Book – Many times while reading In Pieces I couldn’t help but think about Sally Field’s famous remark after accepting her second Academy Award “…you like me, right now, you like me!” I was struck by the fact that throughout most of her life, as described it in this book, she didn’t much like herself.
Many of the choices Ms. Field made in her life were because she was lonely, angry, and easily intimidated. She reveals a good deal about herself, which is often unflattering and sometimes disturbing. Her parents divorced when she was very young, her stepfather abused her, and others passed through her life, coming when they needed something from her, then leaving after. While her mother was present during the time Ms. Field was raising her own children, she didn’t step up for Sally when she needed her the most. Bit by bit, the mother-daughter relationship came together. This book is aptly titled in that her life was lived in pieces.
If you’re looking for a quick, “Oh, I want to hear more about Gidget and what Burt Reynolds were like,” feel-good story, this is not the book for you. If you like exploring the forces in peoples’ lives, particularly celebrities, and the choices they make, you might just like In Pieces.
Book – Some books ripen in a certain season, and The Seven Husbands of Evelyn Hugo is a perfect summer book to me: gossipy, escapist and propulsive, but not lacking in substance. It’s been months since I’ve been in the mood to read fiction, but Evelyn is so addictive that I gobbled my way through its 400 pages in less than a day, and resented the hours when it had to be out of my hand.
The novel’s title character is a household name, a beloved film star whose career began in the 1950s and who is now (in roughly the present) setting her affairs in order. Most pressingly, that means offering her first interview in decades to a young reporter named Monique who doesn’t understand why she is Evelyn’s hand-picked choice–and is even more astonished when Evelyn tells her that she has been chosen not as an interviewer, but to write Evelyn’s authorized biography. Monique’s sections in the present alternate with (and are utterly eclipsed by) Evelyn’s first-person recollections of her eventful past, including the true story behind those seven spouses–and the secret eighth.
Evelyn Hugo is a ‘popcorn book,’ to be sure, wrapped in the glitz and glamor of Hollywood and more focused on entertaining its audience than stretching their minds. But that doesn’t mean that it avoids deeper topics–especially identity, and the ways we shape, obscure, invent, discard, forget and rediscover parts of ourselves. It’s historical but very timely, touching on questions of race, gender, sexuality, class, abuse, and what it means to grow up and grow old. It’s a book about the compromises we make to have what we want and to be seen as who we want to be, and I highly recommend it for your next quick summer read.
Book – Every once in a while a movie comes along that’s so bad, so unbelievable, so outrageous, that it goes straight past unwatchable and becomes compelling. In 2003, that movie was The Room, written, directed, produced by, and starring Tommy Wiseau. The Room is so uniquely, outrageously bad – and not just bad but also deeply, deeply weird – that you can’t help but wonder about the guy who made it. Fortunately, Wiseau’s co-star, co-producer, and best friend Greg Sestero has written a memoir about his friendship with Tommy and the filming of The Room, and while it doesn’t exactly shed any light on who Tommy Wiseau is or why he felt compelled to make this weirdly compelling, illogical relationship drama of a movie, it’s a delightful trainwreck of a story.
You can now experience The Disaster Artist in a variety of formats – there’s the original book, the audiobook as read by Greg Sestero, and the film starring James Franco as Tommy Wiseau. While Franco’s Tommy Wiseau impression is impressive, if you really want to experience the full range of weirdness, I recommend the audiobook. Even if you’ve never seen The Room – and I can’t in good conscience recommend that you do – this is a wild ride through one of the most implausible Hollywood productions of our time.