Book – When Vellitt Boe settled down as a professor of mathematics at the Women’s College of Ulthar, she thought that her wandering days were over. In her youth she’d traveled the Six Kingdoms of the dream world and even met dreamers from the waking world. And now she is forced into traveling again, when her student Clarie Jurat, a daughter of one of the College’s Trustees, runs off with a dreamer, putting the future of the college – and perhaps much more – at risk.
If the title sounds at all familiar, it’s because this novella is a kind of inversion of H.P. Lovecraft‘s “The Dream-Quest of Unknown Kadath,” in which a dreamer from our world travels the mysterious and dangerous realms of the dreamlands – and these are the same dreamlands, from the gugs and ghouls of the under-realms to the mad and unpredictable gods. You don’t need to know that to enjoy this story, though; Vellitt Boe stands comfortably on her own two feet without the need to stand on anyone else’s shoulders.
This is a tremendous amount of questing in a very small package; if you like epic fantasy novels like those of Tad Williams, Robert Jordan, or J.R.R. Tolkien, but you don’t have time for another thousand-page tome, The Dream-Quest of Vellitt Boe packs a whole world’s worth of strange beauty into fewer than 200 pages.
Tv Mini-Series– Long a fan of movie adaptations of Jane Austen’s classic novel, Pride and Prejudice, I absolutely adored the 2008 British Tv Mini-Series, Lost in Austen. This film follows the Jane Austen obsessed Amanda, who lives in present day London with her boring boyfriend who just doesn’t hold up to her precious Darcy. A girl in love with the romance and time period of Pride and Prejudice, Amanda is in for the shock of her life when she finds herself trapped in a real life world of her favorite Jane Austen novel. There she stays with the Bennett’s, meets the sobering Darcy, and manages to ruin relationships while making a mess of the entire plot. Will she ever return to modern London or is she forever fated to live her life in a broken edition of Pride and Prejudice?
Amanda is such a wonderfully quirky, cute character full of sass and spunk; I immediately adored her. She speaks her mind, which often backfires on her, but makes for a good laugh. Lost in Austen’s Darcy (Elliot Cowan) does not disappoint the eyes, and is definitely in the same ranks as Matthew Macfadyen (Pride and Prejudice, 2006) and Colin Firth (Pride and Prejudice, 1995 Tv Mini-Series). The story itself is fun and magical, taking a step into your favorite fictional world. It was whimsical twist on the classic tale of Pride and Prejudice, and I loved it.
I would recommend it to Jane Austen enthusiasts and romantic comedy lovers alike. For more fun Austen adaptations, check-out Austenland, The Jane Austen Book Club, and Pride and Prejudice and Zombies*! *All three films are based on novels of the same titles.
Book – Sometimes, it’s easy to know from the outset whether a book will be a good fit or not. Such is the case with The Gentlemen, a book about a vain Victorian poet who meets the Devil at a masquerade ball, accidentally sells his wife’s soul in exchange for poetic inspiration and consequently launches an expedition (peopled by his bluff adventuring brother-in-law, his scandalous sister, a shy mad scientist and a stalwart butler) to Hell to retrieve her. If that premise sounds as delightful to you as it did to me, you’ll love the book; if not, don’t bother. Simple as that.
Forrest Leo’s language in The Gentleman is perfectly Victorian, his parodistic humor is spot-on for the absurd, over-the-top story he’s looking to tell, and the steampunk elements of his universe are used sparingly and well. While reading, there was a moment when I feared I would feel cheated by the ending, but I was happily mistaken in that. If I had to quibble, I wouldn’t have minded a little more swashbuckling action. Overall, however, The Gentleman was a delightfully silly, light, fast-paced, fun first novel, with a great and original premise, from a clearly talented young writer. I can’t wait to see what he writes next!
TV Series – In Silicon Valley, Erlich Bachman (TJ Miller) runs an incubator. This is a place where programmers can go and develop software, code, programs, and ideas into the next big thing in tech. Erlich pays all the overhead costs and provides them a place to stay and work. All Erlich wants is ten percent. At least that’s what he says.
The show centers around Richard Hendricks (Thomas Middleditch) who is developing a music application called Pied Piper. Nothing special just something people could use to help identify music. What is impressive is a compression algorithm within the coding of the app. This leads to a bidding war between two feuding tech billionaires, Peter Gregory (Christopher Evan Welch) and Gavin Belson (Matt Ross). Gregory wins the bidding war and becomes a mentor type to Richard. Richard hires everyone in the incubator to help with Pied Piper, except his friend Big Head (Josh Brener). Big Head stays working with a parody company of Google known as Hooli. Odd thing is Google exists in this make believe Silicon Valley world. Big head “works” his way up the Hooli ladder because of his relationship with Richard and nothing more. Big Head does nothing and keeps getting promoted. As the show continues the group must compete at TechCrunch Disrupt a competition for programmers. The group lead by Richard and Erlich do not feel they will be ready in time. In addition, Hooli unveils a competitive service to rival Pied Piper. The show descends into talks of major defeat, sex acts, and anarchy, making the last couple episodes very hilarious.
The show has a great supporting case including Amanda Crew who plays Monica, and Zach Woods who plays Richards assistant Jared. It is very laid back, not as tech jargon ridden as other shows. Miller’s, character keeps the show from taking itself too serious and assists greatly in satirizing the tech sector. I would recommend it to viewers who like satire, the tech industry, comedies, and raunchiness. The show just wrapped its third season and has been picked up for a fourth.
Movie–Identical twin sisters Sara and Jess have always been very close, brought together by their parents’ death when they were children. Sara is nothing but supportive when Jess, who has struggled with suicidal thoughts in the past, decides to go teach English in Japan to get a fresh start. Sara is stunned, though, when she receives a call from Japanese authorities that her sister is missing and was last seen entering Aokigahara Forest at the base of Mount Fuji. Aokigahara Forest, as the characters in the movie love telling Sara in as spooky a manner as possible, is a popular destination for those contemplating suicide and is full of yuurei, vengeful Japanese spirits that try to get you to stray from the forest path and give you hallucinations to prompt dark thoughts. Naturally, Sara decides to plunge right into the forest to find Jess, whom Sara is sure has not yet succumbed to yuurei. Accompanied by a guide and a new acquaintance, Sara is making headway towards finding Jess when she makes the predictably terrible, horror-movie-protagonist decision to stay in the forest overnight.
This movie excels in its first two thirds at building suspense. It has a lot of well-composed shots that will stick in my memory and makes the audience care about Jess’ fate through Sara’s eyes. However, as is often the case with horror movies, the last third is a bit of a muddle. The protagonist makes a series of seriously poor decisions and the money shots of vengeful yuurei are a bit too direct and silly-looking to inspire real terror. The unique setting and great first two-thirds, however, are enough to make the movie worth a watch.
Music–It took me a few listens to really get into the music of The Lumineers. Their self-titled album, The Lumineers is a blood-pumping anthem of songs that requires a higher volume for listeners to truly appreciate. To me, the singer’s voice tends to fluctuate between soft and loud, creating a kind of high-low echoing effect. I believe that the band is best enjoyed at high volumes, preferably played loudly whilst one sings along on the open road. It’s also worth noting for this artist that the more you listen to the songs, the clearer their meanings become.
The Lumineers top hit single, “Ho Hey,” is one of the bands most well-known hits, but there are so many other songs deserving of love. My favorite tracks on this album are “Submarine,” “Stubborn Love,” and “Charlie Boy.”
“Submarine” and “Charlie Boy” both make references to war in their lyrics. The former is about a boy who spots a Japanese Submarine. He rushes home to tell the townspeople, who laugh and say he’s seeing things. This storyline may be addressing the attack on Pearl Harbor during WWII. In “Charlie Boy,” references to the Vietnam war appear in the lyrical heartbreak of watching a loved one go off to war. These are just a few interpretations of these lyrics. Though sharing somber themes, “Submarine” has a powerful force that makes you want to jump up and dance, while the sweet, slow melody of “Charlie Boy” is great for winding down after a long day
“Stubborn Love” follows a man who can’t stop loving the woman who keeps letting him down and breaking his heart. It’s a love song, but the story creates a relatable experience of the ups and downs of love. Ironically, this is one of my favorite feel-good love songs.
Movie – Based on the mystery novel by Lawrence Block, Matt Scudder (Liam Neeson) is an ex-cop turned unlicensed private investigator. He finds himself reluctantly finds his way working for a heroin dealer who’s wife was brutally murdered by way of an Alcoholics Anonymous meeting. Along the way he meets a young street kid named TJ, who takes a liking to Scudder’s profession. TJ inserts himself into Scudder’s job by proving he is needed for his computer and technology skills, something Scudder is just to old to understand and use. Scudder realizes that the people he is after have committed this horrible crime before, and will continue until they are stopped. Working together Scudder and TJ follow a plan to finally put an end to this once and for all.
This movie is a winner with Liam Neeson fans. Although its a little slow to start it has his typical butt kicking, big man confidence you know and love about him. There are a few plot twists that I never considered being an option for the movie, yet somehow they work well. I found the ending to be very thought provoking and left me wondering if there will be a sequel in the future.
If you are looking for an action mystery with a mild tug on your heartstrings kind of movie, this is the one!
Movie – Johnny Blake is a tough cop – so tough he got kicked off the force. Which only delights the local gangsters, since Blake had been a thorn in their side for years. And then a local crime boss gets a bright idea and hires Blake on to help him develop novel ways of expanding his criminal enterprise, much to the distaste of his lieutenant Bugs Fenner, who isn’t convinced that Blake has left the side of the law at all.
This is a terrific example of Warner Brothers’ premiere blockbuster genre of the 1930s, the gangster flick. The plot, based on the career of real-life detective John Broderick, is fine, but the cast is outstanding: Edward G. Robinson as a good guy for once, a terribly young Humphrey Bogart in one of his nastier roles, Joan Blondell as your femme fatale and a full range of character actors – although for me, the highlight of the movie is Louise Beavers in a rare glamorous turn as the numbers queen of Harlem.
Like a lot of the Warner Brothers’ classic films on DVD, the disc includes the “Night at the Movies” special feature, designed to give you the full experience from the year the movie was made: a newsreel, a trailer, a cartoon, and a musical short. (If you want a double feature, though, you’ll have to load the second film yourself. I recommend Angels With Dirty Faces if you believe a night of gangster movies just isn’t complete without James Cagney, or Larceny, Inc. if you’d like a little comedy.) And don’t miss the blooper reel; you haven’t lived until you’ve seen Humphrey Bogart swearing at the furniture.
Movie – The zombie apocalypse has come! Or is it an alien invasion? A terrorist attack that wiped out the US government? Either way something bad has happened to the country and civilization is descending into anarchy! Or is it?
In 10 Cloverfield Lane, Howard (John Goodman) has prepared for the worst. He has a bunker and everything he needs to survive an event of catastrophic proportions. While out Howard finds Michelle (Mary Elizabeth Winstead) on the side of a road. She has been in a car accident. He takes her to his bunker to save her life. Michelle wakes up to find she is chained to a wall in a bare room and has injured her leg in the accident. Howard explains what happened and that an apocalyptic event has made the world up top uninhabitable. Michelle is unsure and does not want to believe him. Howard unchains Michelle and allows her into the common area. There she meets Emmett (John Gallagher Jr.). Emmett reassures Michelle that everything Howard has told her happened. Emmett is also hurt like Michelle. As the movie progresses Michelle discovers something which points her to think Howard lying and begins to doubt his story once again.
The film has a slow pace at the beginning and viewers with little patience might give up. But if you stick with it, it picks up quickly and the ending is something worth seeing. When the film first came out many speculated whether it was a sequel to Cloverfield (2008). All I will reveal is that I don’t know if it is or not. Viewers who like movies with a short character list, a good soundtrack, and suspense will enjoy this one. Patience is a must, though.
Graphic Novel – Although she’s about to turn eighteen, Emmy hasn’t seen much of the world. She lives alone with her father on their farm somewhere in the South and dreams of seeing more – until the night of her birthday, when everyone in town turns on her, even her own father, and she’s forced to flee for her life before she even knows why, or what it is about her that the spirits in the forest gather to protect her…
This is a terrific little Southern Gothic ghost story, just eerie enough to be disturbing if read too late at night, but without the excess of gore that you see in so many horror comics. The art is beautiful, done in a soft watercolor that adds to both the comfortable mundanity of Emmy’s home and the otherworldly feel of the haints and spirits. Emmy is a great character, struggling not only with her newfound power but with what it means about her and her place in the world. Fans of Welcome to Night Vale and Penny Dreadful will enjoy this series.