Book – Helen Franklin is not happy with her life. She’s worked hard not to be; she is atoning. An English expatriate, she works as a translator in Prague and has only a few friends. When one of them is given a mysterious package of documents by an elderly man working on his memoirs, he spirals into paranoia and fear, dragging Helen with him. Who is this person Melmoth who appears in so many historical writings? Is she a myth or a bogeyman, or is she truly the witness to all humanity’s wrongs, Helen’s included?
I first read Melmoth the Wanderer, the 19th century gothic novel that served as the inspiration for Perry’s new one, on the sunny patio outside my college library, so I was primed to love this book. This is a lovely modernized echo of the original story. In this version, Melmoth is a woman, a lonely creature who longs for someone as broken as she is to keep her company. Told in the fine gothic style of nested narratives – one character reading a story written by another character, which contains a story told to them by a third party – we meet a variety of Melmoth’s potential companions throughout history, from a sixteenth-century nobleman to a young German boy in Nazi-occupied Prague, to Helen’s own tragic history.
Although the story is all about guilt and atonement, and whether or not some things can be atoned for, it’s not as bleak as that makes it sound. There is also a great deal of compassionate humanity and people being better in spite of themselves. I’m happy to report that I loved this book exactly as much as I expected to, and I’m looking forward to whatever Sarah Perry brings us next.
Book – This sweeping saga explores family dynamics, loyalty, love, and loss. It is the story of two brothers growing up in India. Totally inseparable, yet very different. With only 15 months between them, the older one Subhash is serious, reserved, and reliable, while Udayan is impulsive, a risk taker, and rebellious. In college both excel academically. Subhash studies chemistry, Udayan physics. It is the late 1960’s and India is experiencing political turbulence. Subhash decides to go to America for his PhD, while Udayan stays and becomes increasingly involved with radical militant groups. He even defies his family by foregoing tradition and marrying, Gauri, chosen for love. The brothers lose touch leading their separate lives. Due to unforeseen circumstances, Gauri and Subhash form their own unique relationship, so that he can make sense of Udayan’s actions and because his parents shunned Guari as their daughter-in-law. Subhash acts with integrity and tries to do the right thing, but will he be a victim of his own goodness? This sweeping saga spans four decades and explores family dynamics, loyalty, love, and loss.
I highly recommend this wonderful book along with Jhumpa Lahiri’s other works – Interpreter of Maladies, In Other Words, The Namesake, and Unaccustomed Earth.
Book – Zinzi December finds things. It’s her Talent, the mildly useful side effect that comes along with her Sloth, a physical manifestation of her guilt over her brother’s death that also renders her unfit for work in polite society. She only finds lost things, not lost people, but when her latest client is murdered, she has to take on a missing persons case. Songweza, half of the twin teen pop sensation of the moment, has disappeared, and her manager needs her back before the new record drops.
I had a fantastic time with this book. A South African urban fantasy with a heist plot, it was very different from Beukes’s outstanding serial-killer thriller The Shining Girls, but just as excellent. This feels like it should be a movie, the better to show off the contrast between Zinzi’s lower-class lifestyle and the glitzy pop music glamor of her employer’s world. I also really liked the way Beukes recast the animal companion trope – they’re a little bit like the daemons of Phillip Pullman’s His Dark Materials trilogy with a grittier edge. Anyone who’s a fan of Jim Butcher or Seanan McGuire should enjoy Zoo City.