Book – Colombia, 1979. Italian movie director Ugo Velluto has packed up his crew and moved them to the Amazon to shoot a new kind of horror movie entirely on location, starring young unknown actors and featuring ambitious special effects. Our nameless narrator, the male lead, is so desperate for a paying job he agrees to go straight from his screen test to the airport. In Colombia, he finds a chaotic production in progress: a crew used to working only on soundstages, actors who’ve never seen the full script, special effects being built during the filming of the scenes they’re meant to be used in, and a director who might be a little bit crazy. And outside of the production, things are worse, as drug cartels ply their trade and guerilla revolutionaries work toward the violent overthrow of a corrupt government.
We Eat Our Own is based on the true story of the film Cannibal Holocaust – trumpeted as the “most controversial movie ever made” – which was filmed in the Amazon in the late 70s under a shroud of secrecy; due to the realism of the effects and the clever marketing strategy of the film, director Ruggero Deodato was actually put on trial for the murder of his actors. Debut author Kea Wilson dives into the setting with gusto, drawing detailed portraits of individuals, a film production, and a country in the midst of becoming something new, a process that is more than a little bloody for all of them. This is a tense and atmospheric (but still frequently funny) novel that won’t be for everyone – but I loved it.
Book – After a chance meeting brought them together, Lucy and Owen fell in love. Raised on the chaos of city life, the couple left New York City in favor of the quiet family-centered Hudson Valley, a small suburb of Beekman. It’s a health-centered place where you know all your neighbors, and the local moms cook up hot lunch at the schools. Over the years, the romance and attraction in Lucy and Owen’s relationship has fizzled, as they concentrate on raising their young autistic son, and dealing with the chaos of daily life.
It is on a rare drunken night with friends that the idea first hits them. Their friends reveal they have begun an open marriage, which shocks Lucy and Owen. As the weekend passes by, however, Lucy and Owen just can’t shake this new knowledge. Is it really as crazy as it sounds? In the spur of the moment, they lay out the groundwork and compile a set of strict rules. They agree on six months, no questions asked, but neither one has any idea how much their lives are about to change
The Arrangement by Sarah Dunn was not at all what I expected. The story follows the relationship of Lucy and Owen, but it also blends in multiple other points of view, looking into a variety of marriages and relationships outside of the main couple. While one obviously expects there to be sexual content when reading about open marriages, I actually found the details to be pretty minimal, with more concentration on the changing family dynamic of Lucy, Owen and their son, as well as other relationship in the story. I enjoyed this read because it felt very real, like something unfabricated, a glimpse into the life of someone who might actually exist.
Book – “What’s your favorite book?” is a cruel and unusual question to ask any librarian, but when absolutely forced to give an answer, Good Omens is where I tend to land. In an effort to keep this review from getting too gushing, then, I’m going to try to focus more on comparisons than description, because allowing me near superlatives in this case is a dangerous prospect. Let me just give the basics on plot–namely, it’s a humorous take on the Apocalypse (no, really)–and hurry from there to the land of “you’ll like this if”.
The obvious ones first: if you already enjoy the solo work of either Neil Gaiman or Terry Pratchett, then Good Omens is unquestionably worth your time. Even though it was written before the explosion of the internet and the resulting acceleration of mashup culture, it’s a perfect example of the kind of textual remixing that both writers did and do so well, deconstructing classic stories and themes and rebuilding them into something fresh and self-aware. It has all of Sir Terry’s boundless humor (and footnotes!) and sudden moments of profound emotional insight, with Gaiman’s unpretentious lyricism and finger on the pulse of the collective unconscious, and it reads so seamlessly that it’s impossible to tell that it comes from two different authors.
But you by no means need to already be a fan of either writer to love Good Omens; it was the first thing I read of either of theirs, and I was hooked from page one. If you already love Douglas Adams, Monty Python, Eddie Izzard or Christopher Moore, you’re a shoe-in; Good Omens is all about that same irreverent sense of humor. It’s a great choice, too, for fans of Roald Dahl or Ray Bradbury or Kurt Vonnegut, sharing their sometimes dark yet deeply compassionate lens on humanity. It’s for fantasy and sci-fi fans, but for humor fans too. It’s for the reader who wants a quick read that deserves to be called ‘light’ yet tackles big themes and doesn’t shy away from emotional impact. It’s for pretty much anybody who doesn’t mind allowing humor and religion to mix (never, in my opinion, in a way that mocks anyone or their beliefs). And it is–to allow myself just the one moment of gushing–an absolute, unqualified delight.
Book – If you have a general interest in astrophysics and/or if you are like me and want to appear smarter on the subject than you really are, then Neil DeGrasse Tyson’s Astrophysics for People in a Hurry might just be the resource you need! The book is by no means intimidating – small in size, only 208 pages, with an easy to use table of contents and index. With wit and charm Tyson shares his knowledge on the origin and creation of the universe, gravity, light, space, dark matter and dark energy, and many more cosmic wonders and mysteries. His goal is for us to gain an understanding of the past, present, and future of our universe and our place in it. Though you won’t be an expert after reading this, you just may have enough interest to want to know more.
The author is director of the Hayden Planetarium at the American Museum of Natural History and host of the hit radio and TV show “StarTalk”.
If you would like to learn more about this topic, as Tyson hoped you would, you may want to check out these books – What is Relativity, The Fabric of the Cosmos, these DVDs – Cosmos: A Spacetime Odyssey, Monster of the Milky Way and much more. Just check our catalog or ask one of our librarians!
Book— In a move reminiscent of Barbara Ehrenreich’s famous undercover excursion into the world of the working poor (Nickel and Dimed), professor of urban planning Lisa Servon worked as a check casher at RiteCheck, a payday lender, and a hotline operator for those having difficulty paying back payday loans to investigate what these services offer to vulnerable Americans. What she found is that America’s banks are ill-serving America’s poor and middle class. With practices such as debt resequencing, where the largest debit transactions on a checking account are non-chronologically processed first to maximize overdraft fees, and long check-clearing times that make it hard for people living paycheck to paycheck to count on their money being accessible, it’s no wonder that alternative financial services are springing up to fill the void. Contrary to popular wisdom, though, not all of these new services are predatory (or at least are no more predatory than banks). In fact, many customers prefer them because their fees are upfront and immediate rather than opaque. Servon’s account paints a more nuanced picture than the banking=smart, check cashing=short-sighted framework that I certainly subscribed to before reading this book.
If you enjoy The Unbanking of America, I recommend Evicted, which examines the detrimental effects that unstable housing has on the poor. For more information on the specific topics covered by Servon, I recommend this Freakonomics podcast on the topic or payday lenders. (For other great podcast recommendations, come to our Discover Podcasts program on Wednesday, November 1 at 7 PM.)
Book – Lydia is ending her evening shift at the Bright Ideas Bookstore when she discovers the body of Joey Molina hanging from a ceiling beam in the upper level. Joey had been one of the BookFrogs – lonely, lost customers who regularly frequented the shop. Lydia had been kind to Joey, but is surprised to learn that he has bequeathed his few possessions to her. When Lydia claims them, she realizes that he has left clues for her to decipher that may lead to the reason for his suicide. As Lydia learns about Joey’s brief and tragic life, she also uncovers truths about her own life and the past she tried to leave behind. I enjoyed following the clues and watching Lydia’s views shift as she examines the events of her childhood. Who can she really trust? This book was an entertaining and clever read.
Book – As a book-lover, “what’s your favorite book?” is my least-favorite question. Do you mean my favorite book I’ve read this year? The book I recommend to other people most often? The childhood favorite I still re-read when I’m having a bad day? But then, beneath and beyond all of these, there are those books I read so frequently and at such a young age that I can no longer remember not having read them. They’re just a part of the world, like water and air.
Those are the books that Handy writes about – The Wind in the Willows, Charlotte’s Web, Ramona the Pest, Where the Wild Things Are, The Chronicles of Narnia. It’s hard to imagine childhood without them, but most of us (unless we have children who like to be read to) haven’t read them in years, or maybe decades. Handy argues that we should, that these books have as much to teach us about the human condition as the canonical great classes, and that they’re just as enjoyable, too.
A book like this runs the risk of being sentimental, and there are some moments that tug at the heartstrings – but Handy isn’t afraid to mention those times his own children didn’t understand the appeal of a favorite book, or when he finally read a classic that he just didn’t enjoy. For anyone who has loved books for most of their life, this is a delightful exploration of some of the books that may have inspired that love in the first place.
Book – Game of Thrones is off the air again (the season seven finale hasn’t aired at time of writing, so I can say without fear of spoilers that I just bet it was spectacular) and The Winds of Winter still has no release date. What’s a Song of Ice and Fire fan to do?
In my extremely informal survey of Martin fans, I’ve found that even among heavy readers who’ve enjoyed the five books of the main Song of Ice and Fire series, few have taken the relatively brief (~350 page) foray into the prequel world of the Dunk and Egg. That’s a crying shame. Planned for an eventual series of about nine, the first three Dunk and Egg novellas, collected under the title A Knight of the Seven Kingdoms, are an absolute treat of a read. That said, they are very different to the main series, featuring none of the same characters and, more importantly, a significant tonal shift. Where the main Westeros novels espouse an almost noir-ishly grim, nice-guys-finish-last-and-without-their-heads morality, the stories of lowborn Ser Duncan the Tall and his squire–the boy who will someday become King Aegon the Unlikely–have an absolutely opposite feel, old-fashioned in a good way. Here, 100 years before Game of Thrones, chivalry and innocence are still very much alive and well. Ser Duncan is far from pampered, and certainly the stories see their share of moral complexity and bad things happening to good people, but ultimately kindness, generosity, honor and compassion are allowed to win the day.
A Knight of the Seven Kingdoms is as page-turningly compelling as A Song of Ice and Fire, but with a brisker pace, a narrower scope, and, as aforementioned, a welcome optimistic tone. For any reader–even one new to Martin’s work–who needs a charming, well-written break from death and destruction (whether on the news or HBO), it’s a fantastic choice.
Book- This is the story of Noah and Jude Sweetwine, a set of twins who are held together by a bond stronger than most would think. You can never find one without the other, it will always and forever be NoahandJude….right? Something eventually comes between these two that may ruin things for a long time. The early years are for Noah to tell and the later are Jude’s. In the early years Noah tells the story of his relationship with the new boy next door, and of his awesome quest to get into one of the worlds premier art high schools. Where everyone there is a revolutionary like him and their blood “glows” with something more. When its Jude’s turn she tells the tail of her struggling to get her brother back.she deals with the loss of someone important in her life and confronts the “rock star of the sculpting world” when she wants to create the ultimate marble sculpture to prove she is worthy.
This is an amazing and thoughtfully written book and had me cheering for NoahandJude until the very end. I’ll Give You The Sun shows an unbelievably strong brother and sister bond. 10/10 would recommend.
Book – Have you ever tried to write poetry? It’s not as easy as it looks – even free blank verse, in most hands, sounds silly, while a good poet can shake you to your core. Nevertheless, I keep trying to write poetry, hoping that someday I’ll accidentally manage something that’s actually good. I picked up The Ode Less Travelled to see if there’s anything useful I’ve been missing, and wow, have I been missing a lot.
Stephen Fry isn’t a poet – he’s an actor, comedian, and occasional novelist – but he writes poetry for fun, and thinks other people should try it, too. In aid of this, he explains poetical metre (everything’s spelled in British English in this book, although Fry also gives the Americanisms), rhyme, form, and criticism, along with giving extremely useful and interesting exercises for you to try. (They’re presented in workbook format, but please bow to the publisher’s wishes and buy a copy for yourself if you wish to write your verse in the book.) As he says, you probably won’t become an award-winning poet just by reading this book, but you will be able to amuse yourself with a creative hobby, much like sketching with words. And if all you’re interested in is understanding poetry a little better, this would also be a useful read, as it’s much more entertaining than any “Introduction to Poetry” I’ve ever read before.