircled the Earth, and the only thing that gets in is sunlight. And then it’s discovered that the membrane doesn’t just seal the Earth off in space, but also in time, and eons are passing in the rest of the galaxy to every Earth minute. The story of the panicked Earth is told by Tyler Dupree, childhood friend of genius and technology heir Jason Lawton, who will eventually construct a space program dedicated to divining the mystery of the Spin membrane and the Hypotheticals who put it there. Isaac becomes a doctor, and is hired as Jason’s personal physician, a position that lets him watch the whole thing go spiraling out of control.
Science fiction with big ideas often suffers from unrealistic or just uninteresting characters, but I never had that problem with Spin. Tyler, Jason, and Jason’s twin sister Diane are all complex people with deep personal connections in addition to their role in helping the world recover the global disaster that is the Spin – Jason and Diane both push against their politically powerful father, E.D., in different ways, while Tyler is hyper-aware of his position relative to them: he’s the son of their family’s housekeeper. The way their personal dramas play out on a global, even a galactic, scale parallels the accelerated timeline of the Earth under the Spin.
Movie- Geneticist couple Elsa and Clive have successfully spliced together the DNA of different living animal organisms and created a pair of hybrids named Fred and Ginger, a scientific breakthrough that promises to yield great medical benefits. However, they are not satisfied, and wish to create creatures with human genetics. Against the wishes of their employer, they clandestinely create a human hybrid with DNA from all kinds of animals. Elsa treats the creature like a daughter, putting it in dresses, teaching it language, and naming it Dren. As Dren begins to get older (and more aggressive), Elsa and Clive move her to Elsa’s abandoned childhood home, a farmhouse and barn with plenty of room to hide Dren. Meanwhile, the Fred and Ginger experiment goes horribly, publicly wrong, with disturbing implications for Dren that earn this movie’s R rating.
Dren’s character design resides squarely in the uncanny valley, by turns beautiful and ineffably creepy. Without spoiling anything, the relationships among the characters in this film are really twisted and the movie’s end is quite graphic. I enjoyed the suspense and quiet build-up of the earlier half of the film more than the series of increasingly unpleasant events that make up the latter half of the film, though I suspect many who typically enjoy films in the horror genre will relish the ending. Splice will appeal to fans of other films with genetic experiments gone wrong, such as Jurassic Park and The Fly.