Book – The summer of 1976 is the hottest in recent memory, and Mrs. Creasy has disappeared from the Avenue. Grace and Tillie, both aged ten, are determined to get to the bottom of the case, but secrets run deep in their little suburb, and the more they investigate the mystery, the further they find themselves drawn into their community’s shared and troubling past–all starting with the long-ago disappearance of a little girl.
The Trouble With Goats and Sheep is a hard book to categorize; it doesn’t really fit well into any type of mystery I know. It doesn’t feature much actual detective work, and while we the readers learn the full story of What Happened through flashbacks, most of the characters do not. As such, The Trouble With Goats and Sheep might better be considered as a work of literary fiction or coming-of-age story with mystery elements.
I think that my own vague feeling of letdown at the end of the book was a result of trying to force it to fit a more traditional mystery mold, but the fact that I made it to the end at all is evidence of its good points. The author’s voice is compelling, and the novel’s themes are deep, exploring community, memory, scapegoating and the ways that fear and guilt can twist human behavior. As a fan of ensemble stories, I enjoyed the large cast of complex and not-always-likeable characters. As a whole, I found it a sufficiently intriguing debut novel to have hope for the author’s sophomore outing.
Movie – It’s Thanksgiving, and all the girls are going home from their rural boarding school — all the girls, that is, except for Rose, who wants a chance to talk to her boyfriend before meeting her parents, and Kat, whose parents are dead. Fenced in by snow and isolation, things begin to go slowly but inescapably wrong within the near-empty school. Meanwhile, Joan is hitching a ride in the direction of the school with a kindly married couple. If they have any idea what’s waiting for them at the school, they show no signs of it, but they won’t be pleased at what they find.
The Blackcoat’s Daughter is a slow-burn kind of horror movie, the kind where the eerie wrongness creeps up behind you so slowly you hardly know it’s there. If you’re in the market for thrills, look elsewhere, but if you want to become completely terrified of the thick blanket of snow that traps you indoors with whoever — and whatever — is inside with you, this movie directed by the son of Anthony Perkins, made famous by his role in Alfred Hitchcock’s Psycho, will be just your cup of tea.
Book–Dr. Tweedy, currently an assistant professor of psychiatry at Duke University, shares his experiences in this roughly chronological memoir that explores his identity as a black man and how it intersects with his identity as a doctor. He explores his discomfort with the fact that, for so many illnesses, simply being black is a major risk factor, and he is one of only a handful of black students in his medical program. He observes half-seriously that “being black can be bad for your health.” To me, the most interesting parts of the book are in the middle, where he tells various anecdotes about his patients’ reactions to him as a doctor during his residency and observes the inequalities in care received by the rich and the poor, who are disproportionately black. During his education, Tweedy briefly serves as a doctor at a pop-up clinic in a poor, rural area, prescribing whatever medicines his patients can afford and doing his best to make notes for whichever doctor will see them next time. He contrasts this type of patient-doctor relationship to that of his more affluent patients with health insurance, who are able to see the same primary care doctor each visit and receive drugs based on efficacy rather than affordability.
Tweedy makes for an engaging and thoughtful narrator. His account is modest and he remains cognizant of his own biases, having grown up in a middle class household shielded from the disadvantages suffered by many of his patients. If you enjoy Black Man in a White Coat, try Between the World and Me by Ta-Nehisi Coates, another examination of what it means to be a black man in America.
Book – Samuel Hawley and his daughter, Loo, are always on the move. Each time they settle into a new place, Hawley sets up a shrine in their bathroom to honor to his late wife, who drowned when Loo was a baby. Finally, when Loo is a teenager, Hawley decides to try to give her a normal life at his wife’s seaside hometown in Massachusetts. When Hawley competes in the local Greasy Pole Contest, he takes off his shirt to reveal a body riddled with scars from bullet holes. As Hawley and Loo’s latest stop becomes “home,” Hawley reflects on his past and the incidents that led to his scars. Loo begins to reach out to a few of the people in the town and as she matures, she learns about the secrets that bind her and her father. This book is a unique look at family bonds, guilt, sacrifice and the impact of our decisions and how they can ripple through generations.
Book – It’s hard to find a good true crime book about murderous women. There’s a way in which female killers are often treated less seriously than male killers, as though their femininity makes them somehow cute or trivial even though they’ve killed people. From the title, I was expecting Lady Killers to be something like that. I was pleasantly surprised when what I got instead was a chronicle of the way the contemporary media, and then history, treats women murderers. There are some big names in here (Countess Bathory, obviously; the Bloody Benders) but also a few I’d never heard of, and some I only knew a little about. They aren’t just stories from America and the UK, either – we’ve got murderers here from Egypt, Hungary, Russia, and Ireland. In each story, Telfer picks apart the ways these women are dehumanized (many of them were described as animalistic) or their crimes minimized by making them sexy (bathing in the blood of virgins!) or purely mercenary (killing one husband for the insurance money is one thing, but five?). And then, once they’ve been executed or died in prison, we forget all about them. Aileen Wurnos is far from the first female serial killer, but that was exactly what she was called in the press. In the end, Telfer’s thesis is simple: women are people, and sometimes people are horrible. Fans of Harold Schechter and Skip Hollandsworth should enjoy this very much.
Book-– Written by former director Neil MacGregor of the National Gallery in London, A History of the World in 100 Objects uses artifacts in the museum to tell the story of the world from our prehistoric origins all the way through to today. MacGregor refreshingly focuses about equally on objects from the Orient as well as the Occident, including such disparate artifacts as a Korean roof tile and a modern-day credit card. The joy of this 700+ page tome comes from how completely knowledgeable and intelligent MacGregor is; I felt MacGregor struck a nice balance between the breadth of topics he covered and the depth he delved into for each topic. I learned more about history, and had more fun doing it, from this book than I ever did in school. If you prefer a listening experience over a reading one, you can also download the entire collection, divided into 100 episodes, from the BBC’s website for free.
Book – Tananarive Due is the hidden secret of modern horror fiction. Sick of sparkly vampires? Bored with ghosts? Tired of the same old gothic secrets and bloody horrors and frankly offended by the level of sexual assault? You need to be reading Tananarive Due. One of the luminaries of the Afrofuturism movement (speculative fiction with a focus on Africa and the African diaspora), Due’s characters are gut-wrenchingly real, and her stories, even when horrific, are mesmerizing.
Take, for instance, “The Knowing,” the story of a ten-year-old boy and his mother who knows the date everyone she meets will die. Or “Free Jim’s Mine,” a classic deal-with-the-devil story told from the point of view of a relative, rather than the one who makes the deal, who is trying to escape via the Underground Railroad. Or the title story, “Ghost Summer,” an award-winning novella that expertly brings together backyard ghosts and the ghosts of history and family, all from the viewpoint of young ghost hunter Davie Stephens, who just wanted to be YouTube-famous and got way more than he bargained for. Even readers who aren’t big horror fans would enjoy her work, I think – it’s not graphic, but powerfully emotional, in sometimes heartbreaking but always insightful ways.
Book--Ever since the 6th grade, Dylan has been larger than other boys. Now at over 6 ft. tall, improbably hairy, and still growing, 15-year-old Dylan (called Beast by his peers) hides his face under hats and feels trapped in a body that doesn’t match his insides. When his school bans hats, Dylan walks off the edge of the school building and breaks his leg. He claims it was an accident. His orthopedist and his mother don’t agree. They send him to counseling for teenagers with self-harming tendencies, where he meets Jamie. Jamie is beautiful, smart, and funny, just the kind of girl that would impress Dylan’s friends. Because this is a Beauty and the Beast retelling, Dylan starts to shed some of his shallowness and misogyny as he falls in love with her, and begins to let go of his anger at the world. However, when Dylan learns that Jamie is transgender (a fact that she told him when they first met, had he been listening), he freaks out and pulls away from her. Will Dylan be able to get over his knee-jerk transphobia and apologize to Jamie? Will she be able to forgive him? Will they get back together?
Of course they will. But reading about how is the whole fun of it. I really enjoyed reading about Dylan’s journey from crass and callow teenage boy to sensitive young man. Despite being a fairy tale retelling, Beast stands on its own. If you enjoy this one, you may also enjoy other LBGT classic story retellings aimed at young adults (yes, this is a whole genre) such asAshby Malinda Lo (retells Cinderella),Great by Sara Benincasa (retells The Great Gatsby), and As I Descended (retells Macbeth).
Book- Rachel and Henry have been best friends since primary school, they have done everything together. In their ninth year in high school Rachel moves away but before she moves she wants to profess her love to Henry in the only way she can. By leaving a letter in one of the books in the Letter Library of his family’s bookshop. When she leaves to go to her new town she hopes that Henry will give her some sign that he got the letter, when three years come and go with no word about it she is devastated. To make matters worse her younger brother Cal is killed suddenly by the thing he loves most. At the end of year twelve Rachel must move back to her childhood city to try and find herself again, meeting Henry again along the way. When she is forced to work at Howling Books, Henry’s family second hand bookshop she must deal with the loss of her brother and best friend all over again. When Henry is faced with his own major life changes he must find his way back to his old friend again if he ever hopes to find himself again.
This is just the book your looking for, for a cute and classical bookshop romance. Love and loss all/will play a big part in everyone’s lives and Words in Deep Blueexemplifies what it means to truly and deeply love someone.
Book – Colombia, 1979. Italian movie director Ugo Velluto has packed up his crew and moved them to the Amazon to shoot a new kind of horror movie entirely on location, starring young unknown actors and featuring ambitious special effects. Our nameless narrator, the male lead, is so desperate for a paying job he agrees to go straight from his screen test to the airport. In Colombia, he finds a chaotic production in progress: a crew used to working only on soundstages, actors who’ve never seen the full script, special effects being built during the filming of the scenes they’re meant to be used in, and a director who might be a little bit crazy. And outside of the production, things are worse, as drug cartels ply their trade and guerilla revolutionaries work toward the violent overthrow of a corrupt government.
We Eat Our Own is based on the true story of the film Cannibal Holocaust – trumpeted as the “most controversial movie ever made” – which was filmed in the Amazon in the late 70s under a shroud of secrecy; due to the realism of the effects and the clever marketing strategy of the film, director Ruggero Deodato was actually put on trial for the murder of his actors. Debut author Kea Wilson dives into the setting with gusto, drawing detailed portraits of individuals, a film production, and a country in the midst of becoming something new, a process that is more than a little bloody for all of them. This is a tense and atmospheric (but still frequently funny) novel that won’t be for everyone – but I loved it.