Music – Dessa is a 33-year-old rapper and writer from Minneapolis, a part of the cerebral indie hip-hop collective Doomtree. Her style is much more musical than most rappers, but her skill with words is outstanding. (And fair enough – she graduated from the University of Minnesota with a philosophy degree at age 20.) She and the rest of Doomtree appear regularly on “most-underrated” lists of modern artists, but despite all this critical acclaim, she hasn’t yet made it big. It’ll happen one of these days, because Dessa is just too fantastic to ignore.
Castor, the Twin is a remix album of many of her more highly-produced tracks from earlier albums, False Hopes and A Badly Broken Code. What that means is that this is a hip-hop album with a singer-songwriter feel. If Joni Mitchell did hip-hop beats, she might sound like Dessa. There’s not a bad track on the album, but my favorites are “Dixon’s Girl,” a sympathetic shout-out to under-appreciated and abused women in the music industry, and “The Crow,” which borrows the symbol of Edgar Allan Poe’s avian nemesis for a soul-baring song about loss and survival.
Book – Oscar is doing pretty well for himself. He’s found his way to Cambridge, working his way through his degree as an aide in a nursing home, where he meets the most interesting characters. He never loses his head, though, until he meets Iris Bellwether at one of her brother’s church services (he plays the organ). A little light church music isn’t all Eden Bellwether is interested in, though, and before he knows it, Oscar is drawn into Eden’s circle of admirers, accomplices and experimental subjects. Eden believes that his music has the power to heal. He might be right.
This spectacular Gothic novel by debut author Benjamin Wood sucked me in from the wonderful two-page prologue. It’s been repeatedly compared to Donna Tartt’s The Secret History and Evelyn Waugh’s Brideshead Revisited, but as I’ve read neither of those, I couldn’t tell you how accurate the comparison is. I can tell you that I fell in love with all the characters, who are by turns symbolic and wonderfully genuine, and that the tense, surreal atmosphere was sustained well throughout the book. I’d recommend it for a book club – there’s lots to talk about.