Movie – Funny Games is, without a doubt the most infuriating film I have ever watched. I should mention first that horror and thriller films are definitely not my genre of choice, but I can still appreciate what goes into the suspense and jump scares that give me the jitters. After seeing Funny Games just one time, I adamantly refuse to ever watch it again. However, I do acknowledge that what enrages me could be someone else’s favorite movie of all time. To each their own.
It starts as horror stories often do: a family goes on holiday, anticipating a nice, quiet vacation. Then two strangers show up (stranger danger!), and the trip quickly becomes their worst nightmare. The two men first arrive at the house of the family requesting to borrow some eggs, but the offenders return with more sinister demands. The men create a game of torture and violence against the family, who must struggle to stay alive.
Funny Games is brutal, and the way the offenders break the fourth wall and stare down the audience through the screen really makes my skin crawl. I hate tension in movies, and the tension in this movie is excruciating for me to sit through without wanting to scream. Maybe this film is worth watching for the horror or thriller enthusiast.
Book – Samuel Hawley and his daughter, Loo, are always on the move. Each time they settle into a new place, Hawley sets up a shrine in their bathroom to honor to his late wife, who drowned when Loo was a baby. Finally, when Loo is a teenager, Hawley decides to try to give her a normal life at his wife’s seaside hometown in Massachusetts. When Hawley competes in the local Greasy Pole Contest, he takes off his shirt to reveal a body riddled with scars from bullet holes. As Hawley and Loo’s latest stop becomes “home,” Hawley reflects on his past and the incidents that led to his scars. Loo begins to reach out to a few of the people in the town and as she matures, she learns about the secrets that bind her and her father. This book is a unique look at family bonds, guilt, sacrifice and the impact of our decisions and how they can ripple through generations.
Book – It’s hard to find a good true crime book about murderous women. There’s a way in which female killers are often treated less seriously than male killers, as though their femininity makes them somehow cute or trivial even though they’ve killed people. From the title, I was expecting Lady Killers to be something like that. I was pleasantly surprised when what I got instead was a chronicle of the way the contemporary media, and then history, treats women murderers. There are some big names in here (Countess Bathory, obviously; the Bloody Benders) but also a few I’d never heard of, and some I only knew a little about. They aren’t just stories from America and the UK, either – we’ve got murderers here from Egypt, Hungary, Russia, and Ireland. In each story, Telfer picks apart the ways these women are dehumanized (many of them were described as animalistic) or their crimes minimized by making them sexy (bathing in the blood of virgins!) or purely mercenary (killing one husband for the insurance money is one thing, but five?). And then, once they’ve been executed or died in prison, we forget all about them. Aileen Wurnos is far from the first female serial killer, but that was exactly what she was called in the press. In the end, Telfer’s thesis is simple: women are people, and sometimes people are horrible. Fans of Harold Schechter and Skip Hollandsworth should enjoy this very much.
Book – Lydia is ending her evening shift at the Bright Ideas Bookstore when she discovers the body of Joey Molina hanging from a ceiling beam in the upper level. Joey had been one of the BookFrogs – lonely, lost customers who regularly frequented the shop. Lydia had been kind to Joey, but is surprised to learn that he has bequeathed his few possessions to her. When Lydia claims them, she realizes that he has left clues for her to decipher that may lead to the reason for his suicide. As Lydia learns about Joey’s brief and tragic life, she also uncovers truths about her own life and the past she tried to leave behind. I enjoyed following the clues and watching Lydia’s views shift as she examines the events of her childhood. Who can she really trust? This book was an entertaining and clever read.
DVD – Ruby and Rhett are teenage siblings whose parents tragically die in an automobile accident. Long time family friends, the Glasses, become their new guardians. The Glasses live in a huge house that comes across as more of an art museum in Malibu. Initially they have to share a bedroom, which is not right for a 16 year old girl and an 11 year old little brother. Ruby notes that something is not right with her new guardians and tries to rely on her parents executor of the estate who claims to be trustworthy. The Glasses somehow seem to pass all the “tests” of guardianship just in time for the state to do a “routine” inspection. As the movie develops, we learn that Mr. Glass is in deep financial trouble with bookies, and Mrs. Glass seems to have turned herself from medical doctor to drug junkie. How will the kids get out of this situation and what does their future hold?
I thought this movie was great on many levels. The actors were superb choices for the characters. There are a few small plot holes, but nothing you cant overlook and use your imagination. This is definitely a thriller movie, and not a “boo” kind of horror movie. I loved that it is an slightly older movie set back in 2000, so the trip down memory lane with VHS and *69 phone calls, and listening in on landline calls was funny to me. It was great to see how Ruby and Rhett maneuvered through this whole horrible situation and thinking about what other options I would have used. I definitely recommend this one for a suspense horror movie night!
Book–Roommates (and secret couple) Maria and Lily are students at the elite boarding school Acheron Academy. The girls excel at academics, extra-curricular activities, and popularity contests, especially Maria. The only problem, from their perspective, is that they are not the very best. Fellow student Delilah Dufrey holds this honor: she is valedictorian, captain of their soccer team, and a shoo-in for homecoming queen. Delilah is also at the top of the list to win the coveted Cawdor Kingsley prize, a full college ride and two years of free grad school to the winner. While none of the girls actually need the money, they all crave the status, and Maria wants to ensure that she gets into Stanford with Lily.
To ensure the prize goes to Maria and to stay together, Lily is willing to do anything, even exploit Maria’s belief in ghosts and the supernatural to convince her that getting the prize is foreordained. What follows is a a full-on, ghost-laden, Shakespearean tragedy that neither girl could have predicted where bad decisions pile on top of each other and lies beget more lies. Like The Tragedy of Macbeth that it’s based on, As I Descended is an exploration of the lengths that the desire for power can drive people to.
Book— His Bloody Project concerns the murder of a husband, wife, and child in a remote 1800s Scottish highland town. There is no question that local teenager Roderick Macrae is guilty. Framed as a series of historical documents found by the author, Macrae’s fictional descendant, the novel captivates not on the basis of who did the murders, but why he did the murders. We get views of Roderick from his neighbors, his lawyer, the newspapers, his priest, a famed criminal anthropologist of the time, and his own diary, each of them proffering viable explanations . Despite all of this testimony, I was unsure at the end what motivated Macrae and am still spinning theories to explain his reasons.
I was surprised to learn this novel was shortlisted for the Man Booker prize. His Bloody Project has all the drive and atmosphere of a tautly written thriller and is more reminiscent of the documentary Making a Murderer than the literary fare that generally garners Man Booker prizes. If you enjoy this novel, I would recommend others with compelling, unreliable narrators in historical settings, such as The Other Typist by Suzanne Rindell.
Book – In a remote castle somewhere in Eastern Europe, a young man joins the crew that’s working on turning the castle into an unplugged resort, a place you can go to really escape from everything. The crew is led by his cousin, who our narrator once abandoned in a cave when they were both children. In prison, a convict begins to write a story, trying desperately to impress the pretty young writing instructor he’s falling in love with. Which one of these stories is real, which one is true? Better not to try to figure it out, but just to go along for the ride – and what a ride it is.
I always enjoy stories with unreliable narrators, and this one has two, which is pretty terrific. The story in the castle is a little surreal and more than a little Gothic; the story in the prison is emotionally complex and exciting – not your usual writing-about-a-writer scenario. And I loved both of them, which is unusual for me; usually in a book with two parallel narratives I strongly prefer one or the other. Jennifer Egan is a strong, compelling writer, and I look forward to exploring more of her books. I’d recommend this to fans of Claire Messud and Haruki Murakami.
Book – Emma and her boyfriend Simon are looking for an affordable flat. Emma is still reeling after a break-in at her previous home and none of the places available in their budget seem safe. Until the agent shows them One Folgate Street, a spectacular modern structure, with sleek, minimal furnishings. It also includes a lease with hundreds of stipulations. Emma is delighted with the house, because its electronic systems and sensors will provide a safe haven for her. The owner of the home, Edward Monkford, is also the architect. Once Emma moves into the house, her life begins to change. She questions her relationship with Simon, revisits the evening of the break-in and eventually is forced to confront her past demons. Jane, who moves into the house after Emma, also has had some recent troubles. She begins to wonder what happened to Emma and the people who lived in One Folgate Street before she moved in. All is not as it seems in this suspenseful story of love, trust, betrayal and madness. I couldn’t put this book down and was surprised by the twist of events. If you enjoyed Gone Girl, Girl on the Train or The Woman in Cabin 10, you’ll be intrigued by The Girl Before.
Movie – Based on the mystery novel by Lawrence Block, Matt Scudder (Liam Neeson) is an ex-cop turned unlicensed private investigator. He finds himself reluctantly finds his way working for a heroin dealer who’s wife was brutally murdered by way of an Alcoholics Anonymous meeting. Along the way he meets a young street kid named TJ, who takes a liking to Scudder’s profession. TJ inserts himself into Scudder’s job by proving he is needed for his computer and technology skills, something Scudder is just to old to understand and use. Scudder realizes that the people he is after have committed this horrible crime before, and will continue until they are stopped. Working together Scudder and TJ follow a plan to finally put an end to this once and for all.
This movie is a winner with Liam Neeson fans. Although its a little slow to start it has his typical butt kicking, big man confidence you know and love about him. There are a few plot twists that I never considered being an option for the movie, yet somehow they work well. I found the ending to be very thought provoking and left me wondering if there will be a sequel in the future.
If you are looking for an action mystery with a mild tug on your heartstrings kind of movie, this is the one!