Book – When the weather cools and the air turns crisp, I am ready for some spooky reads. I grew up watching Sabrina the Teenage Witch on ABC’s TGIF so I was immediately intrigued to see a more grown up version of a childhood favorite. Roberto Aguirre-Sacasa’s The Chilling Adventures of Sabrina Vol. 1 is a re-imagining of Sabrina’s origin story. Sabrina isn’t the bubbly and wholesome witch I grew up with, there are no funny magical mishaps nor life lessons learned in this graphic novel rendition. Sabrina and her terrifying aunts, Hilda and Zelda, are dark, vicious and callous. The Spellman family show little compunction to bloody murder and satanic worship. But don’t be scared away by this! Aguirre-Sacasa lends an interesting plot to this intense read and the artwork matches the intriguing plot. The story is set in New England in the 1960s, a nod to the original Archie comics where Sabrina was introduced back in 1962. Sabrina’s 16th birthday is upon her and she must decide if she wants to become an immortal witch and join the coven or to be simply a normal teenage girl. Unfortunately for Sabrina, her tragic and grisly origin will literally come back to haunt her making her decision rather bleak.
If you’re looking for a spooky read to welcome the Halloween season you won’t be disappointed. Can’t get enough of Aguirre-Sacasa’s spooky retellings? He also wrote the graphic novel Afterlife with Archie, available through Hoopla! Also, keep an eye out for the television series based on The Chilling Adventures of Sabrina coming later this fall.
DVD – This movie is a remake of the 1974 version that I admit I did not watch. I saw this movie on the shelf and thought “Hey I love Bruce Willis and the Die Hard movie collection, why not try this one?” This is a great action thriller movie about an emergency room doctor (Bruce Willis) who is constantly fixing up the bad guys of Chicago. While he gets called into work, his family is targeted in his home and his wife and college bound daughter are brought to his ER with a grave prognosis. Suddenly he has this awakening moment that he needs to do something for revenge. The cops are clearly overwhelmed with cases and are coming up empty handed on his families case. He starts with lowly purse snatchers, and moves up to carjackers to murderers.
This was a great action movie for Bruce Willis. Not too much CGI and not an implausible storyline. It felt really honest and true to the types of mistakes one might make while learning to be an everyday incognito superhero. I am a little confused about the roll his brother plays in this film, but not enough to turn me away from watching it again. I think this one hits home for the action lover of the family as well as the romance/story lover of the family. An all around A+ in my book!
DVD – Made in 1995, Will Smith and Martin Lawrence make a comedic win of a movie. There has been a break in at the police station in the evidence locker and a ton of heroin has been stolen without a huge scene being made. They now have 72 hours to reclaim all that heroin before the FBI and CIA get involved. To complicate matters, they have to protect a witness (Julie) who happened to see the thieves murder her best friend while the drugs are exposed in the room. Her best friend always told her that if anything ever happened to her and she needed someone, Will Smiths character is THE ONLY person she trusts. Julie calls the police station and says she knows what happened and will only talk to Will Smiths character. He was off pursuing another lead, so Martin Lawrence picks up the phone and says he is Will. The two lead very different lives and its comical to see how they portray each other. Will they get the heroin back? At what cost to the city? Will they keep Julie alive? So many ways this one can play out.
This is a moderately older movie, but its a goodie. To see the stereotypes being played out by two comedians is hilarious. There is definitely a large amount of cursing and racial slurs, and intense action so I do not recommend this for children. This movie was such a hit, that they even made Bad Boys II in 2003. Snuggle up for a fun adult night with this pair of movies!
Book – When she was six years old, Lauren’s mother was murdered, her father arrested for the crime. Lauren’s brother Alex has always been convinced that their father is innocent, but Lauren doesn’t buy it. She remembers seeing something – she’s not sure what, but it was bad – and she trusts her memory. But when Alex disappears during a tour in Iraq with Doctors Without Borders, Lauren is forced to come to grips with her memories, her father, and her family’s history. Meanwhile, a pregnant young woman has left her boyfriend, hoping to reunite with her best friend — but she, too, has childhood memories that have yet to be resolved.
I enjoyed this psychological thriller about the unreliability of childhood memories. The characters are not always sympathetic, but they’re well-drawn and intriguing. This isn’t really a fast-paced thriller; the story moves from one point to another in the abrupt staccato way of memories itself. While the point of view shifts can be a little disorienting to start with, the whole story weaves itself together in the end in a most satisfying way.
Movie–Justine, lifelong vegetarian, comes from a family tradition of vegetarian veterinarians (try saying that 3 times fast). The movie follows her first days at her new school with her upperclassman older sister and her new roommate, the brutal hazing she and the other freshman endure, and the bloody consequences that ensue. The freshman class is drenched in animal blood à la Carrie and made to eat rabbit liver. Justine is pressured into eating it by her sister, despite their vegetarianism. This proves to be a terrible mistake. Justine finds herself with an sudden and insatiable craving for living tissue: hair, raw chicken cutlets, and even human flesh… The nightmarishly oppressive and clinical atmosphere of her school provides the ghastly backdrop for Justine’s struggle, and inevitable failure, to control her urges.
When this movie was screened at the Toronto film festival, some of the viewers fainted, and it’s not hard to see why. One scene in particular that takes place after a bikini waxing gone wrong is very hard to watch. Also, be aware that this movie is in French with English subtitles in case that’s not your thing. If you like Raw, you might also enjoy the cerebral cannibalism found in Hannibal seasons 1-3.
Book–Amateur comic book artist and high school student Jess Wong is painfully, unhealthily in love with her best friend Angie. Jess is content to obsess over Angie secretly until Angie enters into a relationship with Margot Adams, a beautiful student from the nearby posh boarding school. Naturally, Jess thinks Margot is no good for Angie, but is this just sour grapes on Jess’s part or is Margot really bad news? When tragedy strikes at an off-campus party and everyone is a suspect, Jess must face up to what really happened that night. Or must she?
This is a dark, twisty thriller, like Pretty Little Liars meets Gone Girl meets The L Word. The book is split in two parts: the beginning is told in first person from Jess’ POV and the end is made up of police interviews and third person limited POV following multiple characters. This allows Lo to build up the tension without giving it all away too quickly. If you enjoy A Line in the Dark, you might also like twisty young adult books like We Were Liars and Last Seen Leaving.
Book–Oliver Ryan, famous children’s book writer, and his loyal wife Alice, who illustrates his books, have a seemingly happy life until one night, after a very good dinner, he hits her, leaves, then comes back to beat her into a coma. The rest of the book is like peeling the layers of an onion. Nugent jumps around in chronology and in viewpoint, each character giving their take on Oliver, their past with him, and why he did it. From his harsh upbringing in a Catholic boarding school, to a fateful summer in France, to his current success, the reader gets more insight into Oliver’s character and motivations with every chapter. By the end, the reader should understand why he did it. Whether you find him sympathetic or a monster is up to you.
Like many books with this structure, it can get a little repetitive. We read tellings of the same scene from so many viewpoints that the details can wear thin by the second character’s take. Also, the story is full of too-convenient coincidences that stretch belief. Nevertheless, I read it in one sitting and found myself sucked in to Unraveling Oliver the way the best domestic thrillers suck you in. While I still found him absolutely monstrous at the end, I could see a different reader coming around to find him at least pitiable, if not sympathetic. This should appeal to people who like the recent spate of compelling Girl novels (Gone Girl, Girl on the Train, etc). If you’re looking for your next read, try B. A. Paris’ Behind Closed Doors, or, in fact, any of B. A. Paris‘ domestic thriller novels.
Movie – Funny Games is, without a doubt the most infuriating film I have ever watched. I should mention first that horror and thriller films are definitely not my genre of choice, but I can still appreciate what goes into the suspense and jump scares that give me the jitters. After seeing Funny Games just one time, I adamantly refuse to ever watch it again. However, I do acknowledge that what enrages me could be someone else’s favorite movie of all time. To each their own.
It starts as horror stories often do: a family goes on holiday, anticipating a nice, quiet vacation. Then two strangers show up (stranger danger!), and the trip quickly becomes their worst nightmare. The two men first arrive at the house of the family requesting to borrow some eggs, but the offenders return with more sinister demands. The men create a game of torture and violence against the family, who must struggle to stay alive.
Funny Games is brutal, and the way the offenders break the fourth wall and stare down the audience through the screen really makes my skin crawl. I hate tension in movies, and the tension in this movie is excruciating for me to sit through without wanting to scream. Maybe this film is worth watching for the horror or thriller enthusiast.
Book – Samuel Hawley and his daughter, Loo, are always on the move. Each time they settle into a new place, Hawley sets up a shrine in their bathroom to honor to his late wife, who drowned when Loo was a baby. Finally, when Loo is a teenager, Hawley decides to try to give her a normal life at his wife’s seaside hometown in Massachusetts. When Hawley competes in the local Greasy Pole Contest, he takes off his shirt to reveal a body riddled with scars from bullet holes. As Hawley and Loo’s latest stop becomes “home,” Hawley reflects on his past and the incidents that led to his scars. Loo begins to reach out to a few of the people in the town and as she matures, she learns about the secrets that bind her and her father. This book is a unique look at family bonds, guilt, sacrifice and the impact of our decisions and how they can ripple through generations.
Book – It’s hard to find a good true crime book about murderous women. There’s a way in which female killers are often treated less seriously than male killers, as though their femininity makes them somehow cute or trivial even though they’ve killed people. From the title, I was expecting Lady Killers to be something like that. I was pleasantly surprised when what I got instead was a chronicle of the way the contemporary media, and then history, treats women murderers. There are some big names in here (Countess Bathory, obviously; the Bloody Benders) but also a few I’d never heard of, and some I only knew a little about. They aren’t just stories from America and the UK, either – we’ve got murderers here from Egypt, Hungary, Russia, and Ireland. In each story, Telfer picks apart the ways these women are dehumanized (many of them were described as animalistic) or their crimes minimized by making them sexy (bathing in the blood of virgins!) or purely mercenary (killing one husband for the insurance money is one thing, but five?). And then, once they’ve been executed or died in prison, we forget all about them. Aileen Wurnos is far from the first female serial killer, but that was exactly what she was called in the press. In the end, Telfer’s thesis is simple: women are people, and sometimes people are horrible. Fans of Harold Schechter and Skip Hollandsworth should enjoy this very much.