Book - Have you heard of NaNoWriMo? It’s a no-holds-barred, seat-of-your-pants approach to creative writing, an international challenge where thousands of people commit to an insane goal: to write a 50,000-word novel in the 30 days of November. No Plot? No Problem! is NaNoWriMo founder Chris Baty’s instructional manual for the project. It covers everything from why you might want to try such a crazy project in the first place to how to motivate yourself past the week two slump, as well as offering tips and suggestions for how to plan your attack on your novel. I re-read this every year, a week at a time, to help me through my novel writing. I like Baty’s irreverant style and the attitude he brings to the project: it’s a nice reminder that even an insane goal is fun and worth pursuing.
If you’re interested in joining NaNoWriMo, it’s not too late! You can still sign up for an account on the official site to track your progress and meet other writers. Join us on two Saturdays this month, November 15th and 22nd, for afternoon write-ins. Share the companionship of other writers, compete in Word Wars, earn an entry into the 2014 Naperville Region Library Crawl prize drawing, and, of course – write!
Book – House of Leaves is the scariest book I have ever read. It’s not gory or gross or even immediately frightening – there are no monsters or demons or serial killers. It’s just completely terrifying.
The story takes place in several layers. Johnny Truant is our primary narrator, telling us about this manuscript he was helping his neighbor Zampano write. Then there’s the film Zampano is writing about, a documentary made by world-famous photographer Will Navidson about the house he and his family have moved into. At first the house seems perfectly normal, and then one day they discover a hallway doesn’t seem right. They double-check the blueprints, they measure the house inside and out with a laser sight, and there’s no way around it – the house is three-quarters of an inch larger on the inside than it is on the outside.
And then it gets bigger.
I think it’s the different levels of narrative that make House of Leaves so effectively terrifying. In trying to figure out whether or not the film is real in Johnny’s world, you start to forget that Johnny’s world isn’t necessarily your own, and everything seems to bleed together around the edges. House of Leaves isn’t the kind of book you can read all at once and get it over with; even if you could get through it in one sitting, it’ll haunt you later.
Book – David Moody’s Hater isn’t really a zombie novel, but it’s got a lot of similar trappings: friends and strangers turning on one another, individual survival becoming much more important than the trappings of modern life. It’s firmly in the “survival horror” genre, of which zombie novels are only the most popular form. The point of a survival horror story has nothing to do with what the monster is or why it’s dangerous, only whether or not the main characters are going to survive.
Moody’s concept is original and interesting. Instead of turning into zombies, people just become murderously violent, for no reason at all. We eventually find out that the “Haters,” as they’ve been dubbed by the media, aren’t driven by hate at all but by fear – a sudden, crippling fear that they’re going to be attacked and they have to defend themselves first. “Haters” can’t deal with normal people, but when they get into a group of their own they’re perfectly fine, because they know they’re among their own kind. It makes more sense than zombies, to be perfectly honest, and has the added benefit that the Haters are intelligent and can be interesting point of view characters.
I can’t uncritically recommend Hater. I thought the writing was stilted and the characters predictable. If you are looking for something to indulge a survival horror buzz, though – for instance, if you’re going into withdrawl from The Walking Dead – Hater will keep it going for you.
TV Series – Ginko is a mushi-shi, a scholar of those invisible, mysterious creatures called mushi which sometimes, through no fault of their own, cause serious problems for the humans and animals with which they interact. Each episode of the show follows Ginko’s attempts to resolve a particular situation caused by mushi, from the family who cannot leave a bamboo forest no matter how hard they try to the boy whose drawings come to life but only if he draws with his left hand. Because Ginko himself attracts mushi, he can’t stay in one place for too long, so he wanders from one place to another, helping others with their problems while he attempts to understand the creatures that cause so much trouble.
Mushi-shi is a faithful adaptation of the manga series by Yuki Urushibara, originally published in Japan from 1999-2008. It’s absolutely beautiful, with gorgeous animation reminiscent of both Studio Ghibli films and the watercolor paintings used for the book covers. The stories are similarly haunting, emotional pieces very like ghost stories in most cases. Since there’s no overarching plot, they’re great to watch one at a time and savor.
Book – Stony Mayhall isn’t like other kids. His skin is cold and grey. He doesn’t hurt when he’s injured. Oh, and he’s been dead since he was born. On a cold night not long after the zombie uprising. Wanda Mayhall found the body of a young mother by the side of the road, but the baby in her arms reached out when Wanda came close, so she brought it home and raised it as her own. No one knows why Stony grew up, even though he was a zombie, but they know they have to keep him a secret.
Unlike most zombie stories, Raising Stony Mayhall isn’t really a horror novel: it’s a story about family, and finding out who you are. Stony grows up in isolation, but his discovery that there are other living dead folks walking around brings his life into a new perspective. The point isn’t to scare you but to make you think. Daryl Gregory calls the genre he writes in “anti-horror,” a story that starts out seeming like horror but which turns into something much more positive. Even if you’re sick to death of zombie stories, give this one a try: it’s not at all what you’ve become used to.
Book – The subtitle on this book is “Just because the Internet told you, how do you know it’s true?” As anyone who’s ever spent much time on the Internet knows, a lot of what’s out there isn’t true at all, whether it’s from someone making a joke, someone who isn’t as informed as they thought they were, or from someone who’s actively trying to mislead you. Seife gives an overview of all these kinds of Internet-enabled misinformation as well as tips on how to spot tricks and scams.
While Seife’s writing style is entertaining, full of jokes and sarcasm, his hyperbole can be misleading itself. He mentions the immanent death of libraries at least twice, even though libraries are actually seeing more use now than they have in the past. That kind of thing makes me skeptical of the rest of the information he gives – just like he recommends that you be skeptical of a website when some of its information is wrong. Seife has a bias against online information in general, and that comes through loud and clear. Still, his advice for evaluating the things you find online is good, so readers can get practice by applying the same kind of critical reading skills to Seife’s own book before the venture onto the Web.
Book - On the 28th of June, 1914, Archduke Franz Ferdinand, heir to the Austro-Hungarian throne, was assassinated in Sarajevo, an event which is now commonly regarded as the spark that kicked off World War I. In this book, Lebow considers what might have happened if the assassin had missed. The Archduke, he argues, was an important moderate voice in European politics, and if he had lived, war may have been avoided. But what would the world look like if one of the deadliest conflicts of the twentieth century had never happened?
Lebow offers two alternatives: a particularly good world, in which the absence of war creates an open, moderate, and prosperous global community; and a particularly bad one, in which the tensions which contributed to the Great War continue without ever breaking into outright war, creating an atmosphere of oppression and paranoia. He admits that either set of events is as plausible as the other, and we’ll never be able to test his guesses, but he also argues that thinking about how things could have been different helps us to understand why things happened the way they did.
Since the book focuses so much on individual people, it’s easy to get lost in a long list of names and titles, particularly since half of the book is describing things that these people never actually did. I wouldn’t recommend it as an introduction to the war, but for someone already a little familiar with the events, this is an interesting new angle.
Book – The Girl With All the Gifts is such a unique reading experience that I really don’t want to spoil it by telling you too many things about it before you start. So instead, I’ll introduce you to the main character, Melanie. Melanie is a very special little girl. She wakes up every morning in a cell, and soldiers strap her to a chair to take her to class. On the best days, class is taught by Miss Justineau, who was the one who told Melanie the story behind her name. Sometimes, one of the other children from her class will disappear, and no one will explain where they went or why. And then, one day, Melanie finds out.
This is a tremendously moving book, full of rich characters and heartfelt relationships. Miss Justineau cares so much for Melanie, and Melanie for her, but even the less sympathetic characters grow on you over time as you learn, along with Melanie, more about who they are and what they care about and fear. If you liked Kauzo Ishiguro’s Never Let Me Go, Richard Matheson’s I Am Legend, or Mike Carey’s other work, you will love this book.
Book – Jordan Ellenberg, professor of mathematics at the University of Wisconsin-Madison, has written a book about math: not how you learned it in high school, but how it really is. We’re not talking about addition and subtraction here, or even algebra or calculus. (Well, a little calculus.) What Ellenberg is talking about in this book is the way math works, the way math shapes the world, and the way we can use math to change how we understand the world.
As a bonus, Ellenberg is pretty entertaining while he’s teaching. Examples range from baseball statistics to politics to con artists, and the book is liberally scattered with amusing footnotes. For example, from a description of how not to add percentages, using the Florida 2000 election results as an illustration:
Yes, I, too, know that one guy who thought both Gore and Bush were tools of the capitalist overlords and it didn’t make a difference who won. I am not talking about that guy.
This is a massively enlightening and entertaining book, and if you like having your mind blown but always suffered through trig by looking things up in the back of the book and praying you’d remember the formulas long enough to get through the test, you may enjoy How Not to be Wrong more than you might think.
Book – I came across this book through Tor.com’s Summer of Sleaze, a series of reviews of old horror novels, where the writers refer to Tryon’s work as “a third of our horror roots,” along with Rosemary’s Baby and The Exorcist. I’d never heard of Tryon before, so I was intrigued. And I was not disappointed. In fact, I’d say my expectations were set unfairly low – after all, the review series is called “Summer of Sleaze.” There’s nothing sleazy about The Other. A little purple, maybe, but not sleazy.
Holland Perry is not a nice little boy. In fact, he’s downright sinister, pulling pranks that are more vicious than funny. (We find out on page three that he killed an old woman’s pet cat.) His twin, Niles, is a much friendlier young man, but he makes plenty of excuses for Holland’s increasingly outrageous behavior. This is a slow-building novel; we spend lots of time with the characters where nothing particularly awful happens, until quite suddenly it does. And although The Other was billed as horror when it came out, it’s much less supernatural than the other evil-child stories of its day. In fact, I’d call it a psychological thriller instead, with as much in common with Gone Girl or The Dinner as with more traditional horror novels.