Movie – Caleb works for Bluebook, the world’s largest search engine, and he’s just won a contest whose prize is to spend a week living with the company’s founder, Nathan. When he arrives at Nathan’s isolated, ultra-modern estate, though, Caleb signs a nondisclosure agreement and learns that he’s been hand-picked to test Nathan’s most audacious new project: an artificial intelligence. Her name is Ava.
Ex Machina starts off as a beautifully realized science fiction story – one of the rare ones that make it all the way to film with all their complex ideas intact underneath the special effects. This is a small movie, resting on the shoulders of the actors and the characters rather than the effects (although the special effects on Ava’s transparent android body are so good you forget they’re special effects). Nathan embodies the modern brogrammer, and Oscar Isaac is note-perfect throughout. Caleb, played by Domhnall Gleeson (son of award-winning actor Brendan Gleeson), is the more stereotypical computer nerd. But neither of them are as compelling as Alicia Vikander’s Ava. Caleb is supposed to be testing whether or not Ava is really conscious, but as an audience who’s already seen plenty of movies where Robots Are People, Too, we’re waiting to see what he’ll do when he decides that she is.
And that’s where Ex Machina turns into a horror movie – a quiet one, nearly bloodless, but no less bloodcurdling for that. Why, after all, did Nathan put his AI into a female body?
And what are they all going to do with it?