Book – One day the stars go out. A mysterious membrane has encircled the Earth, and the only thing that gets in is sunlight. And then it’s discovered that the membrane doesn’t just seal the Earth off in space, but also in time, and eons are passing in the rest of the galaxy to every Earth minute. The story of the panicked Earth is told by Tyler Dupree, childhood friend of genius and technology heir Jason Lawton, who will eventually construct a space program dedicated to divining the mystery of the Spin membrane and the Hypotheticals who put it there. Isaac becomes a doctor, and is hired as Jason’s personal physician, a position that lets him watch the whole thing go spiraling out of control.
Science fiction with big ideas often suffers from unrealistic or just uninteresting characters, but I never had that problem with Spin. Tyler, Jason, and Jason’s twin sister Diane are all complex people with deep personal connections in addition to their role in helping the world recover the global disaster that is the Spin – Jason and Diane both push against their politically powerful father, E.D., in different ways, while Tyler is hyper-aware of his position relative to them: he’s the son of their family’s housekeeper. The way their personal dramas play out on a global, even a galactic, scale parallels the accelerated timeline of the Earth under the Spin.
Book – Tara Abernathy is a contract lawyer. Wait, no, don’t run away – I swear this is a fantasy novel, and a really good one, too. In Gladstone’s post-war fantasy world, contracts regulate and control the use of magic, called Craft. In recent history, Craftsmen (and women) overthrew the gods, shifting control of magical power into mortal hands. But remnants of the old religions still exist. And the old gods do, too – so long as they abide by their contracts.
That’s what Tara and her boss are investigating: Kos Everburning, a god of the city of Alt Coulomb, has died and defaulted on his contract. In order to keep the power on, and to forestall political upheaval, they have to prove that Kos was murdered.
Three Parts Dead isn’t always the easiest book to read (Gladstone subscribes to the “throw them in the deep end and see if they can swim” school of worldbuilding), but it’s never boring. This is the first in Gladstone’s ongoing Craft series. The sequel, Two Serpents Rise, features an entirely different cast of characters in a city halfway around the world from Alt Coulomb, but as the series goes on, the storylines begin to converge. It’s deep, fascinating, twisty stuff, and totally worth the effort it can sometimes take.
Books – Vlad is an Easterner (a human, to us), but he’s lived his whole life in the strictly regimented, caste-based Dragaeran Empire, among Dragaerans (whom his grandfather calls Elves). Most Dragaeran Houses are a matter of birth, but Vlad’s father bought his family into the House of the Jhereg, best known for putting the “organized” into organized crime. He lives a little in both worlds, rising in the ranks of the Jhereg while learning Eastern witchcraft from his grandfather – which is how he came by his long-time companion Loiosh, who is also a jhereg. All the Dragaeran Houses are named after animals, you see – a jhereg is a small flying lizard, about the size of a housecat. No, they don’t breathe fire. They’re not usually telepathic, either, but Loiosh is a witch’s familiar, after all.
The Vlad Taltos series – part of Steven Brust’s larger Dragaeran universe, which also includes a five-book trilogy and a stand-alone novel set in the East – is really something different; I don’t know of any other fantasy novels like them. They’re all narrated by Vlad in the first person, and Vlad’s voice is one of the most delightful things about them. Think something of a cross between Sam Spade and Strider (who becomes Aragorn). And each book is also about a different Dragaeran House and what that House stands for in Dragaeran society – Jhereg, the first in the series, is about Vlad’s life in the Organization; Dragon, another good starting point, is about war. You learn a little more about the universe with every book. There are fourteen books so far, with five (and lots of questions) left to go.
Book – Trace sees spirits. They’re kind of everywhere, but he doesn’t dare tell anyone he knows about what he can see, because every time he does they wind up dead. Even his partner Boz doesn’t know – until they’re hired by a rich old English lady to retrieve some property for her, and it turns out that she doesn’t need Trace’s skills as a trapper and guide so much as for what he can see that so few others can.
This is a terrifically fun Weird West story, with all the trappings – cowboys, werewolves, ghosts and sorcerers. Messinger does a good job with the diversity of the West, too: Boz is black, and the ghosts of Chinese rail-workers play a role in Trace’s difficulties. The overall plot isn’t too unique (and it’s clearly set up as the beginning of an ongoing series), but the unique twist on monsters and magicians, as well as Boz and Trace’s relationship, make for compelling reading. I’m interested to see where this series goes from here.
Book – What do AIDS, malaria, the Spanish Flu, and Ebola all have in common? Aside from being some of the scariest diseases humanity has to face, they all originated in animals. In Spillover, David Quammen explores how diseases cross over from animals into humans, how researchers figure out where those diseases come from, and what that means for the future of human disease.
That sounds like a combination of boring and terrifying, but really, the book is neither – Quammen’s writing is incredibly clear and easy to follow. He doesn’t assume you know anything about biology, nevermind viral microbiology, and both his own explanations and his conversations with experts make the whole topic seem reasonable and comprehensible. I felt smarter after reading this book. And safer, too – as the conclusion describes, one of the biggest factors in how diseases spread is how infected hosts react to being sick, and as humans, with intelligence and forethought, we can do a lot from preventing the Next Big One from being as big as we fear.
This is a little outdated; published (to great acclaim) in 2012, the most recent epidemic it covers is SARS, missing the most recent Ebola outbreak and the Zika virus. (Although there is a lengthy chapter on Ebola, in which he clarifies that it does not actually liquefy its victims, Richard Preston notwithstanding.) But it’s thorough enough to show light on those situations anyway. Pick this one up now, before next flu season comes around.
Book – Imagine that every time you do something wrong – tell a lie, steal something, think an uncharitable thought – everyone can see it, in the form of a little puff of smoke that comes up from your body. It leaves soot on your clothes, your pillowcases, your furniture. You must be perfectly good at all times, or clean everything constantly, or both. And if not – everyone will know.
That’s the world of Smoke, a tremendous new literary fantasy by Dan Vyleta. In Victorian England, the aristocracy are trained from childhood to never Smoke, to repress all their baser instincts to demonstrate their inherent superiority over the lower classes. But what if it doesn’t really work that way? What if Smoke isn’t sin, but something else? Thomas and Charlie, two boys at an elite boarding school in the countryside, begin to question what they’ve been told after a trip to Smoke-filled London, and before long their whole world is unraveling.
I loved this book and its incredible explorations of good and evil, sin and repression. In addition to telling the story of Smoke, it’s also full of all the things that make Victorian novels great – family secrets, corrupt leaders, criminals with a heart of gold, murder, disguise, horse chases, and romance.
Book – Agnes Magnúsdóttir has been convicted of murder, and in the spring, she will be executed. The governor has decided that it’s too expensive to send her to the seat of government in Denmark, so she’s been sent to the farm of District Officer Jon Jonsson, to live there with his family until the execution date can be set.
Between scattered documents – real translations; this is based on the true story of the last woman executed in Iceland for murder – detailing the problems the government is having in getting an execution set for Agnes and her two co-defendants, we learn more about the family hosting her and about Agnes’s own life. She grew up practically an orphan, working for her keep in a variety of small farms, before falling in love with Natan – the man she’s been convicted of murdering.
This was a moving story, stark and bleak but beautifully told, of a woman who is famous but not very sympathetic in her home country. Hannah Kent helps us to understand Agnes, who has been so terribly isolated for much of her life, who fell in love with the wrong kind of man, who lost a life she had never been very successful at in the first place.
Book – Agnieszka grew up next to the dark enchanted wood, in the shadow of the Dragon’s tower. The Dragon is a wizard, not a fire-breathing lizard; he doesn’t eat the girls he takes, but he does take one every ten years or so, and she never comes home again. At least, not for very long. Everybody knows that he always takes the best, the cleverest, the most beautiful, the most talented girl, so they’re shocked when he picks Agnieszka instead.
But unlike the other girls, Agnieska’s been picked for a reason – she has the talent to become a wizard herself, and by the king’s law, she must be trained. (No matter how much she hates it.) And then, as war threatens and the enchanted wood begins to overflow its borders, spilling monsters and poison out into the surrounding lands, she has to learn, if she wants to save her home and everyone she loves from a terrible end.
I absolutely adored this book, and I resented everything that made me put it down until I could finish it. While it has a lot in common with fairy tales, it’s also a deep, complex story full of very human people who make the wrong decisions for the right reasons (and sometimes the right decisions for the wrong reasons), and how they face the consequences of their actions. Fans of Novik’s His Majesty’s Dragon series and Katherine Addison’s The Goblin Emperor will love this, too. It also has a Hungarian flavor that would go very well with Steven Brust’s Dragaera series.
Book – Anna Senoz is, somewhat secretly, an ambitious scientist. When she was in college she wanted to change the world, but doesn’t everyone? Since then she’s gone through a lot – a miscarriage, a marriage, a child; several career dead-ends, a revolution, a discovery – and learned a lot, and she still wants to do is her piece of the work. The work, it turns out, is Transferred Y, a discovery about the evolution of human sex chromosomes that might change the world after all.
Life is a quiet, meditative story, part of that peculiar sub-genre of science fiction that is really more about people doing science than about any particular discovery. It is, as Jones has described it, “a fairytale about how change, real change in the world comes about,” through struggles and frustrations and the constant struggle of choosing to do something revolutionary or choosing to continue to feed your family.
It’s also very much a feminist story, in that Anna has to face a lot of issues her male colleagues never consider. Her friend and shadow-self, Ramone Hollyrood, becomes a famous feminist writer; Anna is never a feminist herself, but she wants to be treated as a person, which she finds is nearly impossible sometimes. She’s a tremendously real character, full of flaws and inconsistencies, but after finishing the book I find that I miss spending time with her.
Book – The first three days of the Beautiful Dreamer‘s cruise are perfectly normal. It’s a budget cruise line, so sure, there are some problems, but nothing to draw anyone’s attention. And then, on the fourth day, things start to go wrong. A usually cantankerous psychic becomes generous and welcoming, even to people who haven’t paid her fees. Security covers up the fact that they’ve found a young woman dead in her cabin; the man who’s killed her tries desperately to pretend that everything is normal. A housekeeper sees a boy who couldn’t possibly be there. A fire breaks out in the engine room, stranding the ship at sea.
And then things get weird.
I absolutely adored Lotz’s debut solo novel, The Three, so I shouldn’t have been so surprised that Day Four was so good, but I was. A good horror novel can be hard to find, but Lotz has a deft touch with atmosphere and she never lets the plot slow down. She doesn’t let you get too attached to the characters, though – which can be a good thing in a story like this, where you almost wish she’d start killing people off just to relieve the tension.
Day Four is technically a sequel to The Three, but the connections are thin; you wouldn’t miss much if you haven’t read the first one. (You should read it anyway, of course, it’s excellent.) If you’re looking for a good, disturbing, plot-driven horror novel, give Day Four a try. But if you’ve got a summer cruise planned… maybe wait until you come home.