Book – Breq is only a fragment of what she used to be – quite literally, in this case. Years ago she was Justice of Toren, the artificial intelligence of a starship of the Radch Empire. Back then she had hundreds of bodies, from the starship itself to her many ancillary soldiers, captured human enemies who were joined together as part of her vast intelligence, in the service of a high-status Lieutenant. But Justice of Toren was betrayed, although she isn’t quite sure how, by the many-bodied ruler of the Radch Empire, Anaander Mianaai, and Breq has a plan for revenge.
I picked up Ancillary Justice when it became apparent that it was going to be nominated for every major SF award this year. (Sure enough, it’s already won the Nebula and is on the Hugo ballot.) It deserves it. Breq is an unusual character, but a compelling one, and her world is utterly fascinating. In the scenes from the point of view of many-bodied Justice of Toren, Leckie does a great job of portraying the ship’s simultaneous multiple points of view without getting confusing; likewise the Radch’s complete disregard of gender is an interesting twist on a far-future society. I loved it, and I can’t wait for the sequel, Ancillary Sword, out in October.
Book – Patricia Cowen is confused. “Very confused,” it says on her medical chart most days. She forgets things. But she remembers things, too. She remembers Michael telling her “It’s now or never” and saying “Now” and getting married and having his four children. She remembers Michael telling her “It’s now or never” and saying “Never” and traveling in Florence and raising three children with Bee. She isn’t sure which one of them is right, or if both of them are, but she’s sure it means something.
My Real Children is one of those novels that could only be written by Jo Walton. It’s science fiction insofar as it’s about one woman and two different lives she could have had, both of them in worlds that are not exactly our own. (The split occurs sometime in the early fifties, and history progresses in sometimes surprising ways.) But the real story, the point of the story, is about Patricia – Trish in one lifetime, Pat in the other – and her life and her family. It’s a little bit about might-have-beens, but more about the small choices that you make that make big differences, both to yourself and to other people. I loved it, and I can’t recommend it highly enough.
Book – Awakening alone and thoroughly bandaged in a hospital room, Corey can’t remember who he is or how he got here. He is sure, however, that he really ought to get out. He manages to bluff his way through meeting two of his siblings before he confesses the truth of his amnesia, and they help him to remember: he is Corwin, a Prince of Amber, the only true world, and if he doesn’t act quickly, his hated brother Eric will crown himself king.
This is hardboiled fantasy, snappy, sarcastic, and to-the-point. If Raymond Chandler and Dashiell Hammett got together to write a fantasy novel, it might have come out like this. Some of it is a little dated – everyone smokes almost constantly, and when was the last time you heard someone use “dig” to mean “understand?” – but hey, it was published in 1970, you have to make some allowances.
I was struck when reading this (for the first time since high school) at how much of a debt George R.R. Martin’s Song of Ice and Fire owes to Amber. Sure, it’s all in one family instead of spread over several, but there’s just as much politicking, backstabbing, and fighting for the throne. If you like the one, I bet you’ll like the other.
Book – What would the world be like if there really were mermaids? No, really, what would that be like? That’s the question Kit Whitfield sets out to answer in her spectacular novel In Great Waters, an alternate history of the world where the royalty of Europe are all descended from the deepsmen, tribes of not-quite-human folk who live in the sea and who first rose to land in Venice in a time of political strife. Now – in something very like sixteenth-century England – a half-human, half-deepsman boy has been abandoned by the deepsman tribe that tried to raise him. He represents an opportunity – the chance to overthrow the incompetent, inbred crown prince before he has a chance to ruin the kingdom. The boy himself, however, may have some different plans.
This is a tremendously inventive story, not fantastical at all except for the existence of the deepsmen – if it were set in the future, you’d call it science fiction. The book explores the implications of its premise, but it never loses sight of the characters at the heart of the story: abandoned, bastard Henry and Princess Anne, both trapped by others’ expectations and fighting to define themselves on their own terms.
Book – I don’t make a lot of universal recommendations, but I’ll make one now: if you like science fiction, read Ted Chiang. Short stories can be a difficult form for SF, because SF is all about ideas, and how many ideas can you cram into ten pages? The answer appears to be a lot, if you’re good enough. And Chiang is really good. In twenty-four years he’s produced only fourteen stories, but each one of those is a polished gem.
“Tower of Babylon” follows one man’s ascent through the celestial spheres and into heaven. The multiple-award-winning “Hell is the Absence of God” describes a universe where miracles, angelic visitations, and proof of hell are daily occurrences. “Seventy-Two Letters” combines science, biology, and the legend of the golem in unexpected ways. Each single story is incredible, and incredibly different from the others. And lucky for us, Chiang has continued writing since the publication of his only collection to date. The Lifecycle of Software Objects won both the Hugo and Nebula awards in 2010, and his latest story, “The Truth of Fact, The Truth of Feeling,” is available online from Subterranean Press.
Graphic Novel – Wasteland is the kind of story that drops you into a new world and expects you to just get to swimming in it. Or walking, as the case may be – and there’s a lot of walking in Wasteland. Michael and Abi are on a quest, after all, to find the mythical land of A-Ree-Yass-I, which legend says was the origin of the poisoned world they now live in. Michael is a scavenger who’s been wandering this desert world for longer than he can remember. When he saves her town from raiding sand eaters, healer Abi decides to trust him, and to join him on his journey.
A lot of the enjoyment of this series is piecing together the history of the Big Wet and the world it destroyed. The comic is advertised as “Post-Apocalyptic America,” but the characters have forgotten so much of their history that as a reader, you know just a little bit more about their world than they do. Fans of dystopias and political science fiction will find a lot to enjoy in Wasteland. (For a really immersive experience, read each volume while listening to the accompanying soundtrack!)
Book – Anyone who’s been regretting a shortage of great sci-fi movies lately can find consolation in the Expanse series by James S.A. Corey (the pseudonym for the duo of Daniel Abraham and Ty Franck). In the first volume, Leviathan Wakes, we’re introduced to the solar system as it will be. Earth is an aging power, Mars a powerful colony, and the Belt – the thinly-populated region of outer space that’s developed its own language, culture, and phenotype – well, the Belt just wants to be left alone. Tensions are high anyway, but they only get worse when Jim Holden of the late ice miner Canterbury accuses Mars of destroying his ship. Holden’s wrong, though. It wasn’t Mars. It was someone else – someone covering up a secret that no one would have guessed.
Corey is terrific at making books out of nothing but awesome things. If you’re in the market for space battles, unnameable horrors, down-on-their-luck cops, and the unstoppable force of a dedicated optimist meeting the immovable object of human politics, Leviathan Wakes is the book for you – and if you like this, there are two more books already available and three more in the works.