Book – A. never knew he had an eccentric millionaire uncle in America until his uncle died, leaving him an eccentric old mansion in America — with, as Edith Wharton says, supernatural enhancements. There’s the ghost in the second-floor bathroom, of course, but she’s nothing compared to the mysterious notes and encoded messages scattered around the house, the nightmares plaguing our narrator, or the growing implication that maybe A.’s uncle didn’t commit suicide after all. The mysteries only grow deeper as A. and his friend Niamh begin to uncover the details of the secret society centered around their new home.
The Supernatural Enhancements is told in an unconventional style – letters from A. back to Europe, transcripts of audio and video recordings, and conversations from Niamh’s notepad (she’s mute). This has the potential to get confusing, but I found that the story flows pretty seamlessly for the most part (except for a few places where it’s obviously meant to be confusing). More importantly, this gives the reader the chance to figure out some of the puzzles at the same time as the characters, if you’re inclined to that sort of thing. Me, I’m happy to let the characters do the hard cryptographic work for me, but if you like puzzles and ciphers, this is a great book for you.
Book – Dr. Faraday is a respectable country physician, but he keeps his childhood a secret – his mother was a maid at Hundreds Hall, home of the ancient and established Ayres family. And now that the new maid of the household is his patient, he’s even more reluctant to let it be known where he came from. But the Ayreses – widowed Mrs. Ayres, her spinster daughter Caroline, and her son Roderick – have much more to worry about than their friend the doctor’s history. Strange things are happening at Hundreds Hall, things that are putting a strain on the well-being of the family. Dr. Faraday is convinced that it’s only the effects of living in an old and decrepit house, but the family is sure there’s something more sinister going on.
The Little Stranger takes its time getting where it’s going; this is no fast-paced thriller. Rather, you have plenty of time to get to know Dr. Faraday, Mrs. Ayres, Caroline, Roddy, and Hundreds Hall itself. It’s the kind of haunted house story where you’re never quite sure who’s right and what’s really happening – although it helps to remember that the narrator, Dr. Farraday, has his own biases that may be getting in his way and ours. This is the perfect novel for a cup of tea and a gloomy October afternoon.
Book – House of Leaves is the scariest book I have ever read. It’s not gory or gross or even immediately frightening – there are no monsters or demons or serial killers. It’s just completely terrifying.
The story takes place in several layers. Johnny Truant is our primary narrator, telling us about this manuscript he was helping his neighbor Zampano write. Then there’s the film Zampano is writing about, a documentary made by world-famous photographer Will Navidson about the house he and his family have moved into. At first the house seems perfectly normal, and then one day they discover a hallway doesn’t seem right. They double-check the blueprints, they measure the house inside and out with a laser sight, and there’s no way around it – the house is three-quarters of an inch larger on the inside than it is on the outside.
And then it gets bigger.
I think it’s the different levels of narrative that make House of Leaves so effectively terrifying. In trying to figure out whether or not the film is real in Johnny’s world, you start to forget that Johnny’s world isn’t necessarily your own, and everything seems to bleed together around the edges. House of Leaves isn’t the kind of book you can read all at once and get it over with; even if you could get through it in one sitting, it’ll haunt you later.