Book – It is 1950 in the south of England, there is a dead body at the bottom of the garden, and the feelings of eleven-year-old Flavia de Luce can best be described as… delight.
The Sweetness at the Bottom of the Pie is the first in a series of mysteries featuring a thoroughly unconventional young sleuth. Flavia is a devoted chemist, a razor-sharp observer and–though she would never use the term of herself–a girl genius, with a noble heart but a matching talent for lying, inventing or thinking her way out of trouble. All of this ought to combine to create a completely unbelievable character. Miraculously, it doesn’t. What it creates, instead, is a genuine original, an irresistible series that I couldn’t put down if I tried.
In her first outing, Flavia solves a mystery involving a dead bird, an extremely rare postage stamp, stage magic, an academic who fell from a bell-tower decades ago, and her own father’s boyhood. Not every reader will love Bradley’s sometimes verbose and always metaphor-strewn style, but those who fall under Flavia’s spell will find six more titles waiting, the newest published just this year. the audiobooks are exceptionally good, with Jayne Entwhistle providing a pitch-perfect Flavia who never seems more than half-an-inch shy of laughter.
Book – This award-winning audiobook will appeal to fans of British accents and British mysteries. The narrator Robert Glenister does a wonderful job of bringing to life a variety of characters, especially the star of this detective series, Cormoran Strike. This is the second book in J. K. Rowling’s series that started with The Cuckoo’s Calling, and which she published under the pseudonym Robert Galbraith. In this book we get to see further into Cormoran’s background, and his mentoring relationship with his assistant Robin adds enjoyable color to the tale.
The primary case in this book is brought to Cormoran by the wife of a missing writer. The investigation reveals an unpublished, incendiary book by the missing writer that may be related to his disappearance. The publishing world, obviously well-known to Rowling, provides an intriguing background for this story, and the characters from that world have depth. I’ve enjoyed this series despite the fact that the red herrings are a bit obvious and the villains not that hard to detect. Because The Silkworm has a more complex plot, interesting twists, and more cozy details of British life that Rowling captures well, I liked it more than The Cuckoo’s Calling.
Book – Lord Peter Wimsey, the famous amateur detective, will do just about anything in the pursuit of an interesting case. This time, he’s gone incognito to take a job at an advertising agency where, several weeks ago, one of the employees had a suspiciously convenient accident on the spiral staircase. He flings himself into the work with gusto – both the investigation, and the writing of advertising copy, at which he proves surprisingly adept.
This is the eighth book starring Lord Peter Wimsey, but it really doesn’t matter; it’s one of the ones you could read in any order. Dorothy Sayers first created Lord Peter in Whose Body? in 1923, where he appears as the usual kind of Golden Age detective, a younger son of the nobility with a useful servant and an unusual hobby. He stands out from the Hercule Poirots and Roderick Alleyns of the genre, though, as he develops in psychological complexity throughout the series. We learn about his shell shock from the War, his reluctance to turn over criminals to the law when it will mean their deaths, and his sensitivity to the double standards faced by women of his era.
Murder Must Advertise is one of my favorites of the series, although I admit it’s probably not the best one – but it’s just so much fun. It’s a delightful peek into the pre–Mad Men era of advertising, which Lord Peter is learning along with the reader. There’s also a wonderful cricket game toward the end of the book. I’ve read it five times now and I still don’t understand cricket, but everyone’s having a marvelous time.