Book – Kyle Murchison Booth is an archivist at the Samuel Mathers Parrington Museum, and it causes him no end of trouble. He would very much like to be left alone with his books and his artifacts, but there are…things that won’t leave him alone. Things like an old school friend with a passion for necromancy, a necklace that carries more than memories of its old owner with it and a hidden tomb in his very own museum basement. Even a vacation won’t save him, if the hotel he winds up at is any indication.
Booth is the kind of character who really needs a hug, except if you did hug him he’d probably end up shaking from the trauma for days. He’s an immensely Lovecraftian character, more so than anyone else in these stories; in fact, I think he’s the only character who knows what kind of universe he’s in. Monette does a stellar job of building eerie tension without resorting to graphic violence or shock tactics — these are classy ghost stories.
As horror, the first few stories in this collection didn’t work so well for me, but the last two or three did. (Oooh, that hotel. *shudder*) As a modern take on Lovecraft, M.R. James and the early twentieth century ghost story, they’re all quite good. And as stories about Kyle Murchison Booth, they’re fantastic.
Book – Lizzie lives alone with her invalid sister Emma in Maplecroft, a big old house in Fall River, Massachusetts. Everybody knows what she did. (You know what she did.) But what they don’t know is the reason why, the thing that keeps Lizzie up at nights, the thing that her sister writes to a scholar at Arkham University about, the thing that they don’t know about because Lizzie has been protecting them: There are monsters coming up out of the sea. And there is, so far as she can tell, very little that can stop them.
Fortunately, Lizzie is still very good with an axe.
This is a tremendous mashup of the real-life Lizzie Borden and the Lovecraftian mythos, and Priest doesn’t stint on either the historical flourishes (from Emma’s illness to the precarious social position that puts the two spinster sisters in) or the horror (lots of creepy-crawlies, monstrous fish-people, and the slow corruption of intellectuals studying things that Man Was Not Meant To Know). While this novel has its scares, it’s also got an action-movie quality about it. Or maybe it’s just so darn fun to imagine Lizzie Borden sinking her infamous axe into a Lovecraftian fish-monster. You have to admit, that’s a great image, and it happens plenty in this book.
Maplecroft has a sequel, Chapelwood, about a Lovecraftian cult in the rural Deep South. Or, if you prefer modern horror, try Priest’s new standalone horror novel, The Family Plot, about a salvage crew that runs afoul of an old ghost.