Book – Henghis Hapthorn is a creature of logic. He uses his skills and talents to solve puzzles for the elite of the Archonate, the vast empire of human colonies spread throughout known space. Recently, though, he’s suffered a few setbacks. A dangerous encounter with a rogue magician – rare in this age of science and reason – has transformed Hapthorn’s computer assistant into an animal familiar, which now needs to sleep and eat, and has developed a personality of its own. Worse, the intuitive part of his mind has become its own person, and Hapthorn finds himself having increasingly bitter disagreements with himself. And now the Archon himself has hired Hapthorn to investigate a mystery that goes back to the origins of the Archonate, deep within the last age of magic, which may cause the foundations of the world to turn, leaving Hapthorn’s valued logic entirely useless.
Hughes’s prose is elaborate and ornate, making this relatively short book a somewhat denser read than I was planning on, but I loved it anyway. Hapthorn is a Sherlock Holmes type, but with problems Holmes never had (Watson never passed out in the middle of the action, or refused to work without regular deliveries of exotic fruit). The mystery is well-constructed, but the real joy is in exploring the universe Hughes has created, one based on science but where magic is real and increasingly important in the most important events of the universe.
Book – Cadegan has been cursed into living in a realm without color or hope because of one bad judgement. His entire life has been nothing but trying to do the right thing in spite of the circumstances around him. When he wakes up one day and finds a spot of color in his realm that doesn’t belong, he is given a chance to taste life again, but is it just more cruelty or a real chance at redemption?
Poor Jo, never quite fits in anywhere. Her family is nuts. Jo shades more towards sane, but not far enough to get by in the ‘real’ world outside of her family. Trying to earn a living she falls through the looking glass, literally, into a colorless world inhabited by demons and a strange knight that she really should be scared of….
While I still loved this book I felt that it was much more flippant and soft than her usual books. I usually need a few tissues while reading about the Darkhunters and their crew, this time I only needed one. I don’t know if I didn’t get as into the book emotionally, if I was just tired as I read, or if the characters didn’t resonate quite as well with me as Zarek, Acheron, or even Julian. Whatever it was…I still enjoyed the book and have purchased it, cheapskate that I am that’s a real endorsement.
Book – Every year on December 32nd, the Hogfather climbs into his sleigh pulled by four wild boars to delivers pork products to all the good girls and boys (and sacks of bloody bones to the bad ones). At least, every year before this one. This year the Hogfather is missing in action, and it’s up to Death to make sure the holiday goes forward as planned – and Death’s granddaughter, Susan, to find out what’s happened to the real Hogfather.
Hogfather is the 20th in Terry Pratchett’s sprawling and renowned Discworld series, a collection of novels all set on the fantastical world in the shape of a disc which travels through space on the back of four elephants on the back of a turtle, a place where magic works and the laws of nature are somewhat more literal than they are in our own. You don’t have to have read any of the earlier novels to enjoy this one; in fact, Hogfather is one of the earliest novels I recommend, as I think the series is better in its later incarnations. (The newest novel, Raising Steam, is #40.)
Pratchett’s books all have an edge of satire to them, and this one bites just a little bit: it’s full of holiday spirit, but it also skewers the consumerism of the holiday and the sanitized nature of modern stories based on old myths. There’s also a rather fantastic TV adaptation of Hogfather, which is in my regular holiday movie rotation.
Book – Mr Norrell is a practicing English magician. He actually does magic, which is considered beyond strange by all of his colleagues, who focus on research and analysis. And he is about to make a name for himself when Jonathan Strange appears. Jonathan Strange is also a practicing magician, and what’s more, he is young and handsome and a part of Society, which is not really something Mr Norrell can manage. Of course they will study together, and of course they will be rivals.
This is not a book for everyone. It’s long. There are rambling, divergent footnotes. It combines Regency romance sensibilities with war narratives and an approach to magic that’s based more on medieval English folklore than on The Lord of the Rings. There’s a tonal shift three-quarters of the way through that reminds me of nothing so much as Jane Austen writing the adventures of Richard Sharpe. And if you’re like me, that makes this book perfect. This is one of those books I would like to recommend to everyone, even though I know there are so many reasons why many people would not like it. I just love it so much, I would like to be able to share that love with everyone. Do you have any books you feel that way about?
Book – Zinzi December finds things. It’s her Talent, the mildly useful side effect that comes along with her Sloth, a physical manifestation of her guilt over her brother’s death that also renders her unfit for work in polite society. She only finds lost things, not lost people, but when her latest client is murdered, she has to take on a missing persons case. Songweza, half of the twin teen pop sensation of the moment, has disappeared, and her manager needs her back before the new record drops.
I had a fantastic time with this book. A South African urban fantasy with a heist plot, it was very different from Beukes’s outstanding serial-killer thriller The Shining Girls, but just as excellent. This feels like it should be a movie, the better to show off the contrast between Zinzi’s lower-class lifestyle and the glitzy pop music glamor of her employer’s world. I also really liked the way Beukes recast the animal companion trope – they’re a little bit like the daemons of Phillip Pullman’s His Dark Materials trilogy with a grittier edge. Anyone who’s a fan of Jim Butcher or Seanan McGuire should enjoy Zoo City.
Book– Katie Lightfoot is a baker with a twist, she’s recently found out that she’s a lightwitch. What exactly that is, she’s not sure and is slowly figuring out. In this installment, Hollywood has taken over Savannah’s historic district. From her boyfriend Declan on security, to her friend Bianca as an extra, Katie’s whole group is involved while she’s happy to keep out and run her bakery. A fired caterer, a fixer, and an enterprising spirit pull her into the production and a dead body keeps her there.
The fourth in the series, Some Enchanted Eclair, is a fun romp through a deep-Southern community. I enjoyed revisiting the characters from earlier books and look forward to seeing exactly what a lightwitch is and how it impacts Katie’s life. Not only that, but the twist near the middle that shakes things up a bit is fodder for many more stories! If you’re looking for a fun, light read this as well as the earlier books in the series will surely delight.
TV Series – Ginko is a mushi-shi, a scholar of those invisible, mysterious creatures called mushi which sometimes, through no fault of their own, cause serious problems for the humans and animals with which they interact. Each episode of the show follows Ginko’s attempts to resolve a particular situation caused by mushi, from the family who cannot leave a bamboo forest no matter how hard they try to the boy whose drawings come to life but only if he draws with his left hand. Because Ginko himself attracts mushi, he can’t stay in one place for too long, so he wanders from one place to another, helping others with their problems while he attempts to understand the creatures that cause so much trouble.
Mushi-shi is a faithful adaptation of the manga series by Yuki Urushibara, originally published in Japan from 1999-2008. It’s absolutely beautiful, with gorgeous animation reminiscent of both Studio Ghibli films and the watercolor paintings used for the book covers. The stories are similarly haunting, emotional pieces very like ghost stories in most cases. Since there’s no overarching plot, they’re great to watch one at a time and savor.
Movie – This animated feature film was the highest-grossing Japanese film of its time. The director Hayao Miyazaki (Spirited Away), sometimes described as the Japanese Walt Disney, is a pioneer of anime. In this epic adventure set in pre-industrial Japan a young prince incurs a life-threatening curse and sets off to find a cure. He becomes a central figure in a war between man and nature when a mining clan battles a variety of forest gods led by Princess Mononoke, a young woman raised by wolves. This film portrays mythology and surreal characters that are uniquely Japanese.
The viewer definitely picks up on the anxiety of the Japanese about the diminishing of their natural environment. Although there is beautifully painted animation, it also contains some violence and it is not a story for young children. I appreciate that the characters and the social issues addressed in the film are complex and thoughtfully presented. A budding romance develops between the Prince and Princess Mononoke, but they often place duty above their personal relationship. This English version of the film was adapted by Neil Gaiman (Stardust, The Ocean at the End of the Lane) and it is voiced by actors that include Claire Danes, Billy Bob Thornton, and Jada Pinkett Smith.
Book – Short stories are funny things. They’re short, of course, which means you don’t spend very much time with them, but somehow they can pack even more emotional punch than a novel. Some writers can write beautiful novels and their short stories fall flat; some writers write incredible short stories but their novels meander strangely. For my part, I think of Angela Carter as the second type: her novels are deeply weird in a way I don’t enjoy, but her short stories are incredibly powerful.
This is an omnibus collection of Carter’s work, so there’s a lot of variety here. Some of my favorite stories are “The Fall River Axe Murders,” a narrative about Lizzie Borden; “The Bloody Chamber,” a retelling of the Bluebeard fairy tale; and “The Executioner’s Beautiful Daughter,” a story Carter wrote after someone argued that the only thing a story needed was for something to happen. (Nothing actually happens in “The Executioner’s Beautiful Daughter,” but it’s a moving story nonetheless.)
This is a big collection, and I wouldn’t recommend trying to read it all at once anyway – there’s too much going on. But if you’re looking for a little flicker of something brilliant, this is a good book to dip into.
Book – Maia may have been an emperor’s son, but he never expected to amount to anything. His older brother was the heir, after all, and Maia had been exiled from court when his mother died, so the chances of Maia ever leaving the backwater estate he’s grown up in are small. But when the Emperor – along with all of his other heirs – die in an airship crash, Maia is the only one left, and he will have to learn everything there is to know about the court before he suffers the same fate as his father.
Katherine Addison is the new pen-name of Sarah Monette, who I’ve already written about as one of my favorite authors. With The Goblin Emperor she switches gears from the dark, emotionally fraught stories she’s known for to a more optimistic mood. Maia has a hard life, but he does well in it, gaining confidence by leaps and bounds as the story progresses. This is a coming-of-age story that starts where most leave off (usually becoming Emperor is the reward at the end of the quest) and it’s an extremely satisfying one. I’m happy to call this already one of the best fantasy books of the year.