Book – Scarlett Garner remembers nothing about her life before the age of four. She accepts what her parents tell her, that she lost it from the trauma of seeing her childhood home burn down. That is, until a horrible car crash brings back a lot of her memories and she struggles to find out who she really is, but the consequences of finding out just might kill her. Enter Noah, a charming and charismatic new boy at her school who vows to help her remember her past. But Noah isn’t all he seems… Could a pretty face be hiding something even darker than Scarlett’s own worse demons?
Awake is a great quick read and full of plot twists on every page. Awake will have you up until just the wee early hours of the morning drinking it up. Natasha has an amazing, original plot line that hasn’t been seen in a very long time. Awake started out as a book on the popular writing platform Wattpad, and quickly grew into something a lot bigger. With over 19.1 million reads this is one of my all time favorites.
Book – Miranda is a troubled young woman; she has pica, the compulsion to eat things that are not food, and rejects her pastry-chef father’s attempts to get her to eat normally. Her mother, a photographer, died while on a trip to Haiti, and Miri hasn’t been the same since. Her twin brother wants to help but doesn’t know how, especially when she’s accepted to Cambridge and he’s not. The house they live in, their great-grandmother’s house, wants to keep Miranda at any cost, which is not the same as protecting her. When Miranda brings home her Black girlfriend from college, the thin barrier separating the reality of the house from the reality of the rest of their lives starts to slip.
Although this was a short book, it took me a while to read; there’s a lot to digest (pardon the pun). It has a lot to say about the prejudices we inherit, and how hard it is to shed them; and the things we’ll do to keep ourselves in (what we perceive to be) safety. Try this if you like The Haunting of Hill House by Shirley Jackson, another story about insane houses and troubled women.
Book – I have a fundamental problem with the term ‘cozy mystery’. I agree that it’s a useful term to distinguish the darker, faster-paced, harder-edged tone of a thriller like Gone Girl from an all-ages mystery puzzler like the marvelously re-readable Westing Game. It seems patronizing, however, to imply that there is anything remotely ‘cozy’ about the slow-burn psychological horror of stories featuring protagonists trapped in increasing danger, like Christie’s terrifying And Then There Were None or J. Jefferson Farjeon’s pleasingly creepy Mystery in White.
For the same reason, I would hesitate to label The Crime at the Black Dudley–the first book in Margery Allingham’s classic Campion series–as a ‘cozy’. Yes, it’s written by one of the Queens of mystery’s Golden Age, and yes, it features an eccentric amateur sleuth in an English country house. But it’s also a story about a group of innocents, and one unknown murderer, locked in a remote house by a gang of international thugs, in the company of their dead host, facing increasing and violent pressure to hand over a document which one of the party has already destroyed. It’s a nightmarish (if over the top) scenario, and Allingham skillfully milks the claustrophobia of the situation for all it’s worth. The story is wonderfully told in other respects as well, like the fact that the narrator, an undercover policeman, turns out not to be the one who saves the day; Allingham intended him to be the star of her series, but Peter Wimsey caricature Albert Campion unexpectedly stole the show instead.
The Crime at the Black Dudley was a great find hidden away in our stacks, a reminder of the manifold delights of cozy mysteries–or whatever you might want to call them.
Book – Sometimes, it’s easy to know from the outset whether a book will be a good fit or not. Such is the case with The Gentlemen, a book about a vain Victorian poet who meets the Devil at a masquerade ball, accidentally sells his wife’s soul in exchange for poetic inspiration and consequently launches an expedition (peopled by his bluff adventuring brother-in-law, his scandalous sister, a shy mad scientist and a stalwart butler) to Hell to retrieve her. If that premise sounds as delightful to you as it did to me, you’ll love the book; if not, don’t bother. Simple as that.
Forrest Leo’s language in The Gentleman is perfectly Victorian, his parodistic humor is spot-on for the absurd, over-the-top story he’s looking to tell, and the steampunk elements of his universe are used sparingly and well. While reading, there was a moment when I feared I would feel cheated by the ending, but I was happily mistaken in that. If I had to quibble, I wouldn’t have minded a little more swashbuckling action. Overall, however, The Gentleman was a delightfully silly, light, fast-paced, fun first novel, with a great and original premise, from a clearly talented young writer. I can’t wait to see what he writes next!
Book–Did you hear the Harry Potter fandom squeal with excitement and anticipation on July 31st when the new Harry Potter “book” came out? It was a big day for all Potter heads. J.K. Rowling finally gave us a glimpse of life after the Battle of Hogwarts.
The Cursed Child begins with Harry Potter, now 37 years old, dropping his children off at King’s Cross. James, the oldest, is a second year and full of mischief like his grandfather. Albus is heading off to his first year at Hogwarts and is worried that he will be sorted into Slytherin. Harry gives him the pep talk we saw the Deathly Hollow‘s epilogue and Albus heads off for his first year at Hogwarts.
Unfortunately for Albus, life at Hogwarts is not as easy for him as it was for James or even his father. This causes conflict between Albus and Harry as the two try to connect with each other but keep failing. It is not easy being the son of the man who saved the world.
While the book is titled Harry Potter and the Cursed Child, we spend most of the time focusing on Albus and his time at Hogwarts. I really liked this. From the moment I read the epilogue in Deathly Hallows, I wanted a book about Albus. His character is so interesting and different from Harry’s. Where Harry succeeded, Albus struggles and that makes for a great character.
Some fans struggled with this book, but I think that it was worthwhile and a very quick read. The script format helps with the speed of the book, but I also missed Rowling’s amazing descriptions. If you have read it, feel free to come talk to me about it! If you have not, grab a copy, read it, and then find me to discuss it. Mischief Managed.
Book– In the vein of The House of Silk by Anthony Horowitz (which uses Conan Doyle’s characters), Sophie Hannah has set out to write a new Hercule Poirot novel, with the permission of Agatha Christie’s estate. When a contemporary author sets out to reanimate the legendary characters of a deceased author’s canon, she has a tall task ahead of her and a lot of expectations to meet that do not apply to a wholly original novel, but I tried to be fair when I read her attempt.
Hannah does not do a great job of imitating Christie’s characters. For example, bumbling police inspector narrator, Catchpool (an original character), who exists as a reader surrogate for Poirot to be smart at, is afraid of dead bodies due to an apparently traumatic incident at his grandfather’s funeral. Barring how silly it is for a police inspector to fear murder victims, Catchpool is also gratingly incompetent and has all kinds of tiresome (if justifiable) doubts about his fitness for police work. Poirot is not rendered pitch perfect either. He overuses some typically Poirot-esque mannerisms, such as “little grey cells” and gratuitous French, but for reasons I cannot pinpoint, does not hit the mark.
Despite these complaints, I would still recommend this book. The mystery itself is elegantly constructed, with plenty of red herrings, and a beautiful resolution at the end. I did not correctly guess the murderer early on, which I typically do, and actually needed the scene at the end where Poirot explains the plot to everybody to wrap my head around how the murders went down. The Monogram Murders was a much better experience once I decided to read just for the plot, which is excellent, rather than the characters, which were not.
Book- Thursday Next is a SpecOps (Special Operations) agent in an alternate universe Britain where literature is at the center of people’s lives, dodos are not extinct, and the Crimean War is ongoing. The story revolves around Thursday’s attempt to capture wanted criminal Acheron Hades, who just happens to be her former English professor. Acheron, the third most wanted criminal in the world (if you don’t know the first two, you don’t want to know), has found a way to enter the world of books and starts holding various book characters for ransom. Thursday must find a way to follow him and rescue Jane Eyre before Bronte’s masterpiece is ruined.
This book is enormous fun, but if it has a flaw, it’s that it tries to go in too many directions at once. Various diverse subplots include Thursday’s reconnecting with her former fiance, fighting vampires, and her father’s excursions through time. Never fear, though: this book begins an ongoing series where most of these plot threads get resolved and more elements introduced along the way. We own the first book in audio and paper copies, and the rest of the series in paper copies, here at the library. The Eyre Affair will appeal to fans of other British authors specializing in the zany and fantastical, such as Douglas Adams and Terry Pratchett.
Book – Zacharias Wythe, Sorcerer Royal, is having a rough time of it. England’s magicians are torn by internal strife at the same time the country is demanding their assistance in the war against Napoleon, and Zacharias’s own reform ideas are being shoved to the side. And the rumors surrounding his own ascension to the post after his mentor’s death are stirring. As the first African Sorcerer Royal, Zacharias is none too popular among England’s magical elite.
Meanwhile, Prunella Gentleman, the mixed-race orphaned daughter of a mysterious wandering magician who has been raised by the mistress of a School for Magical Ladies, is growing frustrated with her lot. Ladies, after all, are not supposed to be magical, and those who are unfortunate enough to suffer the affliction have to be carefully trained to avoid using it at any cost. Prunella, on the other hand, is sure she could do something great with her life, if only she were given the chance.
The collision of these two – Zacharias who desperately wants to keep the peace, and Prunella who is determined to fend for herself no matter what society thinks – provides the largest part of the enjoyment of Cho’s first novel. Despite the cover, this is a Regency fantasy of the best kind, featuring dignified English magicians, grasping English politicians, and, uniquely, powerful and fascinating main characters from the underside of the empire. Fans of Susannah Clarke’s Jonathan Strange and Mr. Norrell and Mary Robinette Kowall’s Glamourist Histories should love this.
Book – Dr. Faraday is a respectable country physician, but he keeps his childhood a secret – his mother was a maid at Hundreds Hall, home of the ancient and established Ayres family. And now that the new maid of the household is his patient, he’s even more reluctant to let it be known where he came from. But the Ayreses – widowed Mrs. Ayres, her spinster daughter Caroline, and her son Roderick – have much more to worry about than their friend the doctor’s history. Strange things are happening at Hundreds Hall, things that are putting a strain on the well-being of the family. Dr. Faraday is convinced that it’s only the effects of living in an old and decrepit house, but the family is sure there’s something more sinister going on.
The Little Stranger takes its time getting where it’s going; this is no fast-paced thriller. Rather, you have plenty of time to get to know Dr. Faraday, Mrs. Ayres, Caroline, Roddy, and Hundreds Hall itself. It’s the kind of haunted house story where you’re never quite sure who’s right and what’s really happening – although it helps to remember that the narrator, Dr. Farraday, has his own biases that may be getting in his way and ours. This is the perfect novel for a cup of tea and a gloomy October afternoon.
Book – It is 1950 in the south of England, there is a dead body at the bottom of the garden, and the feelings of eleven-year-old Flavia de Luce can best be described as… delight.
The Sweetness at the Bottom of the Pie is the first in a series of mysteries featuring a thoroughly unconventional young sleuth. Flavia is a devoted chemist, a razor-sharp observer and–though she would never use the term of herself–a girl genius, with a noble heart but a matching talent for lying, inventing or thinking her way out of trouble. All of this ought to combine to create a completely unbelievable character. Miraculously, it doesn’t. What it creates, instead, is a genuine original, an irresistible series that I couldn’t put down if I tried.
In her first outing, Flavia solves a mystery involving a dead bird, an extremely rare postage stamp, stage magic, an academic who fell from a bell-tower decades ago, and her own father’s boyhood. Not every reader will love Bradley’s sometimes verbose and always metaphor-strewn style, but those who fall under Flavia’s spell will find six more titles waiting, the newest published just this year. the audiobooks are exceptionally good, with Jayne Entwhistle providing a pitch-perfect Flavia who never seems more than half-an-inch shy of laughter.