Movie – This is the definitive documentary about the life of Wolfgang Amadeus Mozart, the prolific and influential composer of the Classical era. Mozart lived from 1756 to 1791, and during those short 35 years, he composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He was born in Salzburg, Austria, and by age five showed prodigious musical ability and could play piano and violin and compose. Without resorting to docu-drama, In Search of Mozart traces the composer’s life through his music and extensive correspondence. Over 80 musical excerpts are featured in chronological order, fitting his life around the music. It dispels the common myths about his genius, health, relationships, death and character, quite unlike the glossy lies disseminated by the movie Amadeus. For example, Mozart did not die a pauper. The documentary weaves musical performances with authoritative interviews with musicians, historians, and world-famous scholars. After Mozart moved to Vienna, he established himself as the finest keyboard player in that city, but also composed his most famous and beloved operas: The Marriage of Figaro, Don Giovanni, and The Magic Flute. He lived at the center of the Viennese musical world and had many friends. He enjoyed billiards, dancing and pets; he kept a canary, a starling, a dog and a horse for recreational riding. In Search of Mozart is a remarkable achievement, original, accurate, endearing and wonderfully entertaining.
Movie – A Late Quartet features no special effects, criminal kingpins, drug abuse or physical violence; instead, it offers a thoughtful, character-driven, cerebral psychodrama. The movie focuses on a string quartet – called The Fugue – that has played together for 25 years, but is shaken when the cellist and oldest member decides he must retire when he learns that he has Parkinson’s Disease. Hidden resentments, affairs and multiple conflicts begin to surface. The plot shines light on the relationship between life and art. Life is the thing from which art comes: bloody, incoherent, embarrassing, arbitrary and cruel. Art is an idealized vision of life, with the power to bestow order on chaos. Plays and novels have explored this, but A Late Quartet does it effortlessly. Christopher Walken, Philip Seymour Hoffman, Catherine Keener and Mark Ivanir deliver great performances as the musicans who choose playing in quartet over solo careers. The movie uses Beethoven’s String Quartet No. 14 in C sharp minor, opus 131, as a metaphor for playing on through all of life’s ambiguity, pain and irony. I also appreciated the movie’s message about not being overly concerned with mistakes in playing the music, but rather to convey strong lyrical phrases.