Book – “What’s your favorite book?” is a cruel and unusual question to ask any librarian, but when absolutely forced to give an answer, Good Omens is where I tend to land. In an effort to keep this review from getting too gushing, then, I’m going to try to focus more on comparisons than description, because allowing me near superlatives in this case is a dangerous prospect. Let me just give the basics on plot–namely, it’s a humorous take on the Apocalypse (no, really)–and hurry from there to the land of “you’ll like this if”.
The obvious ones first: if you already enjoy the solo work of either Neil Gaiman or Terry Pratchett, then Good Omens is unquestionably worth your time. Even though it was written before the explosion of the internet and the resulting acceleration of mashup culture, it’s a perfect example of the kind of textual remixing that both writers did and do so well, deconstructing classic stories and themes and rebuilding them into something fresh and self-aware. It has all of Sir Terry’s boundless humor (and footnotes!) and sudden moments of profound emotional insight, with Gaiman’s unpretentious lyricism and finger on the pulse of the collective unconscious, and it reads so seamlessly that it’s impossible to tell that it comes from two different authors.
But you by no means need to already be a fan of either writer to love Good Omens; it was the first thing I read of either of theirs, and I was hooked from page one. If you already love Douglas Adams, Monty Python, Eddie Izzard or Christopher Moore, you’re a shoe-in; Good Omens is all about that same irreverent sense of humor. It’s a great choice, too, for fans of Roald Dahl or Ray Bradbury or Kurt Vonnegut, sharing their sometimes dark yet deeply compassionate lens on humanity. It’s for fantasy and sci-fi fans, but for humor fans too. It’s for the reader who wants a quick read that deserves to be called ‘light’ yet tackles big themes and doesn’t shy away from emotional impact. It’s for pretty much anybody who doesn’t mind allowing humor and religion to mix (never, in my opinion, in a way that mocks anyone or their beliefs). And it is–to allow myself just the one moment of gushing–an absolute, unqualified delight.
Movie – The zombie apocalypse has come! Or is it an alien invasion? A terrorist attack that wiped out the US government? Either way something bad has happened to the country and civilization is descending into anarchy! Or is it?
In 10 Cloverfield Lane, Howard (John Goodman) has prepared for the worst. He has a bunker and everything he needs to survive an event of catastrophic proportions. While out Howard finds Michelle (Mary Elizabeth Winstead) on the side of a road. She has been in a car accident. He takes her to his bunker to save her life. Michelle wakes up to find she is chained to a wall in a bare room and has injured her leg in the accident. Howard explains what happened and that an apocalyptic event has made the world up top uninhabitable. Michelle is unsure and does not want to believe him. Howard unchains Michelle and allows her into the common area. There she meets Emmett (John Gallagher Jr.). Emmett reassures Michelle that everything Howard has told her happened. Emmett is also hurt like Michelle. As the movie progresses Michelle discovers something which points her to think Howard lying and begins to doubt his story once again.
The film has a slow pace at the beginning and viewers with little patience might give up. But if you stick with it, it picks up quickly and the ending is something worth seeing. When the film first came out many speculated whether it was a sequel to Cloverfield (2008). All I will reveal is that I don’t know if it is or not. Viewers who like movies with a short character list, a good soundtrack, and suspense will enjoy this one. Patience is a must, though.
Book – One day the stars go out. A mysterious membrane has encircled the Earth, and the only thing that gets in is sunlight. And then it’s discovered that the membrane doesn’t just seal the Earth off in space, but also in time, and eons are passing in the rest of the galaxy to every Earth minute. The story of the panicked Earth is told by Tyler Dupree, childhood friend of genius and technology heir Jason Lawton, who will eventually construct a space program dedicated to divining the mystery of the Spin membrane and the Hypotheticals who put it there. Isaac becomes a doctor, and is hired as Jason’s personal physician, a position that lets him watch the whole thing go spiraling out of control.
Science fiction with big ideas often suffers from unrealistic or just uninteresting characters, but I never had that problem with Spin. Tyler, Jason, and Jason’s twin sister Diane are all complex people with deep personal connections in addition to their role in helping the world recover the global disaster that is the Spin – Jason and Diane both push against their politically powerful father, E.D., in different ways, while Tyler is hyper-aware of his position relative to them: he’s the son of their family’s housekeeper. The way their personal dramas play out on a global, even a galactic, scale parallels the accelerated timeline of the Earth under the Spin.