Book – Agnieszka grew up next to the dark enchanted wood, in the shadow of the Dragon’s tower. The Dragon is a wizard, not a fire-breathing lizard; he doesn’t eat the girls he takes, but he does take one every ten years or so, and she never comes home again. At least, not for very long. Everybody knows that he always takes the best, the cleverest, the most beautiful, the most talented girl, so they’re shocked when he picks Agnieszka instead.
But unlike the other girls, Agnieska’s been picked for a reason – she has the talent to become a wizard herself, and by the king’s law, she must be trained. (No matter how much she hates it.) And then, as war threatens and the enchanted wood begins to overflow its borders, spilling monsters and poison out into the surrounding lands, she has to learn, if she wants to save her home and everyone she loves from a terrible end.
I absolutely adored this book, and I resented everything that made me put it down until I could finish it. While it has a lot in common with fairy tales, it’s also a deep, complex story full of very human people who make the wrong decisions for the right reasons (and sometimes the right decisions for the wrong reasons), and how they face the consequences of their actions. Fans of Novik’s His Majesty’s Dragon series and Katherine Addison’s The Goblin Emperor will love this, too. It also has a Hungarian flavor that would go very well with Steven Brust’s Dragaera series.
Movie – And so it begins. The 2015 film, Cinderella, starts Disney’s new endeavor to take all our favorite childhood films and transform them into live-action remakes. Don’t get me wrong, I am pretty excited to see a few of them hit the screen, mainly Beauty and The Beast, The Little Mermaid, and Mulan. So, obviously, the premiere of Cinderella was a BIG deal. Because I love children’s movies, I felt obligated to give the fairy tale remake a try. With Lily James as our lovely Cinderella, evil stepmother Cate Blanchett, and Helena Bonham Carter as the quirky fairy godmother, the film has a killer cast.
Unlike many previous Cinderella adaptations, this film gave Cinderella’s mother some screentime before she passes, which I thought was a nice touch. The story moved a bit slowly for my liking, which I understand was probably due to the in depth storytelling of the film. It seemed there was a greater focus on each of the characters. For example, the deeper character development of the wicked stepmother helped to see her in a different light, which was a unique change of pace.
I did get caught up with how much the story dragged (in my opinion), which was rather annoying. And the CGI was a bit much for my taste. I also thought the main message of the story, Have courage and be kind, though a good message, was unnecessarily repetitive throughout the movie. Still the film managed to retain the fairytale magic that made me fall in love with the original story.
Book – In a lilac wood lives a unicorn who has heard a rumor that she is the last of her kind. Although unicorns are solitary creatures, she does not like the thought of being the last, so she sets off on a quest to find the rest of them. Along the way she meets a witch running a questionable carnival, a slightly (but not entirely) inept magician, a band of outlaws and their long-suffering cook, and (of course) a prince.
Reading The Last Unicorn is like reading your favorite fairy tale for the first time. It’s a tremendously deep, rich fantasy story that is nothing at all like Tolkien, but contains all of those things that made you like fantasy stories when you were small – talking animals, wizards, an evil king, true love, and, of course, unicorns. When I was a kid, I wore out the local video store’s VHS copy of the movie, which is not only gorgeously animated but is a remarkably faithful adaptation. (The singing, well, the less said about Mia Farrow’s duet with Jeff Bridges, the better.) This is the book I always turn to when I want to feel good about the world.
Book – Cinder is a cyborg mechanic earning wages in New Beijing to support a very unkind stepmother and two stepsisters. All around her, people are dying of a strange plague while under constant threat of invasion or annihilation from moon-dwelling people called the Lunars. And while Cinder can fix nearly anything, she cannot find a way to make her life her own.
When Prince Kai asks her to repair his broken android, she agrees and manages to keep her mechanical aspects hidden. As they begin to spend more time together, Cinder finds that she has been volunteered by her truly wicked stepmother to serve as a test subject. Under the care of a strange doctor, Cinder begins to uncover secrets about herself and her origins. But time is running out if she is to save her world and her prince from the Lunars and their diabolical queen.
It has been ages since I read such an interesting mash-up of classic fairy tales. It was really fun trying to spot the similarities between details in Cinder’s world and those found in other fairy tales, but I really enjoyed all of the differences along the way. I can’t wait to read Scarlet, Cress and Fairest.
If that is not incentive enough, Cinder is a 2016 Rebecca Caudill Award nominee. The entire Lunar Chronicles series is available in both print and on our Caudill Award Kindle.
Book – Short stories are funny things. They’re short, of course, which means you don’t spend very much time with them, but somehow they can pack even more emotional punch than a novel. Some writers can write beautiful novels and their short stories fall flat; some writers write incredible short stories but their novels meander strangely. For my part, I think of Angela Carter as the second type: her novels are deeply weird in a way I don’t enjoy, but her short stories are incredibly powerful.
This is an omnibus collection of Carter’s work, so there’s a lot of variety here. Some of my favorite stories are “The Fall River Axe Murders,” a narrative about Lizzie Borden; “The Bloody Chamber,” a retelling of the Bluebeard fairy tale; and “The Executioner’s Beautiful Daughter,” a story Carter wrote after someone argued that the only thing a story needed was for something to happen. (Nothing actually happens in “The Executioner’s Beautiful Daughter,” but it’s a moving story nonetheless.)
This is a big collection, and I wouldn’t recommend trying to read it all at once anyway – there’s too much going on. But if you’re looking for a little flicker of something brilliant, this is a good book to dip into.
– For the past several years I’ve been attending the awards ceremony for the James Tiptree, Jr. Award
, “an annual literary prize for science fiction or fantasy that expands or explores our understanding of gender.” Sometimes I’m already familiar with the winner, but usually I get a list of great new books to read. This year the only one of the nominees I’ve already read is Sea Change
, a fairytale by S.M. Wheeler about a girl and her octopus.
Lilly lives a sad and miserable life as the only child of parents who hate each other, perched in their castle by the sea. Her best friend is Octavius, a kraken; the two of them talk about friendship and morality. Then one day Octavius is captured and sold to a circus, and Lilly sets out on a quest to rescue him.
This is an incredibly poetic book, written more for the beautiful language and the sense of a fairy-tale than for ease of reading. Lilly’s story is a hard one, but the way she perseveres and changes is inspiring. I’d recommend it for fans of Caitlín R. Kiernan
and Catherynne M. Valente