Book – The Villarcas are tied to Rawblood, their estate in the Devon countryside. If they stay away from it too long, they sicken and die. But if they stay home, they are tormented by her, a curse of the Villarca bloodline, the ghost of a tortured young woman who tortures the residents of Rawblood in turn. At the turn of the twentieth century, young Iris Villarca is determined to find a way out from under the curse. Decades earlier, her father does his best to push his lover away to keep them both safe. In Italy, Iris’s grandmother finds herself strangely drawn to – and repulsed by – a Spanish expatriate. In the end, the curse ties them all together.
The Girl from Rawblood is a classically Gothic novel with all the trimmings: a huge empty house, a ghost, a family curse, a series of mysterious and unread letters. (And, unfortunately, quite a lot of that peculiarly English racism against European foreigners.) Pulling the Gothic all the way into 1918 is a particularly nice touch: while I liked the history of the family, Iris’s story, wrapped up in World War I, was by far the most fascinating. If you like your ghost stories equal parts frightening and heartbreaking, this is the book for you.
Book–In the port town of Malacca in Malaya in the 19th century (modern-day Malaysia), Li Lan is the daughter of a impoverished-but-genteel opium addict. Though of marriageable age, Li Lan receives no suitors but one: the prestigious Lim family wants her for their only son’s bride. There’s a catch, however. Lim Tian Ching, heir to the Lim family fortune, has recently died under mysterious circumstances and is demanding a bride from beyond the grave. Ghost marriage, an ancient but rarely practiced custom, is used to soothe an angry spirit, and guarantees the bride’s place in her groom’s house for the rest of her life.
Before Li Lan has even accepted the proposal, Lim Tian Ching begins to haunt her, and she is drawn into lifelike nightmares that sap away her energy. Li Lan is torn between the waking world and the shadowy ghost world where, if she’s not careful, she may remain forever.
The gorgeous, strange setting of turn of the century Malaya and the dreamlike ghost world draw the reader in, stealing the show from the somewhat milquetoast Li Lan and her trite love triangle between new Lim heir Tian Bai and mysterious spirit Er Lang. The Ghost Bride will appeal to those who enjoyed the movie Spirited Away, which has a similar beautiful, nightmarish, dream-logic setting and characters drawn with a light hand.
Book – Ruth and Nat are a couple of teenagers about to age out of the Love of Christ! foster home in upstate New York. Traumatized after her older sister aged out and never returned for her, Nat is the only person Ruth has left in the world. That is, until a mysterious stranger appears at the home and suggests a way out – they can exploit Nat’s purported ability to speak to the dead, and make a living for themselves.
Interwoven with this story is that of Cora, a young woman with a boring job, a new pregnancy, and a boyfriend – a married man she’s been carrying on an affair with – who wants nothing to do with a baby. Before she can decide what to do about anything, her long-lost, much-loved Aunt Ruth turns up at her house in the middle of the night, and Cora finds herself following Ruth on a shoeleather road trip, walking across the countryside to a destination Ruth won’t explain.
I picked up this book entirely based on the title – Mr. Splitfoot was the name the Fox sisters gave the spirit they claimed to be communicating with when they invented seances and Spiritualism in 1848 – and although it wasn’t the story I was expecting, I was totally blown away. Part ghost story, part mystery, partly a story about knowing who your family is and what you can rely on them for, this is going on my list of best books from 2016.
Book – Trace sees spirits. They’re kind of everywhere, but he doesn’t dare tell anyone he knows about what he can see, because every time he does they wind up dead. Even his partner Boz doesn’t know – until they’re hired by a rich old English lady to retrieve some property for her, and it turns out that she doesn’t need Trace’s skills as a trapper and guide so much as for what he can see that so few others can.
This is a terrifically fun Weird West story, with all the trappings – cowboys, werewolves, ghosts and sorcerers. Messinger does a good job with the diversity of the West, too: Boz is black, and the ghosts of Chinese rail-workers play a role in Trace’s difficulties. The overall plot isn’t too unique (and it’s clearly set up as the beginning of an ongoing series), but the unique twist on monsters and magicians, as well as Boz and Trace’s relationship, make for compelling reading. I’m interested to see where this series goes from here.
Book – Bridget used to work as a lawyer; now she stays at home with baby Julia while her computer-programmer husband Mark supports their little family. Bridget and Julia aren’t alone in the house while he’s gone, though. There’s a shadowy figure, a ghost that creeps through the rooms. Mark can’t see the ghost, but Bridget is all too sure it’s real.
A hundred years ago, Rebecca is the daughter of a doctor, and although she’s unsure she chooses to marry a farmer, an old friend, and become a farm wife. She struggles with her new life and fights with her husband almost constantly. Their life together may be interesting, but it’s anything but happy.
While alternating between the stories of Bridget and Rebecca gives some hints about the nature of the ghost that haunts Bridget, it remains a little unclear just what the connection between the two women really is. I found I enjoyed that; I like a little mystery with my scariness. I also liked that neither of the two main characters were really, well, nice. Rebecca is profoundly selfish, while Bridget can’t stop herself from looking down on her friends. That doesn’t mean they aren’t likeable, though – Bridget’s devotion to her daughter is extremely moving, and Rebecca is caught in an impossible situation that’s hard not to empathize with. I was enthralled by both of their stories, and I only wish I could have learned a little bit more about them.
Book – What would happen if magic came back into the world? That’s the driving question behind James Treadwell’s ongoing trilogy, which starts with Advent. Hundreds of years ago Johann Faust, the greatest magician of his age, locked all the magic of the world away in two precious objects. In the present day, Gavin Stokes is fifteen, and he sees things that other people don’t. Unlike most teen protagonists, he refuses to shut up about it, and when it gets him suspended from school his parents send him his aunt in the country, where he finds that he is far from the only one.
I loved Advent for the feeling it has, a sense that magic is something very old and mysterious and dangerous which, though wonderful, might not actually be something that you want. This is magic by way of horror – too powerful to be simply charming. It reminds me a little of Susan Cooper’s The Dark is Rising, a little of Neil Gaiman’s The Ocean at the End of the Lane, and a little of Susanna Clarke’s Jonathan Strange and Mr. Norrell. The sequel to Advent, Anarchy, was published in the US in September, and the third book in the trilogy is forthcoming.