Book – It is 1888, a hot, murderous summer in London, and Doctor Thomas Bond is assisting the police in their investigations. Inspector Abberline leads the investigation into Jack the Ripper, cutting up prostitutes in Whitechapel, but Dr. Bond is more concerned with another killer, more fastidious, whose victims they pull out of the river in pieces. His anxiety high, Dr. Bond turns to opium to calm his mind, but in the opium dens he meets a foreign priest and a Polish madman, who convince him that the monster stalking London is not entirely human after all.
There are probably dozens of novels about Jack the Ripper being a man possessed by a demon; this is the first I’ve seen where Jack is a footnote to a different monster. (The Thames Torso Killer was real, and really was active at the same time as Jack the Ripper, but for whatever reason he never became as famous.) Dr. Bond is a terrific character, too; wracked by anxiety and drug addiction, he never entirely believes in the supernatural thing that his companions warn him about, but he’s willing to do whatever is necessary to stop the killing. Fans of Hannibaland Alex Grecian’s Scotland Yard series will love this book and its sequel, Murder.
Book – Simon Newman has a very niche career – it’s the mid-2000s, and he and his best friend run a website of dark and creepy content. Desperate to attract subscribers for “Journey to the Darkside,” he hires a guide to take him through Cwm Pot, a notorious cave system in Wales where three cavers died in a flood. Simon escapes with his life, if barely; his guide does not.
But one success isn’t enough on the Internet, and the next one has to be bigger and even more dangerous, so Simon signs on to an Everest expedition, hoping to catch some footage of the climbers whose bodies have to be abandoned above 8,000 feet, where it’s too dangerous to try to bring them down. He learns the story of Juliet Michaels, who in the 1990s was trying to become the first woman to climb Everest without bottled oxygen, but perished on the mountain. And in her diary, he finds an eerily familiar story. It seems Juliet was haunted by a lost adventuring partner, just as Simon is. But were they haunted only by memories and regrets, or is there something else out there on the mountain with them?
Sarah Lotz has become my go-to writer for psychological horror: she excels at the kind of atmospheric tension-building that I love. The White Road isn’t seat-of-your-pants scary, but it provides the kind of ambiguous, worrying feeling that I enjoyed so much in, for example, Paul Tremblay’s Disappearance at Devil’s Rock. Once you’ve read this, pick up Into Thin Air to see just how real Lotz’s depiction of death on the world’s highest mountain can be.
Book–Roommates (and secret couple) Maria and Lily are students at the elite boarding school Acheron Academy. The girls excel at academics, extra-curricular activities, and popularity contests, especially Maria. The only problem, from their perspective, is that they are not the very best. Fellow student Delilah Dufrey holds this honor: she is valedictorian, captain of their soccer team, and a shoo-in for homecoming queen. Delilah is also at the top of the list to win the coveted Cawdor Kingsley prize, a full college ride and two years of free grad school to the winner. While none of the girls actually need the money, they all crave the status, and Maria wants to ensure that she gets into Stanford with Lily.
To ensure the prize goes to Maria and to stay together, Lily is willing to do anything, even exploit Maria’s belief in ghosts and the supernatural to convince her that getting the prize is foreordained. What follows is a a full-on, ghost-laden, Shakespearean tragedy that neither girl could have predicted where bad decisions pile on top of each other and lies beget more lies. Like The Tragedy of Macbeth that it’s based on, As I Descended is an exploration of the lengths that the desire for power can drive people to.
Book–Abby and Gretchen have been best friends since Abby’s E.T.-themed birthday in the fourth grade, where Gretchen was the only girl who showed up. Their friendship has been the most significant relationship in both girls’ lives, despite class differences between Abby’s and Gretchen’s families and the vagaries of school friendships. The book is set in Abby and Gretchen’s sophomore year, where they have climbed up to popularity at their selective high school. Trouble starts, though, at a house party at their friend’s lake house, where the girls decide to try LSD. Gretchen has a bad reaction and disappears into the nearby forest for the night. When she reappears, she is…different.
She ceases bathing, wears the same clothes everyday, scribbles listlessly in a notebook, and, most damningly, ignores her nightly telephone date with Abby. Naturally, when your friend takes a turn for the crazy, your first thought is not that she is possessed by a demon, but eventually it becomes clear that there is more wrong with Gretchen than one bad night can explain. I won’t spoil any of the gratuitous-but-fun demonic evil here, but all of the hallmarks of demonic possession are present and accounted for. Abby must decide whether saving Gretchen’s life is worth risking her own; not only her life, but her precarious standing as a poor scholarship student and all of the success that she has fought so hard for. My Best Friend’s Exorcism is part tongue-in-cheek love letter to the 1980s, part touching best friend story, and part gut-curdling horror, but all fun. Hendrix has mastered the tiny niche genre of injecting over-the-top horror into really unlikely and banal scenarios.
Graphic Novel – InMonstress, arcanics are a hybrid of ancient ones and humans. Ancient ones are mystic beings with immortality and special abilities. Known as witches, human women have evolved to have special abilities too. They have been at war with the arcanics for some time. Humans capture arcanics sell them into slavery, experiment on them, and kill them.
Maika was donated to The Order by a local merchant. The Order is a group of powerful witches that have waged war on arcanics. Maika is not a normal arcanic. There is something different about her. Maika is trying to find out was she is. She knows she is more than an arcanic and goes in search of answers. Joining Maika on her journey are Kippa, a young foxlike arcanic and Master Ren, a talking cat with several tails, from a race known as children of ubasti in the story.
This being the first volume very little is revealed until much later in the story. The first three chapters do not give the reader much of a backstory. The story is intriguing and made me want to keep going once I got through the first three chapters. With several storylines to keep track of, it makes the read a little overwhelming and confusing at times. I have found this to be normal with first volumes though.
The style of drawing is a cross between manga, steampunk, and contemporary comics. The world the creators have imagined is stunning. Arcanics are varied and beautifully imagined. Some include wings and horns, talking monkeys, ram headed humanoids, talking cats, and some ride unicorns. There is some violence and blood, along with some nudity. I would recommend this for readers looking for something imaginative, interesting storyline, and intricate artwork. I welcome what is to come in this story and am sure to will enjoy the future volumes.
Book – Nancy’s parents don’t know what to do with her. She’s changed – she won’t wear colors any more, only shades of black and white; she doesn’t eat much, and sometimes, when no one’s looking, she goes very, very still. So they send her to Eleanor West’s Home for Wayward Children, where they hope she will become more like her old self. But Nancy’s parents don’t know what Eleanor West’s real business is. She counsels children who, like her, like Alice and Dorothy and the Pevensies, once stepped through a doorway into another world. And then they came home, to a world much less interesting than the one they’d visited (a different world for almost everyone), and more than anything they long to go back.
This briskly-paced little novella is an idea wrapped in a murder mystery: what would that kind of adventure, the portal-fantasy adventures that so many of us grew up on and dreamed about, really do to a person? What would they be like when they came back? The mystery is just something to keep things moving along, to give us an excuse to hear about all these kids (many of them teenagers, but some younger) and the worlds they visited. Anyone who’s ever dreamed about falling into a fantasy world will relish this story (and its sequel, due out in June).
Book – Lizzie lives alone with her invalid sister Emma in Maplecroft, a big old house in Fall River, Massachusetts. Everybody knows what she did. (You know what she did.) But what they don’t know is the reason why, the thing that keeps Lizzie up at nights, the thing that her sister writes to a scholar at Arkham University about, the thing that they don’t know about because Lizzie has been protecting them: There are monsters coming up out of the sea. And there is, so far as she can tell, very little that can stop them.
Fortunately, Lizzie is still very good with an axe.
This is a tremendous mashup of the real-life Lizzie Borden and the Lovecraftian mythos, and Priest doesn’t stint on either the historical flourishes (from Emma’s illness to the precarious social position that puts the two spinster sisters in) or the horror (lots of creepy-crawlies, monstrous fish-people, and the slow corruption of intellectuals studying things that Man Was Not Meant To Know). While this novel has its scares, it’s also got an action-movie quality about it. Or maybe it’s just so darn fun to imagine Lizzie Borden sinking her infamous axe into a Lovecraftian fish-monster. You have to admit, that’s a great image, and it happens plenty in this book.
Maplecrofthas a sequel, Chapelwood, about a Lovecraftian cult in the rural Deep South. Or, if you prefer modern horror, try Priest’s new standalone horror novel, The Family Plot, about a salvage crew that runs afoul of an old ghost.
Book – One night late in the summer, Tommy’s mother Elizabeth is woken up in the middle of the night by a call from Tommy’s friend Josh asking if Tommy came home. They’d been hanging out at Split Rock in the nearby park, and Tommy took off and never came back. Now Tommy’s missing, and as the whole town turns out to search for him, Elizabeth is looking for answers. Why do pages from Tommy’s diary – one she didn’t even know he had – keep turning up on the living room floor overnight? Why are Tommy’s friends calling it Devil’s Rock, when no one’s ever used that nickname before? Who was the adult man hanging out with the boys during the summer, and where did he go? And what really happened to Tommy?
I like horror novels for their ingenuity and visceral power, but it’s not often that I’m really, genuinely scared by them. I was terrified of this book. Tremblay walks the fine line of suspension of disbelief in a way that feels so much more realistic than any other horror writer. Is Elizabeth really being haunted by her son’s ghost, or does she just want to see him again so badly that she’s imagining things? We’ve all experienced things we can’t entirely explain, and Disappearance at Devil’s Rock has that same feeling: we’re pretty sure that there’s a mundane explanation for everything, but all the same…
Tremblay pulled off a similarly tricky balance with his exorcism novel, Head Full of Ghosts, but I found Disappearance much, much scarier. Read it with the lights on, and make sure your kids are safe in bed before you start.
Book – Pepper’s never been in serious trouble in his life. Sure, a couple of fights here and there, but nothing big. But now, out of nowhere, he finds himself incarcerated — not in prison, where he would have a right to a lawyer and a phone call, but in a mental hospital, where he’s told he’ll be held indefinitely, since he signed those papers they gave him after they gave him the Haldol. The food is terrible, the view nonexistent, and his roommate won’t stop pestering him for spare change. And the Devil lives at the end of hallway four.
Although this is billed as a horror novel, and it kind of is, I’d say it’s not scary so much as disturbing. LaValle does a terrific job of shining a bright light on the systems that dehumanize people, making them nameless and disposable That’s not just the way the police can have someone institutionalized when they don’t feel like processing the paperwork to arrest them, but also the way people desperate to keep their jobs learn to cut corners and avoid speaking up about problems, and the way people are put into categories that make them easier to ignore. And with his wonderful characters, Pepper and Dorrie and Coffee and Sue and all the others, he makes us see them as people again.
Movie–Identical twin sisters Sara and Jess have always been very close, brought together by their parents’ death when they were children. Sara is nothing but supportive when Jess, who has struggled with suicidal thoughts in the past, decides to go teach English in Japan to get a fresh start. Sara is stunned, though, when she receives a call from Japanese authorities that her sister is missing and was last seen entering Aokigahara Forest at the base of Mount Fuji. Aokigahara Forest, as the characters in the movie love telling Sara in as spooky a manner as possible, is a popular destination for those contemplating suicide and is full of yuurei, vengeful Japanese spirits that try to get you to stray from the forest path and give you hallucinations to prompt dark thoughts. Naturally, Sara decides to plunge right into the forest to find Jess, whom Sara is sure has not yet succumbed to yuurei. Accompanied by a guide and a new acquaintance, Sara is making headway towards finding Jess when she makes the predictably terrible, horror-movie-protagonist decision to stay in the forest overnight.
This movie excels in its first two thirds at building suspense. It has a lot of well-composed shots that will stick in my memory and makes the audience care about Jess’ fate through Sara’s eyes. However, as is often the case with horror movies, the last third is a bit of a muddle. The protagonist makes a series of seriously poor decisions and the money shots of vengeful yuurei are a bit too direct and silly-looking to inspire real terror. The unique setting and great first two-thirds, however, are enough to make the movie worth a watch.