Book – Greta is one of the Children of Peace, hostages of the world’s leaders who live in the Precepture in Saskatchewan. If their country goes to war, they die. It’s one of the rules of Talis, the AI who rules the world – war should be personal, and the people declaring war should have to suffer for it. Talis’s scheme works to keep wars rare, but in a world where water grows scarcer by the day, Greta knows that, sooner or later, her mother’s kingdom will go to war to defend Lake Huron, and she is going to die. The arrival of Elián, the hostage from the newly-formed Cumberland Alliance, shakes both the calm society of the Precepture and Greta’s perception of the world – and her willingness to go peacefully to her doom.
There are a lot of ideas in this book: AI threat, water wars, population devastation, extreme solutions to the age-old problem of war. And they’re all secondary to Greta, who is an amazing character, someone who’s walked blindly for most of her life through a horrible, unfair, heartless system that she grows to believe is not the inevitable way the world has to work. It’s gorgeously written (the last couple of chapters in particular) and the characterization is impeccable. This was an incredible book – heartbreaking and brutal, not gratuitously, but as much as it needed to be. Although technically YA, anyone who loves science fiction or dystopian fiction should love this.
Book – With the new Hulu show buzzing all over the internet (yes, it’s exactly as good, exactly as well-acted, exactly as gorgeous and exactly as wrenching as you’ve heard) and the book back on top of the bestseller lists, I thought it was high time for a re-read of Margaret Atwood’s dystopian classic.
The Handmaid’s Tale takes place in the Republic of Gilead, the onetime United States, in a not-so-distant future. In response to a precipitous drop in the birth rate and following a major terrorist attack, America’s freedoms have been subtly stripped away–first the suspension of the Constitution, then the freezing of women’s bank accounts and the passing of a law against women taking work outside the home, then the declaration that second marriages and homosexuality are illegal and an oppressive and extreme form of Protestantism is the only legal religion. By the time our heroine attempts to flee for Canada with her husband and daughter, it’s too late to get away. The family is seized and split up.
Because the character we know as Offred (her real name is taken from her) has proven her fertility by producing a healthy child, she is a valuable natural resource. Instead of being labeled an ‘Unwoman’ and facing certain death on a crew cleaning toxic waste, she is trained as a ‘Handmaid’–part concubine, part surrogate mother, the property of one of Gilead’s powerful Commanders and designated to bear children which will then belong to him and his wife. Powerless to prevent her own monthly ritualized rape and subject to hatred, jealousy and violence –mostly from other women whose domination over her is the one small power they themselves have left in a world where women cannot lead, read or work outside the house–Offred finds tiny methods of rebellion, tiny ways to keep her sanity and sense of self. Over time, she builds the tools and connections to foster a more definite resistance.
As that description suggests, The Handmaid’s Tale is anything but a simple read. It’s dark, painful and, above all, terrifying. But it’s also starkly beautiful, a masterpiece of linguistic efficiency with not a syllable wasted, and unforgettably powerful. Everyone should read it at least once in their lives.
Book – Hwa lives on an oil rig the size of a small town off the coast of Canada, where she works as a bodyguard for the United Sex Workers union. She’d hoped to get out – maybe back to Korea – by joining the army, but when her brother died in an explosion on the rig, her dreams got smaller. But the town’s just been bought by the unbelievably rich and innovative Lynch Ltd., and Hwa managed to catch the eye of their head of security. Now she’s the bodyguard for the youngest Lynch, a fourteen-year-old genius who’s heir to the entire company, and someone is after him. Oh, and just when she quit her old job, someone started killing her friends.
With corporate espionage, technological spirituality, and a serial killer (not to mention a pretty solid romance plotline) there’s a lot going on in this relatively small book, but it juggles everything pretty well. Hwa’s future is undeniably cyberpunk dystopia in the tradition of Blade Runner and Neuromancer, updated for today’s technology and the futures we can extrapolate from it: socially mandatory implants that require a subscription (which might break down and kill you if you stop paying). Visual glosses that allow you to simply not see anything that might distress you. A centralized security-monitoring system that tracks everything everyone does all day long — one that lets Hwa solve the murders of her friends at the same time that she resents the intrusion on her own privacy. I liked that best about this book. Ashby isn’t writing a cautionary tale about technology, she’s simply saying that this is what we might end up with, and we’re going to have to figure out how to deal with it.
Book – Alice Sheldon was one of the most remarkable science fiction writers of the sixties and seventies. Uninterested in once again being The Woman in a man’s world, she wrote under the pen name of James Tiptree, Jr. entirely anonymously until 1977, at which point several people who had praised the masculinity of her writing were very embarrassed.
Personally, I don’t see how people couldn’t see she was a woman. “The Women Men Don’t See” is a story that could be comfortably classified as women’s fiction, even with the aliens, and “The Screwfly Solution” is a science-fictional horror story of women’s fears. “Houston, Houston, Do You Read” is a response to the feminist utopia novels popular at the time.
Every story in this collection (admittedly a best-of collection, but it represents a huge proportion of her short fiction overall) is outstanding. Many of them will linger on in your memory, cropping up in conversation when you’re talking to people who’ve never heard of Tiptree before. That’s all right – you’ll get to introduce them.
Book – Cinder is a cyborg mechanic earning wages in New Beijing to support a very unkind stepmother and two stepsisters. All around her, people are dying of a strange plague while under constant threat of invasion or annihilation from moon-dwelling people called the Lunars. And while Cinder can fix nearly anything, she cannot find a way to make her life her own.
When Prince Kai asks her to repair his broken android, she agrees and manages to keep her mechanical aspects hidden. As they begin to spend more time together, Cinder finds that she has been volunteered by her truly wicked stepmother to serve as a test subject. Under the care of a strange doctor, Cinder begins to uncover secrets about herself and her origins. But time is running out if she is to save her world and her prince from the Lunars and their diabolical queen.
It has been ages since I read such an interesting mash-up of classic fairy tales. It was really fun trying to spot the similarities between details in Cinder’s world and those found in other fairy tales, but I really enjoyed all of the differences along the way. I can’t wait to read Scarlet, Cress and Fairest.
If that is not incentive enough, Cinder is a 2016 Rebecca Caudill Award nominee. The entire Lunar Chronicles series is available in both print and on our Caudill Award Kindle.
Graphic Novel – Wasteland is the kind of story that drops you into a new world and expects you to just get to swimming in it. Or walking, as the case may be – and there’s a lot of walking in Wasteland. Michael and Abi are on a quest, after all, to find the mythical land of A-Ree-Yass-I, which legend says was the origin of the poisoned world they now live in. Michael is a scavenger who’s been wandering this desert world for longer than he can remember. When he saves her town from raiding sand eaters, healer Abi decides to trust him, and to join him on his journey.
A lot of the enjoyment of this series is piecing together the history of the Big Wet and the world it destroyed. The comic is advertised as “Post-Apocalyptic America,” but the characters have forgotten so much of their history that as a reader, you know just a little bit more about their world than they do. Fans of dystopias and political science fiction will find a lot to enjoy in Wasteland. (For a really immersive experience, read each volume while listening to the accompanying soundtrack!)