TV Series – Ginko is a mushi-shi, a scholar of those invisible, mysterious creatures called mushi which sometimes, through no fault of their own, cause serious problems for the humans and animals with which they interact. Each episode of the show follows Ginko’s attempts to resolve a particular situation caused by mushi, from the family who cannot leave a bamboo forest no matter how hard they try to the boy whose drawings come to life but only if he draws with his left hand. Because Ginko himself attracts mushi, he can’t stay in one place for too long, so he wanders from one place to another, helping others with their problems while he attempts to understand the creatures that cause so much trouble.
Mushi-shi is a faithful adaptation of the manga series by Yuki Urushibara, originally published in Japan from 1999-2008. It’s absolutely beautiful, with gorgeous animation reminiscent of both Studio Ghibli films and the watercolor paintings used for the book covers. The stories are similarly haunting, emotional pieces very like ghost stories in most cases. Since there’s no overarching plot, they’re great to watch one at a time and savor.
Movie – This animated feature film was the highest-grossing Japanese film of its time. The director Hayao Miyazaki (Spirited Away), sometimes described as the Japanese Walt Disney, is a pioneer of anime. In this epic adventure set in pre-industrial Japan a young prince incurs a life-threatening curse and sets off to find a cure. He becomes a central figure in a war between man and nature when a mining clan battles a variety of forest gods led by Princess Mononoke, a young woman raised by wolves. This film portrays mythology and surreal characters that are uniquely Japanese.
The viewer definitely picks up on the anxiety of the Japanese about the diminishing of their natural environment. Although there is beautifully painted animation, it also contains some violence and it is not a story for young children. I appreciate that the characters and the social issues addressed in the film are complex and thoughtfully presented. A budding romance develops between the Prince and Princess Mononoke, but they often place duty above their personal relationship. This English version of the film was adapted by Neil Gaiman (Stardust, The Ocean at the End of the Lane) and it is voiced by actors that include Claire Danes, Billy Bob Thornton, and Jada Pinkett Smith.
Book – Short stories are funny things. They’re short, of course, which means you don’t spend very much time with them, but somehow they can pack even more emotional punch than a novel. Some writers can write beautiful novels and their short stories fall flat; some writers write incredible short stories but their novels meander strangely. For my part, I think of Angela Carter as the second type: her novels are deeply weird in a way I don’t enjoy, but her short stories are incredibly powerful.
This is an omnibus collection of Carter’s work, so there’s a lot of variety here. Some of my favorite stories are “The Fall River Axe Murders,” a narrative about Lizzie Borden; “The Bloody Chamber,” a retelling of the Bluebeard fairy tale; and “The Executioner’s Beautiful Daughter,” a story Carter wrote after someone argued that the only thing a story needed was for something to happen. (Nothing actually happens in “The Executioner’s Beautiful Daughter,” but it’s a moving story nonetheless.)
This is a big collection, and I wouldn’t recommend trying to read it all at once anyway – there’s too much going on. But if you’re looking for a little flicker of something brilliant, this is a good book to dip into.
Book – Maia may have been an emperor’s son, but he never expected to amount to anything. His older brother was the heir, after all, and Maia had been exiled from court when his mother died, so the chances of Maia ever leaving the backwater estate he’s grown up in are small. But when the Emperor – along with all of his other heirs – die in an airship crash, Maia is the only one left, and he will have to learn everything there is to know about the court before he suffers the same fate as his father.
Katherine Addison is the new pen-name of Sarah Monette, who I’ve already written about as one of my favorite authors. With The Goblin Emperor she switches gears from the dark, emotionally fraught stories she’s known for to a more optimistic mood. Maia has a hard life, but he does well in it, gaining confidence by leaps and bounds as the story progresses. This is a coming-of-age story that starts where most leave off (usually becoming Emperor is the reward at the end of the quest) and it’s an extremely satisfying one. I’m happy to call this already one of the best fantasy books of the year.
Book – In Written in Red Anne Bishop introduces a world where humans are perceived primarily as prey by the “Others”, a variety of earthy creatures spanning folklore descriptions from shape-shifters to furies. In this urban fantasy the Others have the power, but they allow human communities to exist because of the interesting products humans produce. A few marketplace communities that are operated by the Others exist where humans and the Others mingle very tentatively, and Meg Corbyn finds sanctuary in one such community when she is hired as a Human Liaison for the Lakeside Courtyard business district. Yet, is she technically human? And from what does she require sanctuary? The entities populating the Lakeside Courtyard find themselves taking a keen interest in their new liaison and must decide whether she is worth their protection. Meg’s process of settling into her new community is told with an amount of domestic detail that makes this a cozy read at times. Suspense builds when Meg’s hiding place is discovered and the human world breaches the Courtyard walls.
Book – Awakening alone and thoroughly bandaged in a hospital room, Corey can’t remember who he is or how he got here. He is sure, however, that he really ought to get out. He manages to bluff his way through meeting two of his siblings before he confesses the truth of his amnesia, and they help him to remember: he is Corwin, a Prince of Amber, the only true world, and if he doesn’t act quickly, his hated brother Eric will crown himself king.
This is hardboiled fantasy, snappy, sarcastic, and to-the-point. If Raymond Chandler and Dashiell Hammett got together to write a fantasy novel, it might have come out like this. Some of it is a little dated – everyone smokes almost constantly, and when was the last time you heard someone use “dig” to mean “understand?” – but hey, it was published in 1970, you have to make some allowances.
I was struck when reading this (for the first time since high school) at how much of a debt George R.R. Martin’s Song of Ice and Fire owes to Amber. Sure, it’s all in one family instead of spread over several, but there’s just as much politicking, backstabbing, and fighting for the throne. If you like the one, I bet you’ll like the other.
Book – Capt. Will Lawrence of His Majesty’s Navy is very happy with his career. When he captures a French corvette transporting a rare and precious dragon’s egg, he takes responsibility for the egg, which means being there for its hatching. Unfortunately, the little creature – who he christens Temeraire, after the ship – has taken a liking to him, and that means that Capt. Lawrence is going to have to leave the Navy and enter His Majesty’s Aerial Corps, to fight Napoleon from the back of his very own dragon.
There are two kinds of people in the world: people who think that the Aubrey/Maturin series is great but would be even better with dragons, and people who think the first type are crazy. If you’re the first type, this series is for you. While the first book is a fairly straightforward adventure, later books explore more parts of the world and how the presence of dragons changes them from what you’d expect. As Temeraire (and Will) learn more about how the rest of the world does things, they begin to seriously question the society in which they live.
Book - Step into Le Cirque des Rêves, which has literally appeared overnight, and it will impact your senses, sight, sound, smell, and touch. As an audience member of The Night Circus, one does not perceive some of the subtle changes that are periodically impacting the surrounding environments of aesthetic wonder. These changes are the result of a long-standing competition between two young illusionists; yet, the duel was not of their making. Cecilia and Marco are pawns in a game constructed by the two powerful rivals, who are also the young contestants’ guardians. However, these controlling mentors do not control the feelings the young magicians develop for each other. Unanticipated, Celia and Marco’s romantic feelings may inevitably have dire consequences for all who inhabit and attend the circus. For the audio-book one of my favorite narrators, Jim Dale, award-winning narrator of the Harry Potter series, adds depth to the large cast of characters populating this turn-of-the-twentieth-century world. His idiosyncratic method of narration is well matched for this story set just outside of reality.
– For the past several years I’ve been attending the awards ceremony for the James Tiptree, Jr. Award
, “an annual literary prize for science fiction or fantasy that expands or explores our understanding of gender.” Sometimes I’m already familiar with the winner, but usually I get a list of great new books to read. This year the only one of the nominees I’ve already read is Sea Change
, a fairytale by S.M. Wheeler about a girl and her octopus.
Lilly lives a sad and miserable life as the only child of parents who hate each other, perched in their castle by the sea. Her best friend is Octavius, a kraken; the two of them talk about friendship and morality. Then one day Octavius is captured and sold to a circus, and Lilly sets out on a quest to rescue him.
This is an incredibly poetic book, written more for the beautiful language and the sense of a fairy-tale than for ease of reading. Lilly’s story is a hard one, but the way she perseveres and changes is inspiring. I’d recommend it for fans of Caitlín R. Kiernan
and Catherynne M. Valente
Book – What would the world be like if there really were mermaids? No, really, what would that be like? That’s the question Kit Whitfield sets out to answer in her spectacular novel In Great Waters, an alternate history of the world where the royalty of Europe are all descended from the deepsmen, tribes of not-quite-human folk who live in the sea and who first rose to land in Venice in a time of political strife. Now – in something very like sixteenth-century England – a half-human, half-deepsman boy has been abandoned by the deepsman tribe that tried to raise him. He represents an opportunity – the chance to overthrow the incompetent, inbred crown prince before he has a chance to ruin the kingdom. The boy himself, however, may have some different plans.
This is a tremendously inventive story, not fantastical at all except for the existence of the deepsmen – if it were set in the future, you’d call it science fiction. The book explores the implications of its premise, but it never loses sight of the characters at the heart of the story: abandoned, bastard Henry and Princess Anne, both trapped by others’ expectations and fighting to define themselves on their own terms.