Book – The Yonahlossee Riding Camp for Girls is the coming of age story of Thea Atwell. She is 15, lives on a ranch in Florida with her parents and her twin brother, and is already an accomplished horsewoman and beauty. She has always been very close to her family and sheltered, as she and her brother are homeschooled and really don’t have any friends except for each other. Thea’s world is shaken when the Depression begins and she is sent away by her parents to an exclusive equestrian boarding school in the Blue Ridge Mountains as a punishment. We see her adjusting to her new school and making friends with privileged Southern belles as she tries to overcome her feelings of guilt and homesickness. The reader will keep turning the pages as the story slowly unfolds to reveal the reason for her banishment by her family from her beloved home. This is not a cozy read as it is full of scandal, sex and secrets. The book has received starred reviews from Booklist, Library Journal, and Kirkus.
Graphic novel - Rue Silver is just an ordinary teenage girl. She’s got a great best friends, a boyfriend who’s in a band, a college professor father and a crazy mother. Who’s missing. Oh, and sometimes she sees things that can’t be real. No big deal. Okay, so maybe she’s not that ordinary. Her mother is a faery, which means that Rue isn’t entirely human, either. And her grandfather Aubrey has a plan – a plan that will wrest her town from the grip of the humans and leave it under the rule of Faerie. What happens to the humans who live there, well, Aubrey just doesn’t care. Rue cares. As much as she can.
The Good Neighbors (in three volumes, Kin, Kith and Kind) is a wonderful, eerie story about love, duty, and humanity. Rue goes from ordinary high-schooler to fully embracing her faerie heritage, with all that implies. Rue is culturally human, she grew up as a human, but she is fey too, and she finds it all too easy to leave human things behind. The story really belongs to her. The rest of the characters are more like stock fairy tale characters. It’s not a terrible flaw, given how fast-paced the story is. And, of course, Ted Naifeh’s art is stunning. The two-page spreads of faerie and human crowds are spectacular, and while the art never distracts you from the story, it definitely rewards a closer second (and third and fourth) reading.
Book – In 1686, eighteen-year-old country girl Nella arrives in Amsterdam to begin her life as the wife of wealthy merchant Johannes Brandt. She doesn’t know him well and finds his household strange and unwelcoming. His sister, Marin, runs the household and seems to lead a pious, austere life. The servants, Otto and Cornelia, are friendly, but cautious. In addition, Johannes is often absent and when he’s home, he’s preoccupied. Then, Johannes presents Nella with an extravagant wedding gift, a miniature version of their house. Nella is confused and overwhelmed by the gift, but with little to occupy her time, decides to begin furnishing it. She hires a miniaturist through the mail, and when the contents start to arrive, she is both fascinated and terrified. The miniaturist seems to be able to not only replicate their household down to the last detail, but also seems to be able to predict the future. As events begin to unfold, Nella struggles to figure out what’s real and what is an illusion. What I found most interesting about this book was the historical detail. Events transpire to illuminate both the lifestyles and attitudes of Amsterdam during this time period. The characters were interesting and complex. This story was full of secrets and intrigues and kept me guessing until the end.
Book - Lorrie Ann and Mia have been friends since they were young girls. Lorrie Ann seems perfect, the “good girl” from a bohemian and loving family. In contrast, Mia struggles to deal with her mother, who’s often drunk, haphazardly babysits her younger brothers and describes herself as having a “little black stone for a heart.” Despite their differences, the girls share everything and know everything about each other. Then, tragedy strikes Lorrie Ann’s family and events begin to spiral. As the story unfolds over the next fifteen years, Mia is forced to examine her beliefs about her friend, motherhood, families and about what it really means to be “good.” I found this debut novel to be thought-provoking and the characters were interesting. I reflected on the reliability of our memories and how the years and maturity can alter them. This book was realistic in that situations weren’t always resolved in the nicest or easiest way and different characters offered viewpoints, giving varying angles and “truths.”
Book – The Posts are going to Mallorca for a two-week vacation. Franny and Jim are celebrating their 35th Anniversary, but recent issues are casting doubt that they’ll celebrate their 36th. Their daughter, Sylvia, is happy to escape Manhattan for the summer to join them before she heads off to college. Bobby, her older brother, arrives with his girlfriend, Carmen, a fitness instructor who annoys the family. The guest list rounds off with Franny’s best friend, Charles and his husband Lawrence. When the guests are assembled in the luxurious villa, they begin to realize that their hopes and troubles have followed them to their holiday paradise. As the vacationers relax and explore the island, they discover truths about themselves and their relationships. I didn’t think I was going to like these characters as much as I did. Straub’s humor manages to be pointed, yet kind.Straub is also the author of Laura Lamont’s Life in Pictures.
Book – Straun, Ontario is home to twenty-one year old Megan Cartwright and her family. Megan has been the organizer of her household and primary caretaker of her family since she was a young girl. Her father is a banker and stays in his study when he’s home and her mother is caught up with the arrival of the newest baby. When Megan decides that it’s time she goes out on her own and leaves for England, the family is left without their safety net. Her older brother, Tom, has been driving the town snow plow and living at home since a tragedy involving his best friend. Her mother is increasingly vague and neglectful. The younger boys are fending for themselves. Her father refuses to acknowledge his family’s decline. Megan is unaware of the family’s turmoil as she struggles to find her own place in the world. When things finally come to a head, everyone must own up to their frailties and make difficult choices. I love the way Lawson captures family dynamics and small-town life. Her characters are flawed, but relatable in their struggles. Straun is also the setting for Lawson’s novel Crow Lake and some of the characters make a reappearance in Road Ends.
Book – Stony Mayhall isn’t like other kids. His skin is cold and grey. He doesn’t hurt when he’s injured. Oh, and he’s been dead since he was born. On a cold night not long after the zombie uprising. Wanda Mayhall found the body of a young mother by the side of the road, but the baby in her arms reached out when Wanda came close, so she brought it home and raised it as her own. No one knows why Stony grew up, even though he was a zombie, but they know they have to keep him a secret.
Unlike most zombie stories, Raising Stony Mayhall isn’t really a horror novel: it’s a story about family, and finding out who you are. Stony grows up in isolation, but his discovery that there are other living dead folks walking around brings his life into a new perspective. The point isn’t to scare you but to make you think. Daryl Gregory calls the genre he writes in “anti-horror,” a story that starts out seeming like horror but which turns into something much more positive. Even if you’re sick to death of zombie stories, give this one a try: it’s not at all what you’ve become used to.
Book – This Pulitzer prize-winning story has been likened to a number of classic coming-of-age tales from Charles Dickens. The central character in this novel, Theodore Decker, loses his mother during a tragedy that he himself survives at a New York art museum. The traumatic event, told from Theodore’s perspective, provides a compelling start for the book.
The audiobook for this title is narrated by David Pittu. His narration is exceptional as his voice conveys the pathos of young Theo and the psychic burden that overlays his life. Theo and his mother had been estranged from his father, and after the events in the museum Theo is housed for a time in a beautiful Manhattan apartment with the wealthy family of a socially-inept schoolmate. His appreciation for the art and antiques in the apartment touches upon on-going themes in the book: the immortality of masterpieces, the messages they convey through the ages, and the profound attachments individuals form with these pieces.
I was especially glad to be listening to the audiobook version of this story when Theo, as a teenager, develops a friendship with Boris, a boy from Ukraine. Both author and narrator played delightfully with the Slavic dialect. Boris is a wonderful character because he brought levity and perspective to the story, and David Pittu’s Boris was very likable.
Book – Ben Benjamin is in a low place – he’s lost his job, his home and his family. Hoping to start a new career, he enrolls in a night class called the “Fundamentals of Caregiving.” Upon receiving his certificate, he begins to care for his first patient, nineteen-year-old Trevor. Trevor has Duchenne muscular atrophy and requires an extensive amount of assistance from his mother, Elsa, and Ben. Trevor’s father, Bob, has awkwardly been trying to mend the rift he created with Trevor when he abandoned the family years earlier. Although Trevor and his mother have been rebuffing his attempts for years, when Bob is in a car accident, Trevor initiates the idea of a 600 mile road trip to visit him in Utah. When Ben and Trevor set off on their adventure, they have no idea about the people they’ll meet and the shift their lives will take on their journey.
While Ben struggles to keep a professional, emotional distance from Trevor, he also struggles with his own emotions in dealing with his tragic past. What keeps this book from becoming overly maudlin is the humor. The characters are quirky, and Evison highlights the absurd amidst the difficult situations in their lives. This book was an off-beat, surprising ride through the lives of Ben and Trevor.
Book – Maia may have been an emperor’s son, but he never expected to amount to anything. His older brother was the heir, after all, and Maia had been exiled from court when his mother died, so the chances of Maia ever leaving the backwater estate he’s grown up in are small. But when the Emperor – along with all of his other heirs – die in an airship crash, Maia is the only one left, and he will have to learn everything there is to know about the court before he suffers the same fate as his father.
Katherine Addison is the new pen-name of Sarah Monette, who I’ve already written about as one of my favorite authors. With The Goblin Emperor she switches gears from the dark, emotionally fraught stories she’s known for to a more optimistic mood. Maia has a hard life, but he does well in it, gaining confidence by leaps and bounds as the story progresses. This is a coming-of-age story that starts where most leave off (usually becoming Emperor is the reward at the end of the quest) and it’s an extremely satisfying one. I’m happy to call this already one of the best fantasy books of the year.