Movie - Hemingway and Gellhorn is HBO’s prestige movie featuring the tempestuous relationship between the two great writers Ernest Hemingway and Martha (“Marty”) Gellhorn. Hemingway wrote 25 books and won the Nobel Prize, as well as a Pulitzer Prize. Marty Gellhorn is known as America’s greatest war correspondent, male or female. The movie is really about her and her amazing career. She liked to say “I do not see myself as a footnote to someone else’s life.” In the late 1930s, she met Hemingway and the two of them traveled to Spain to cover the Spanish Civil War, and the movie uses black and while film to depict war scenes from that time. She and Hemingway lived together for four years (they were married in 1940; she was Ernest’s 3rd wife). Nicole Kidman is absolutely brilliant as Martha Gellhorn, but to me Clive Owen was not very convincing as Hemingway. The movie features a lot of sex, drinking and violence, but does not delve very deeply into the writing. However, Hemingway’s most famous book, For Whom the Bell Tolls, was inspired by Gellhorn. Hemingway and Gellhorn is set against a backdrop of the Spanish Civil War, and homes in Key West, Florida, the Finca Vigia in Cuba, and Ketchum, Idaho.
Movie – It may not have anything supernatural about it, but Stoker is definitely a monster movie. It’s also a coming-of-age story, following eighteen-year-old India, played exquisitely by Mia Wasikowska. In the wake of her father’s death, India’s home is invaded by her father’s brother, Uncle Charlie (Matthew Goode), who is determined to make his new place in their home permanent, no matter what.
If you’ve seen Alfred Hitchcock’s Shadow of a Doubt, this might sound a little familiar, and with good reason. The similarities extend beyond the plot as well. Director Park Chan-wook, an acclaimed Korean director who makes his English-language debut with Stoker, is a master at creating tension out of tiny things, and the whole film is made up of tiny things that slowly piece together to become one big, horrifying thing. This is a disturbing movie, definitely not for everyone, but fans of dark psychological horror should love it.
Movie – A Late Quartet features no special effects, criminal kingpins, drug abuse or physical violence; instead, it offers a thoughtful, character-driven, cerebral psychodrama. The movie focuses on a string quartet – called The Fugue – that has played together for 25 years, but is shaken when the cellist and oldest member decides he must retire when he learns that he has Parkinson’s Disease. Hidden resentments, affairs and multiple conflicts begin to surface. The plot shines light on the relationship between life and art. Life is the thing from which art comes: bloody, incoherent, embarrassing, arbitrary and cruel. Art is an idealized vision of life, with the power to bestow order on chaos. Plays and novels have explored this, but A Late Quartet does it effortlessly. Christopher Walken, Philip Seymour Hoffman, Catherine Keener and Mark Ivanir deliver great performances as the musicans who choose playing in quartet over solo careers. The movie uses Beethoven’s String Quartet No. 14 in C sharp minor, opus 131, as a metaphor for playing on through all of life’s ambiguity, pain and irony. I also appreciated the movie’s message about not being overly concerned with mistakes in playing the music, but rather to convey strong lyrical phrases.