Book – Helen Franklin is not happy with her life. She’s worked hard not to be; she is atoning. An English expatriate, she works as a translator in Prague and has only a few friends. When one of them is given a mysterious package of documents by an elderly man working on his memoirs, he spirals into paranoia and fear, dragging Helen with him. Who is this person Melmoth who appears in so many historical writings? Is she a myth or a bogeyman, or is she truly the witness to all humanity’s wrongs, Helen’s included?
I first read Melmoth the Wanderer, the 19th century gothic novel that served as the inspiration for Perry’s new one, on the sunny patio outside my college library, so I was primed to love this book. This is a lovely modernized echo of the original story. In this version, Melmoth is a woman, a lonely creature who longs for someone as broken as she is to keep her company. Told in the fine gothic style of nested narratives – one character reading a story written by another character, which contains a story told to them by a third party – we meet a variety of Melmoth’s potential companions throughout history, from a sixteenth-century nobleman to a young German boy in Nazi-occupied Prague, to Helen’s own tragic history.
Although the story is all about guilt and atonement, and whether or not some things can be atoned for, it’s not as bleak as that makes it sound. There is also a great deal of compassionate humanity and people being better in spite of themselves. I’m happy to report that I loved this book exactly as much as I expected to, and I’m looking forward to whatever Sarah Perry brings us next.